The Banshees of Inisherin

By: Andrew Wing

The Banshees of Inisherin is a 2022 black tragicomedy film written and directed by Martin McDonagh (In Bruges, Three Billboards Outside Ebbing, Missouri). The film stars Colin Farrell (The Lobster, The Killing of a Sacred Deer) in the lead role, while Brendan Gleeson (Harry Potter films, Paddington 2), Kerry Condon (Better Call Saul, Ray Donovan), and Barry Keoghan (The Killing of a Sacred Deer, Eternals) also star in supporting roles. It reunites Farrell and Gleeson, who previously worked together on McDonagh's directorial debut In Bruges back in 2008.

The film follows two lifelong friends (Farrell and Gleeson) who find themselves at an impasse when one abruptly ends their relationship, which leads to alarming consequences for both of them.

The Banshees of Inisherin had its world premiere at the 79th Venice International Film Festival on September 5, 2022, where Farrell won the Volpi Cup for Best Actor and McDonagh won the Golden Osella for Best Screenplay. It was theatrically released in Ireland, the United Kingdom, and the United States on October 21, 2022, by Searchlight Pictures. It was named one of the best films of 2022 by the National Board of Review.

THE GOOD

Going into 2022, The Banshees of Inisherin was at the very top of my most anticipated list. The reason is Martin McDonagh. For those who don’t know, Martin McDonagh is a British-Irish playwright who is hands down one of the most impressive writer-directors we have making movies today. As said in the introduction, his feature film was In Bruges, and he followed that up with the highly underrated Seven Psychopaths, before almost winning Best Picture in 2018 for his 2017 crime drama Three Billboards Outside Ebbing, Missouri which is just brilliant if you ask me. And with The Banshees of Inisherin, he was getting back together with the two stars from In Bruges in Colin Farrell and Brendan Gleeson so I just could not wait to see this on the big screen the first chance I got. Well, I got the chance to see it alright, but was it as good as I had hoped? Keep reading to find out!

No, it wasn’t. It was better! I can’t believe I’m saying this, but this is Martin McDonagh’s best work. The man just understands the black comedy genre better than anyone else. The script is flawless and it is just such a funny movie. The premise is so simple really, it’s about one friend basically unfriending the other friend out of nowhere, but I was just blown away by it. Because of how simple the film’s premise was, we were able to see how far these characters are willing to go, and we also actually come to understand why both characters are doing what they are doing. At the end of the day, the movie is just perfectly directed and McDonagh is worthy of a Best Director nomination. More than that, as already said, this original screenplay is just a masterpiece and in my opinion, it’s between McDonagh and Todd Field for TÁR (see my full review here) for Best Original Screenplay.

But now onto these amazing performances we got, and I have to start with one of my favorite actors who just killed it here, and that’s Colin Farrell. First things first, Colin Farrell is having himself one hell of a 2022. He was in the A24 drama After Yang (see my full review here), earlier this year where he gave a great dramatic performance that I felt didn’t get enough attention. He was also in one of the biggest movies of the year in The Batman (see Ted’s full review here), as he was totally unrecognizable as  Oswald "Oz" Cobblepot / Penguin. That said, he gives his best performance of not only the year but of his illustrious career in The Banshees of Inisherin.

Seriously though, I loved his performance and his character so much here. At the beginning of the movie, we see that his character’s identity is mostly rooted in his niceness. His character prides himself in being a nice guy despite being a little bit dull. That said, throughout the movie we see Farrell’s character begin to shift from being the nice guy to one who is enraged at his old friend for what he is doing to him and that is when Farrell really begins to shine through his performance. He has one scene that is just remarkable and it’s one of my favorite performances of the year. I think Farrell is definitely going to receive his first-ever Oscar nomination for this, and who knows, he could even win given the competition and I would be so happy for him because as previously mentioned, he truly is one of my favorites.

As for Brendan Gleeson, he is just one of the best-supporting actors working today and he was perfectly cast in this film as the friend who unfriends Colin Farrell’s character. Gleeson’s character’s motivation behind that decision is actually really interesting and it’s one of the most thought-provoking parts of the film. That said, because of how talented of an actor Gleeson is, we were able to see where he was coming from despite his unbelievable pettiness. I just thought his character felt so real despite both the mystery inside him and the extremes he goes to in the film, but all in all, Gleeson was fantastic and he is locked in for what would be his first Oscar nomination as well for Best Supporting Actor.

Gleeson wasn’t the only great supporting performance in the movie though, because Kerry Condon and Barry Keoghan both gave amazing supporting performances as well. First with Condon, and I had never seen her in anything before this, but she was certainly a standout in the film. She is really funny in this and her character has some of the best comedic moments in the whole thing. The other one who is responsible for the other best comedic moments in the film is Barry Keoghan. He plays the absolute dumbest person in this town and he just does it so well. It is just a perfect casting choice, and I don’t know how he plays idiots so well. Both Condon and Keoghan are serious threats too to get Oscar nominations which is insane because that’d be four acting nominations, but the acting from the whole cast in this is better than any other movie I’ve seen this year.

Aside from the performances though, the technical elements in this film are simply incredible. The setting of the movie takes place in this small Irish seaside town and the location really felt like a character in this movie because of how beautifully it was shot by Ben Davis. The cinematography is just outstanding here though. From the way he captured the landscapes to the way he shot the interiors of the bar, I was just in awe of Davis for taking this movie to another level. Also, the editing was done with an awareness of where the jokes were and how long the audience would be laughing at said jokes, so shoutout to Mikkel E. G. Nielsen, the editor of the film, who will most definitely be getting nominated. And last but not least, Carter Burwell’s score for this is just ridiculously good. It felt very fitting to the movie and I don’t see any way he doesn’t get an Oscar nomination either. All in all, this movie is just fantastic on every level and it’s a serious contender for Best Picture.

THE BAD

If you can’t tell yet, I absolutely loved this movie. It’s #2 on the year for me only behind Everything Everywhere All at Once (see my full review here). I just don’t have anything bad to say about it. Sure, the story is kind of absurd at the end of the day, there’s some gore, and the ending might lose some people, but I seriously recommend checking this out. You won’t regret it.

THE VERDICT

Thanks to Martin McDonagh, the master of black comedy himself, The Banshees of Inisherin is not only his best film but also one of the year’s very best films. It’s backed by Oscar-worthy performances from the four main cast members and it's just a seriously well-crafted film that is full of laughs throughout.

This movie is fucking hilarious, there’s no debating that, but there’s also something existential about the movie too that really makes you think about how you go about your own everyday life, and I don’t know what else to say, I loved everything about it.

TED TAKES RATING - 9.8/10

The Banshees of Inisherin is now playing in select theaters. Check out the latest trailer below.

Violent Night

Violent Night is a 2022 action dark comedy directed by Norwegian native Tommy Wirkola (Dead Snow, Hansel and Gretel: Witch Hunters), from a screenplay by Pat Casey and Josh Miller, who also co-wrote Sonic the Hedgehog (2020), and Sonic the Hedgehog 2 (2022). The film is produced by 87North who previously produced Nobody, John Wick, Atomic Blonde, Deadpool 2, Bullet Train, and Fast & Furious Presents: Hobbs & Shaw.

When a team of mercenaries breaks into a wealthy family compound on Christmas Eve, taking everyone inside hostage, the team isn’t prepared for a surprise combatant: Santa Claus (David Harbour, Black Widow, Stranger Things series) is on the grounds, and he’s about to show why this Nick is no saint.

The film also stars Emmy winner John Leguizamo (John Wick), Cam Gigandet (Without Remorse), Alex Hassell (Cowboy Bebop), Alexis Louder (The Tomorrow War), Edi Patterson (The Righteous Gemstones), and Beverly D’Angelo (National Lampoon’s Vacation franchise).

Violent Night made its debut in theaters on December 2nd, courtesy of Universal Pictures.

THE GOOD

Christmas is a big deal in my house, but my wife is much more traditional and just wants to watch Hallmark movies and drink hot chocolate. Now I will drink the hot chocolate of course, but you can keep the Hallmark movies because I need something a bit edgier; enter Violent Night. When the first trailer for the film was released I was immediately overwhelmed with the Christmas spirit, this looked awesome. First, who doesn’t love Mr. Stranger Things himself David Harbour best known as Hopper in the series. The 6’3 behemoth of an actor who makes Tom Cruise look like a child is perfect for the role of old Saint Nick. So yeah, to say that I was excited would be an understatement, the Holiday Season would not begin until this movie hit theaters. So, the day has finally come, did Violent Night spread the yuletide cheer I hoped it would? Keep reading to find out!

Move over National Lampoons Christmas Vacation because this might be my new favorite Christmas movie! Seriously, Violent Night was fantastic for so many different reasons. First off, I made it clear why I was excited about the movie in the first place, but it turned out to be so much more than I expected. I sort of thought it would be more in the realm of a horror comedy which would have been fine, but instead, it finds itself somehow teetering on over-the-top and ultra-violent action comedy meets Holiday classic. I certainly wouldn’t let any children watch this movie, but the underlying message is dare I say magical. Violent Night finds a way to instill the joy of Christmas while offering viewers the unique opportunity to watch Santa Clause fuck some shit up, pardon my French. David Harbour’s version of the jolly guy who delivers presents to kids one day out of the year is a damn legend, simple as that. Violent Night is immersive, hilarious, very well-paced, packed full of incredible fight sequences that are as brutal as they are satisfying, and still somehow manages to offer up some heart along the way. Also, the cast is nothing short of fantastic from top to bottom.

Alright so as far as the story, I honestly wasn’t sure what to expect from Violent Night. But as I said I sort of imagined a horror comedy style of a film where this badass Santa Clause just wrecks house on these dudes for landing on his naughty list. Now that is honestly sort of what happens, it just doesn’t quite evolve how I pictured it. But before you get all bent out of shape, this is a good thing. I was genuinely impressed with the depth of the overall story and the fact that at its core this really is a Christmas movie, and is built around the traditions we all know and love. I mean listen, we all have rough days, weeks, months, or even years, and good ol’ Saint Nick is no different. I won’t say much more in terms of the story because I really don’t want to give anything away, but viewers will have plenty to sink their teeth into. The story really impressed me at every turn, and it perfectly complimented what I considered to be one heck of a fun roller-coaster ride.

We have to talk about the cast, and needless to say, we need to start with my guy David Harbour. Widely known for his role as Hopper in Stranger Things, Harbour reminds me of the great Michael Shannon in so many ways. Both actors are roughly 6’3 in height which is basically Tom Cruise x3 and are each incredibly talented. What is most impressive is the range they possess, which granted I have to give the edge to Shannon in terms of some of the versatile roles he has taken on, but as his career progresses I am getting more and more impressed by Harbour. I absolutely loved him in this role and felt like he was the man for the job. His believability was spot on whether he was selling viewers on the legend of Santa Clause and his reindeer, or the dark past that you will learn about once you see the movie. He was just great.

Next in line is honestly one of my favorite actors over the years in the talented John Leguizamo. I have been a fan of his ever since the over-the-top and ridiculous 1997 comedy The Pest, which has a 4% rating on Rotten Tomatoes just in case you were interested. Leguizamo really is a generational talent with 155+ acting credits and counting, and he recently played a great role in the fantastic satirical comedy-drama The Menu (our full review here), which is a must-see. In Violent Night Leguizamo plays the primary antagonist as he is the guy who will stop at nothing to get what he wants during a very well-planned and sophisticated heist. But what makes this movie so unique is that each pivotal character has an important backstory, and he is no different. Although Harbour and Leguizamo lead the way for me, the supporting cast is great as well. I have to give credit to Leah Brady who plays her best Kevin McAllister of Home Alone fame.

Alexis Louder, who is lights-out good in Copshop (our full review here), held her own as well and once again proved why she is an actress to keep an eye on. Veteran actress Beverly D'Angelo, known for the Christmas classic National Lampoons Christmas Vacation that I previously mentioned, also dominated a pivotal role as the matriarch of the Lightstone family. I’m not ashamed to admit that I have liked Cam Gigandet ever since his role in the underrated 2008 sports drama Never Back Down. He has always played that a-hole privileged guy role perfectly, and he takes on some of that here as well with some solid comic relief. Actress Edi Patterson was great as well in her role as Alva Lightstone and had great chemistry with the rest of the cast. The entire supporting cast was honestly as good as you could hope for and each did their part.

The action sequences and fight scenes in Violent Night are next-level awesome. When a film involves a guy named David Leitch, you know it is going to hit as hard as a 90’s era Mike Tyson uppercut. His resume is just insane. He directed the recent action thriller Bullet Train (our full review here), now streaming on Netflix, he also directed Hobbs & Shaw, Deadpool 2 (our full review here), Atomic Blonde (our full review here), and co-directed the first John Wick movie. So yeah, he knows his way around a fight scene or two. Violent Night sets the tone early, and the violence does not let up. Santa is a bit of a punching bag at first because I mean he only planned to be out delivering presents and didn’t exactly pack his brass knuckles, but the old muscle memory kicks in real quick. So many of the action scenes are a blast to experience, and each one felt unique and well thought out. I also loved the homage to Home Alone, and one scene, in particular, had me damn near yelling “ohh shit!!” out loud. So good. Bottom line, if you want to be entertained this holiday season, Violent Night is the movie you need to be seeing in theaters.

THE BAD

Alright listen, I loved this movie. I thought it was a blast from start to finish, but with being said, Violent Night is not for everyone. The film is extremely violent, excessively vulgar, and just a good old-fashioned wham-bam-thank-you-man when it comes to the season of sugar cookies, presents, and spiked egg nog. I feel like a broken record every single time one of these movies comes out because let’s be honest, it is very clear what kind of movie Violent Night is from the start. So if you don’t like the subject matter clearly you will have a hard time enjoying this movie. But with that being said, the film was right up my alley and even exceeded my expectations.

THE VERDICT

An epic and brutally violent action comedy that is basically Home Alone meets John Wick with a surprisingly wholesome underlying message, Violent Night is the next great Christmas classic and I will not be convinced otherwise. This movie was just so much fun I can’t even begin to describe how much I enjoyed it. The age-old debate about whether or not Die Hard is a Christmas movie can finally be put to bed because David Harbour is officially Santa Clause, and Violent Night is the next great Holiday classic. Mark it on your calendars folks, because you will be watching this bad boy for years to come. Be sure to fully immerse yourself in the true Holiday cheer of this masterpiece in theaters sooner than later, you won’t regret it.

TED TAKES RATING - 8.9/10

Violent Night is now playing only in theaters. Check out the latest trailer below.

Armageddon Time

By: Andrew Wing

Armageddon Time is a 2022 American coming-of-age drama film written, directed, and produced by James Gray (The Lost City of Z, Ad Astra). The film stars Anne Hathaway (The Devil Wears Prada, Les Misérables), Jeremy Strong (Succession, The Trial of the Chicago 7), Banks Repeta, Jaylin Webb, and Anthony Hopkins (The Silence of the Lambs, The Father). The film was shot in New Jersey with cinematographer Darius Khondji (Okja, Uncut Gems).

Inspired by Gray's childhood experiences, the story follows a young Jewish-American boy (Repeta) who befriends an African-American classmate (Webb) and begins to struggle with expectations from his family and growing up in a world of privilege, inequality, and prejudice.

Armageddon Time had its world premiere at the 2022 Cannes Film Festival on May 19, 2022, and was released in the United States via a limited theatrical release on October 28, 2022, by Focus Features, before expanding wide on November 4, 2022.

THE GOOD

For some reason, James Gray isn’t a household name, but his movies are all awesome. His 2019 science fiction film Ad Astra was one of my favorites of 2019, and that says a lot considering 2019 was arguably one of the best years in film we have ever had. That said, I was pumped once I first heard that his next movie, Armageddon Time, would be based on and inspired by Gray’s childhood experiences from growing up in New York in 1980. Not only that, but the fact that it was headlined by quite a trio of actors in Hathaway, Strong, and Hopkins, and I knew I was not going to miss this one during its limited run in theaters. But were the big names attached enough to make Armageddon Time a good movie at the end of the day? Keep reading to find out!

Yes! The answer is yes! For real though, James Gray has done it again! As I said in the introduction, he really isn’t that well known but he truly is one of most fascinating American directors working today, and with Armageddon Time, he takes us on an unforgettable autobiographical journey. I thought James Gray was really vulnerable here as the director for a lot of reasons. For starters, the movie’s main focus is on dissecting the white privilege that Gray grew up with, and I just commend him for acknowledging that and dissecting it so effectively throughout the film. Also, this movie just wasn’t as sensational as other films like this usually are, and I think that’s why I connected with it more. More than that, it never felt like Gray was forcing us as the audience to find one specific conclusion within all the threads in this boy’s life. Rather, it just felt grounded in reality and that is all it needed to be in my book so hats off to James Gray for yet another great job writing and directing!

Now let’s get into the amazing performances we got in Armageddon Time. I’ll start with Banks Repeta who plays the main character, Paul Graff, who we can assume is a reflection of James Gray as a child. This wasn’t the first I had seen of Repeta, but this was hands down the best I’ve seen of him. He was both kind of awkward and kind of charming, and I just thought he was perfect for this role. It didn’t feel like Gray was trying to cast someone perfect to play his younger self, but rather he wanted to cast somebody who felt believable as a misfit and Repeta was just great. As for newcomer Jaylin Webb, the other child performer in Armageddon Time, I thought he was excellent in his first feature film performance. His chemistry with Repeta was flawless, and the two of them provided some of the best moments the film had to offer.

But now onto that acting trio I previously mentioned that ultimately got my ass in the theater. I’ll start with Anne Hathaway who has been on a stinker streak lately, unfortunately. That said, her performance in this puts that streak to an end if you ask me. I loved Hathaway’s performance here and I thought she was very good. I did think she had the weakest of the primary familial relationships with Banks Repeta’s character Paul, but still, it’s Anne Hathaway and she’s incapable of giving a bad performance even if it’s in bad movies like The Hustle or The Last Thing He Wanted.

Continuing with that big three, let’s discuss the two-time Academy Award winner Anthony Hopkins. I mean what can I say? The man is a legend and he has given us some of the best performances we have ever seen in the history of film. Well, he puts another feather in his cap with his performance in this as the wise old grandfather, Aaron Rabinowitz. He is the one adult figure in Paul’s life who is able to get through to him and because of that, he was responsible for some of the more emotional and sentimental moments in the film that I’ll admit did hit me pretty hard.

And lastly, with Kendall Roy himself, Jeremy Strong, I thought he had the best performance in the entire film which also surprised me the most too. He comes across initially as this stern and emotionally distant father, but because of Strong’s acting talents, you can see how charming he is in some scenes with his kids. Also, he has some of the strongest scenes in the film as later in the movie we start to see his emotions come through the cracks, and similar to Hopkins, he caused my eyes to water a time or two. Strong really just continues to move higher and higher up my favorite actors list, and I cannot wait for season three of the best show on television right now, Succession.

THE BAD

News flash, I loved this movie. It made me as emotional as I have ever been in a movie which I wasn’t expecting, and this is undoubtedly one of my personal favorites of the year. That said, I really don’t understand why this film hasn’t gotten more buzz during this year’s awards circuit. Maybe it’s because we have gotten so many of these movies where the directors are basically just doing autobiographies of their own lives like Kenneth Branagh did last year with Belfast (see my full review here), and like Steven Spielberg is doing this year with The Fabelmans (see our preview here). But at the end of the day, this movie isn’t trying to be the charming Oscar bait we have grown accustomed to. It’s rather more of a matter-of-fact approach about this child at this point in his life and I was just totally absorbed by it, so I wish it got more awards attention because I think it deserves it.

THE VERDICT

Behind great performances from the entire cast, Armageddon Time is a really interesting memoir film from American filmmaker James Gray. I loved that he chose to tell this personal story that ultimately serves as a direct and damning takedown of the white privilege that was percolating in 1980 New York and still is today. The film is complex yet grounded in a familiar reality, and it really hit home for me on an emotional level.

I don’t know, maybe it’s because it is a movie that is free of nostalgia, but this movie is just getting no awards buzz for some reason. Yes, it’s a film that tackles a lot from the political angles, the family dynamics, to the friendships, but I just think it all comes together so nicely and I couldn’t recommend it more.

TED TAKES RATING - 9/10

Armageddon Time is now available for rent or purchase on demand. Check out the latest trailer below.

TÁR

By: Andrew Wing

TÁR is a 2022 psychological drama film written, directed, and produced by Todd Field (In the Bedroom, Little Children). It is Field's first film since the release of Little Children in 2006, and the film stars Cate Blanchett (Blue Jasmine, Carol). The cast also includes Noémie Merlant (Portrait of a Lady on Fire), Nina Hoss (Homeland), Sophie Kauer, Julian Glover (The Empire Strikes Back), Allan Corduner (Yentl), and Mark Strong (Kingsman: The Secret Service, Shazam!).

The film, set in the international world of classical music, centers on Lydia Tár (Blanchett), widely considered one of the greatest living composers/conductors and the first-ever female chief conductor of a major German orchestra.

TÁR had its world premiere at the 79th Venice International Film Festival in September 2022, where Blanchett won the Volpi Cup for Best Actress. It had a limited theatrical release in the United States on October 7, 2022, before a wide release on October 28, 2022, by Focus Features.

THE GOOD

When I first heard about TÁR, let’s just say I circled the release date on my calendar. I was excited for a number of reasons. Obviously, I was excited because it was getting a lot of buzz from critics after its world premiere at the 79th Venice International Film Festival in September, but I was also excited because it is Todd Field’s first film in sixteen years! More than that, it is headlined by one of the greatest living actors in Cate Blanchett as the title character, who critics were saying gave a performance of the ages. All of that said, my expectations for this film were higher than high, but did it match those expectations? Keep reading to find out!

It most certainly did, and I won’t keep you waiting, the main reason it did was because of Cate Blanchett! This movie simply is a long and patient character study that follows Blanchett’s character, Lydia Tár, and her fall from grace. Lydia Tár is a very secretive and elusive person who is very unemotional and stoic, and Cate Blanchett just brings this character to life so much that by the end of the film you’ll be Google searching to see if Lydia Tár was actually a real person. I mean it is really insane how she just transformed into this woman.

I’ll touch on the screenplay very soon, but every word Cate Blanchett says in this film is pitch-perfect. She elevates every single sentence, every single word, and every single syllable. She truly doesn’t miss in this. To continue, Blanchett doesn’t hesitate in this film and she never breaks character. She is locked in from the beginning to the end and it was just fascinating to see. I really think it is one of the greatest performances I have ever seen and as much as I loved Michelle Yeoh in Everything Everywhere All at Once (see my full review here), Cate Blanchett needs to win the Academy Award for Best Actress for her performance in this film. Yes, it would be her third Oscar win and Yeoh hasn’t won one yet, but there’s just not a better performance we are going to see this year.

Next with Todd Field, and I’ll be blunt, the man is fucking back! He is really a genius when it comes to filmmaking. Every scene in TÁR was just so meticulously and expertly crafted and there is just no denying that Field will get a Best Director nomination. When it comes to purely directing, I don’t know if I was as blown away by what he did as I was by say the Daniels for what they did in the aforementioned Everything Everywhere All at Once, but what Field does is still fantastic. He rests so much of what this film does and is on just having an actress of Blanchett’s caliber who has the utmost talent to be front and center here in the film and that is what makes the movie and his direction so brilliant if you’re asking me.

Continuing with Field, the screenplay we got from him here was just the definition of a masterpiece. It is just full of so many interesting and enticing themes such as cancel culture, but also the topics of power dynamics, manipulation, and also the idea of separating the art from the artist. Furthermore, the screenplay grapples with the idea that the perception of these people like Lydia Tár is going to change over time and it is not going to be in our hands. There is a tight insistence throughout the film of Lydia controlling her image and her perception only for it to be overtaken by a changing tide that is the way in which people view public figures like Tár.

All of that said, after watching TÁR, it is evident that Field really respects his audience’s intelligence and I love that. I mentioned how this film is a character study, but more than that it is an examination of the infamous cancel culture I just brought up in a much less sensationalized way. At the end of the day, there was a lot Todd Field was trying to say with his script, but my favorite thing about it was that he didn’t give us answers. Instead, he gives us this movie in a way that allows us to observe that phenomenon in a broader sense and take away our own ideas and I think that is what makes a script like his so masterful and compelling. The skill in his writing is that the details are there to pick up on and as previously mentioned, he trusts you to pick them out. There are just so many subtle clues he leaves throughout the film that allows you to fill in the blanks and I know I’ve said this a number of times now, but I just loved everything he did with TÁR and I’m pulling for him to win for Best Original Screenplay!

Now onto the technical side of things with TÁR, and with this being a movie that follows a renowned composer-conductor, I have to start by talking about the music. Now the film doesn’t have a true score here like most other films because Blanchett is conducting Gustav Mahler’s 5th Symphony which isn’t the original score and there also is not a ton of music in the movie other than that. That said, the film’s score nevertheless was composed by Hildur Guðnadóttir, who is most known for her score in the 2019 film Joker, for which she won the Academy Award for Best Original Score. That said, while there isn’t a ton of music in TÁR, there is still a score that is made up entirely of sound that plays in the movie, and after doing some research after seeing this, I have to say that what she did is very impressive. Now it probably won’t get a score nomination because most people will watch it and be confused but all of the orchestra scenes in this were breathtaking and those were composed by Guðnadóttir, so I just got to give a shout-out to this woman who is one of the most remarkable musicians we have working today.

To continue, while there is no better performance than that of Cate Blanchett in this film, that doesn’t take away from all the great supporting performances this movie gives us. I personally thought Nina Hoss was the best of the supporting bunch. Hoss is a German actress that I had never seen before, but she was amazing in this as Tár’s wife and concertmaster, Sharon. I don’t know if she had enough screen time to get herself nominated but you never know. Aside from Hoss, I loved Noémie Merlant, Julian Glover, and Mark Strong (especially his wig), and also shoutout to Adam Gopnik, staff writer for The New Yorker who plays himself in the film and was just awesome.

In conclusion, I am just obsessed with this film. It’s my number three on the year and I don’t see it going any lower than that. It’s a lock for a Best Picture nomination and I really don’t see anyone other than Cate Blanchett winning for Best Actress. She literally created a movie persona in Lydia Tár that will be remembered in the same way we remember characters like Daniel Plainview. Oh, and last but not least, the ending to this film is just phenomenal and it left me with the biggest grin on my face.

THE BAD

Alright, as you clearly know by now, I don’t have much bad to say about TÁR, but the main critique of the film from what I’ve seen that has been widespread among critics is that the movie is too pretentious and inaccessible. Now I’ll admit, the dialogue is super witty and tense, and also extremely intelligent, but I just was never turned away from the movie. Also, and I almost feel like I’m breaking the law or cheating by writing this review after only having seen the film once, but it’s almost impossible to have the tightest grasp on the film and completely understand everything at play in my opinion after just one watch. It’s just one of those movies where you are trying to wrap your head around what is going on, but that’s why I loved it so much to be perfectly honest and I can’t express to you how excited I am to check it out again whenever it hits streaming.

Aside from that, the second biggest complaint that I have seen from other critics is the film’s runtime. I don’t know, I know I’m in the minority on this one, but I just truly don’t care how long a movie is as long as it is well-edited like this one was. TÁR clocks in at 158 minutes which some people just won’t be able to overcome and that’s okay I guess, but I have to say you will be missing out. The movie really flew by and I did not want it to end. Also, and this is more of a warning, but the first three scenes in the film take up like 25 to 30 minutes but just know that all of those scenes, and truly all of the scenes in the film are critically important and the movie wouldn’t be the same without them. The movie is really built and defined by these long, extended conversations and the reason that it works and is riveting is because the dialogue is just so dense and the delivery of every line of dialogue from all the actors is just flawless.

THE VERDICT

Behind a career best performance from Cate Blanchett that is one of the most incredible performances I have ever seen, TÁR is a five-star film that is hands down one of 2022’s best. As impressive as Blanchett’s performance as Lydia Tár was, Todd Field’s direction and screenplay are right there with her. It is a patient, smart film that is really watchable despite it being a 2.5 hour long movie that consists largely of conversations about classical music.

Sure, some people may find it to be inaccessible because it’s a movie that offers more questions than answers, but I loved being able to engage with so many different ideas and topics that are prevalent in today’s society, most notably cancel culture.

TED TAKES RATING - 9.7/10

TÁR is now available for rent or purchase on demand. Check out the latest trailer below.

Strange World

Strange World, formerly titled Searcher Clade, is a 2022 animated adventure film directed by Don Hall (Big Hero 6, Moana, Raya and the Last Dragon), and written/co-directed by Qui Nguyen (Raya and the Last Dragon). It is produced by Walt Disney Animation Studios, and will be their 61st animated feature. It is the first Walt Disney Animation Studios film to be composed by Alexandre Desplat.

The legendary Clades are a family of explorers whose differences threatened to topple their latest and most crucial mission.

The voice cast includes Jake Gyllenhaal, Dennis Quaid, Jaboukie Young-White, Gabrielle Union, Lucy Liu, Karan Soni, Adelina Anthony, and Alan Tudyk.

Strange World made its debut in theaters on November 23rd, courtesy of Walt Disney Pictures.

THE GOOD

Let me just start by saying this has been a down year when it comes to family-friendly movies which is a bit of a bummer when you have kids who have become obsessed with going to the movies with dad. Now I have no issue bringing my 2-year-old to see Smile or Prey for the Devil considering he claims he likes “scary”, but something tells me my wife may have a few issues with that. So instead we had a great time taking both boys to see Lyle, Lyle, Crocodile which they talked about for weeks, and waited patiently for Disney to release the animated adventure Strange World, which looked right up our alley. So we packed the kids in the car, loaded up on popcorn and candy at concession, and rushed to our seats just as trailers started. We were ready! So, was Strange World worth our time and effort?! Keep reading to find out!

I won’t post the picture here of course, but the smiles on the faces of our boys standing in front of the movie poster said it all. Strange World was a blast to experience, and above all else it offered something for everyone. Needless to say the visuals stole the show, but the voice-acting was superb and the score was great as expected, but the big surprise for me was just how powerful and impactful the story was. I thought the film had an important message regardless of how you perceive it, but what I enjoyed most was the focus on family and what it means to pave our own way in life. Strange World offers viewers a beautiful and immersive environment that will leave you in a constant state of awe, and the twists and turns will surely keep you on your toes. The film also delivered several laugh out loud moments that had the kids and adults smiling ear to ear.

For me aside from the animation the cast of voice actors are without a doubt the bread and butter of the film. The talented group is lead by Dennis Quaid and Jake Gyllenhaal as Jaeger Clade and Searcher Clade, and I really enjoyed the dynamic between these two characters. Much of the film focuses on these two in terms of what it means to be a part of the Clades family. But I mean let’s be honest, Gyllenhaal is great in pretty much everything he does, so putting him on the forefront was a good move. Gabrielle Union plays Searcher’s wife Meridian Clade, and I thought she was great as well. Jaboukie Young-White did a nice job as young Ethan Clade. The great Lucy Liu was amazing as expected as she played the role of Callisto Mal. Whether she is taking on family-friendly animated roles or beating the crap out of someone in Charlie’s Angels, Liu is easily one of the more versatile actresses working today and she deserves a ton of credit. The remaining supporting cast was great as well.

Aside from the incredible cast the visuals are a stand out as expected. Strange World is one of those films that you can just sit back and appreciate the incredible creativity that went into bringing to life every bit of this vibrant and immersive environment. Things really ramp up when the characters embark on their adventure to the unknown, but the animation in general is fantastic. I loved the look of the characters and just how fluid everything felt. The creatures in Strange World are so damn cool and are easily worth the price of admission. Right when you think you have a handle on the weirdness of what is going on, it will surprise you. I just couldn’t get enough of the vibrant colors and just watching my kids smiling and pointing at the screen every few minutes. So yeah, Disney has outdone themselves yet again.

THE BAD

I really enjoyed Strange World, but I have to say it did have a few things that sort of rubbed me the wrong way. First and foremost, and I won’t dig too deep into this because I honestly don’t care that much, but Disney is trying way too hard to be a part of the “woke” crowd. Certain elements of the film just felt overly forced to me and unnecessary, which in my mind just distracts and takes away from what is otherwise a very good film with a strong and impactful story. Also I wouldn’t necessarily consider this to be a negative because I felt like the writing was great and actually added more depth than you might expect, but the overarching message of the film will likely create some debate and rub some people the wrong way. My wife and I actually debated the film a bit and seemed to agree and disagree on a few aspects, but for my money I like when a film has you leaving the theater discussing more than just the obvious elements of the film. Even though it may not reach instant classic status, Strange World does what it sets out to do which is provide a theater experience worthy of viewers of all ages.

THE VERDICT

Jam-packed with gorgeous visuals and a spectacular cast of voice actors paving the way for this epic adventure, Strange World met my expectations and kept two high-energy toddlers entertained from start to finish. This is a fun movie that will surely satisfy you whether you want to just sit back and enjoy it as the spectacle it is, or want to dig a bit deeper into the story. It’s not an instant classic and certainly could have been better, and I do wish that Disney would take a step back and focus on what they do best instead of dividing audiences which has without a doubt impacted the films earnings. And trust me I am all for inclusivity, especially when it means all you can eat and drink at a luxurious tropical resort. Although Strange World may irritate some people in respect to the screenplay and the overall message of the film, the fact that it makes you think is an accomplishment in itself. Plus, I could listen to Jake Gyllenhaal and Dennis Quaid debate the greater purpose of life and family all day long.

TED TAKES RATING - 7.2/10

Strange World is now playing only in theaters. Check out the latest trailer below.

The Menu

The Menu is a 2022 dark comedy directed by Mark Mylod, from a screenplay by Seth Reiss and Will Tracy. Mylod is best known for his directorial work in television, having worked behind the camera on hit shows like Game of Thrones, Shameless, and Succession.

A couple (Anya Taylor-Joy and Nicholas Hoult) travel to a coastal island to eat at an exclusive restaurant where the chef (Ralph Fiennes) has prepared a lavish menu, with some shocking surprises.

The cast includes Anya Taylor-Joy, Nicholas Hoult, Ralph Fiennes, John Leguizamo, Judith Light, Hong Chau, Janet McTeer, Paul Adelstein, Rob Yang, Mark St. Cyr, Arturo Castro, and Peter Grosz.

The Menu made its debut in theaters on November 18th, courtesy of Searchlight Pictures.

THE GOOD

When the first trailer for The Menu dropped I was floored, simple as that. I mean first and foremost, the cast was just insane. Ralph Fiennes, Anya Taylor-Joy, and Nicholas Hoult, I mean that is a recipe for success. Plus a supporting cast full of familiar faces just to round things out. Add in the ridiculous production value and a seemingly creative premise, and it was clear this was destined to be something special. I was beyond excited and I knew that nothing was stopping me from seeing The Menu on opening night. So, did it live up to my expectations? Keep reading to find out!

I knew I was going to love this movie, but somehow it was even better than I could have anticipated. I’m not even sure how to explain it, but as strange as it is to say The Menu just hit home for me in some way. Maybe it is the fact that I have worked in several restaurants in my life so I could relate to it, or more specifically that I have worked in a Five Star restaurant where the Chef was as mysterious as he was intimidating. High-end restaurants are no joke, and as insane as this movie is at times, so much of it is rooted in the reality of that world. The mystique that is created around this unique dining experience the characters in the film embark on is equally fascinating and exhilarating, and had me on the edge of my seat from the start. The cast was amazing, and The Menu is one of those rare films that sort of gives you bits and pieces of perspective from all of the characters, allowing the film to feel a bit more well-rounded compared to the traditional leads with a supporting cast. Everyone in the film matters to the story and how things play out, and let me just say the tension that builds always feels like it could boil over at any moment.

I touched on the quality of the cast briefly but I have to dig a bit deeper. First, Ralph Fiennes is undoubtedly the star of the show. Even though he has a ridiculous filmography dating back to the iconic 1993 drama Schindler’s List, I feel like as an actor he is still somehow underrated. He is easily one of the most versatile actors working today, but he seems to really shine when he plays serious characters with a certain amount of mystery surrounding them. I don’t know if The Menu will get the awards recognition it deserves, but Fiennes should absolutely be in the conversation for best actor in my opinion. He becomes his character, and is the primary reason why this film works so well. Outside of Fiennes the primary cast consists of Anya Taylor-Joy and Nicholas Hoult. Taylor-Joy and Hoult are amazing in this movie, and part of the intrigue is the questions surrounding their relationship. Viewers are given breadcrumbs as the film progresses, but the chemistry between the two talented actors helps to get viewers invested in the story. I’m a big fan of both actors, and I would have to say that I was equally impressed by their performances here.

Now I mentioned how the supporting cast plays a pivotal role in the story, and we are treated to a great mix of talented actors and actresses in these roles. I won’t be able to talk about each individually because we would be here all day, but the core of the supporting cast that impressed me the most was my guy John Leguizamo whos character I really enjoyed, Hong Chau who was terrifyingly good in her role, along with Janet McTeer and Paul Adelstein. Rounding out the terrific supporting cast is Rob Yang, Mark St. Cyr, Arturo Castro, and Peter Grosz, just to name drop a few more. Just trust me when I say each and every person who played a role in this film, no matter how small, deserves a round of applause.

Who is director Mark Mylod you ask? I was asking the same question. Interestingly enough, Mylod is best known for his work in television, directing several episodes for hit shows like Game of Thrones, Shameless, and Succession. Now needless to say those three titles alone are enough to make for quite a resume, but the last film he directed was the 2005 dark comedy The Big White, which starred the late Robin Williams, along with Gioavanni Ribisi and Holly Hunter. A unique and quirky film that is actually better than critics will lead you to believe, it gives you an idea of the psyche of Mylod and the fact that he seems to gravitate towards the dark comedy genre. If you are curious, The Big White is currently streaming on Peacock.

As far as his work on The Menu, he was so damn good. His camera work matched the intimate feel of the film perfectly, and it was clear that he was in the zone. It honestly felt like a film that was helmed by a big name director, so good on him. I have to talk about the screenplay which was as delicious as a juicy and perfectly marinated piece of prime rib. A collaboration between Emmy-winning writer Will Tracy and Emmy-nominated writer Seth Reiss, the creativity and relevance to the draining, emotionally and physically, and often thankless service industry is spot on. I didn’t quite expect the story to have such tremendous depth, but it really makes you think and even touches on class and social hierarchy. Plus as dark as it can be at times, The Menu had me laughing out loud more times than I could count.

THE BAD

The Menu is amazing, simple as that. As far as the films identity and what it set out to accomplish, I personally believe it is damn near perfect. With that being said it is a dark comedy and requires viewers to fully invest themselves in the overall tone of the film. Perhaps I enjoyed it even more because of my experience in the restaurant industry, but I am hard pressed to think anyone could criticize what was accomplished here.

THE VERDICT

A thought provoking and immersive dark comedy with a heavy dose of satire brought to life by a superbly talented cast, The Menu is an absolute delicacy of a film and easily one of my favorite movies of the year. I am honestly still in shock, and I can’t remember the last time an hour and 45 minutes flew by so fast. When the screen went black I actually had to look at my phone to confirm that it was in fact over. From the opening scene to the final act, The Menu is never boring and makes for an experience you won’t soon forget. I was also pleasantly surprised by how funny the film was. I actually learned a lot believe it or not and found myself wanting to up the ante as far as my own culinary skills, but I won’t be boarding any boats destined for a once-in-a-lifetime dining experience anytime soon. Bottom line this movie is so damn good, and just bonkers in all the best ways. I cannot wait to see it again.

As Ralph Fiennes says several times throughout the film, it’s all part of The Menu. So on that note, get out to the theater as soon as possible because you do not want to miss this.

TED TAKES RATING - 9.3/10

The Menu is now playing only in theaters. Check out the latest trailer below.

Black Panther: Wakanda Forever

Black Panther: Wakanda Forever is a 2022 superhero action film directed by Ryan Coogler, who co-wrote the film with Joe Robert Cole. Based on the Marvel Comics character Black Panther, it is produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures. It is the sequel to Black Panther (2018), which Coogler also directed in his Marvel debut, and is intended to be the 30th film in the Marvel Cinematic Universe (MCU).

Queen Ramonda, Shuri, M'Baku, Okoye and the Dora Milaje fight to protect their nation from intervening world powers in the wake of King T'Challa's death. As the Wakandans strive to embrace their next chapter, the heroes must band together with Nakia and Everett Ross to forge a new path for their beloved kingdom.

The cast includes Letitia Wright, Lupita Nyong'o, Danai Gurira, Winston Duke, Florence Kasumba, Dominique Thorne, Michaela Coel, Tenoch Huerta, Martin Freeman, and Angela Bassett.

Black Panther: Wakanda Forever is set to debut only in theaters on November 11th, courtesy of Marvel Studios.

THE GOOD

Hard to believe we have reached the point where we have a Black Panther movie without Black Panther himself, the late and great Chadwick Boseman. As most of you know by now, the talented actor fought a battle with cancer behind closed doors and left behind a legacy. Gone much too soon, but surely never to be forgotten. Black Panther blew fans away back in 2018, and to say we all latched on to Boseman in this role would be an understatement. When I was blindsided by the news of his death in the summer of 2020, I was devastated. As a movie guy through and through, Boseman was set to be one of the greats. It was undeniable. But I thought surely we couldn’t have another Black Panther movie without him, right? Like most Marvel fans, I was admittedly apprehensive about a Black Panther movie without my guy in the lead role. It just didn’t feel right. So, were my concerns justified or did they find a way to honor Boseman while creating an experience fans could be proud of? Keep reading to find out!

Well, this movie was absolutely amazing. From the opening Marvel title sequence that we all know and love that this time around featured only Chadwick Boseman as Black Panther and complete silence, I knew we were in for a special treat. You could literally hear a pin drop in the theater during what felt like a moment of silence, just amazing. I honestly don’t know where to start, but I have to first touch on the fact that I couldn’t have imagined a film that did a better job of honoring the memory of Boseman. I mean, not only is this already one of my favorite Marvel films which is certainly saying a lot, it just felt like so much more. In some ways I compare it to what the Fast and the Furious franchise did for the late Paul Walker, who was also a pivotal part of their success. More than anything, what Coogler was able to do here felt genuine and real, it felt like it was about Boseman first, and the franchise second, if you can believe that. How they managed to do that while also crafting a film that was an absolute joy to experience is beyond me, but they did it and that is all that matters.

As a fan my concerns were aplenty, like how do you make a Black Panther movie without Black Panther, and more than that if you do decide to try and replace him, how can you possibly do that while still satisfying a fanbase with sky-high expectations? Well first as you know we don’t spoil things here, but I will say that the story was better than I could have hoped. The villain was just perfect and added that much needed element to the film to make sure it packed the punch it needed. Plus, we are treated to a much better overall story than I initially anticipated complete with a few new characters. Black Panther: Wakanda Forever is everything a sequel should be and then some, as it picks up where the original film left off while also taking things to another level. I mean seriously, I saw the movie last night and I am still smiling. I went to sleep just trying to relive what I had just experienced, and I cannot wait to see it again. And again, and again. I wish I was kidding, but I did see Black Panther in theaters four times, but this was also before having kids when free time was still a thing. Dare I say I liked Black Panther: Wakanda Forever better?! I honestly feel a bit dirty even saying that, but considering all of the unknowns and having to live up to the original, I am forced to consider the possibility. I will let you know where I land after a few more viewings.

I know we talk about how Marvel changed the game by bringing on Chris Evans or Robert Downey Jr. to join the MCU, but as crazy as it sounds handing the reigns for Black Panther over to director Ryan Coogler fresh off his success from Fruitvale Station and Creed, may have been their best decision to date. This dude is incredibly talented, and his dedication to the Black Panther franchise has been nothing short of amazing. His films are packed with emotion and just a unique blend of cinematic elements that have become his trademark. When you see one of his movies in theaters, you will be changed in some form or fashion because of his ability to create art. If you haven’t seen Fruitvale Station or the first Creed movie, get on that as soon as possible because you will undoubtedly notice a certain style that translates so perfectly to the on-screen experience. Coogler just gets it, and when he decides to hang it up, I dare to say he will leave filmmaking as one of the absolute greats. I just hope that time is many, many years down the road.

As far as the acting is concerned, it was all great of course because the cast is just stacked with talent. Letitia Wright essentially takes the reigns in the lead role and I thought she was amazing. To say that she is an actress making the most of her opportunities would be a drastic understatement. I love my guy Winston Duke, and I couldn’t be happier for him and the fact that his character M’Baku has become such a big part of the success of the Black Panther franchise. He is easily one of my favorite characters in the film. Angela Bassett is amazing as she always is. Martin Freeman continues to be a great addition to the MCU in a fairly unique role bridging the gap between Wakanda and the U.S.. Lupita Nyong’o is fantastic yet again, as well as Danai Gurira, Florence Kasumba, and Michaela Coel. Bottom line, the entire supporting cast was awesome.

I have to bring up the performance from Mexican actor Tenoch Huerta, because if you want to talk about a guy bursting onto the scene and hitting a grand slam in the bottom of the 9th to win game 7 of the World Series, well that is basically what happened here. Huerta plays Namor, otherwise known as the Fish Man, and the films primary antagonist or villain. I don’t read comics, but after doing a little bit of research I am now realizing just how big of a deal his character really is. Known as the Sub-Mariner, he is one of the oldest and most popular characters in Marvel history after his comic debut in 1939, and to say he is a badass would be an understatement. Fans of the comics are in for a real treat, you can thank me later. All I know is Huerta was amazing in this role, and as much as I love me some Jason Mamoa, Namor is exactly what I always hoped Aquaman would become. So if the Amber Heard drama wasn’t enough of a blow to the Aquaman films, a better version of that character is sure to leave quite a dent. Plus we are treated with an unexpected appearance by a certain character from the first film, but I won’t give it away.

On the technical side of things, Black Panther: Wakanda Forever blew me away. Simple as that. The CGI and special effects were incredible and worth every penny, the cinematography was absolutely beautiful, and the soundtrack just hit so damn hard as expected. I really enjoyed all of the edge-of-your seat fight sequences we were treated to throughout the film. Also the scale was just massive from start to finish. Coogler has such an innate ability to immerse viewers and take full advantage of the technical elements of a film as they blend seamlessly with his intimate style of camera work.

One thing that superhero movies need are those exciting moments where you can just feel that something big is about to happen, and I honestly lost count in terms of how many times I had that feeling with Black Panther: Wakanda Forever. I feel like a great deal of credit is owed to the films primary antagonists lead by Tenoch Huerta as Namor and how they were used, mainly because you needed something that rivaled just how big and powerful the country of Wakanda is. The film just feels gritty, fun, and intense but also funny when it needed to be, and the technical elements all come together to make for one very satisfying experience.

THE BAD

I’m genuinely struggling to think of any criticisms for the film. I suppose you could say the 2 hour and 45 minute runtime is a problem, but most people prefer that with a massive movie like this, plus the pacing is fantastic and it never feels boring. The underwater CGI felt a little strange at times but I think that may have been by design. I guess if you don’t like over-the-top superhero movies you may have a problem with it, but aside from that I got nothing.

THE VERDICT

A wildly immersive and visually stunning cinematic experience with a phenomenal soundtrack, Black Panther: Wakanda Forever is not only an exceptional film and a jaw-dropping sequel, it is a genuine and heartfelt tribute to the late Chadwick Boseman. To be honest I’m still trying to wrap my brain around just how impressed I was by this movie. Everything about it just felt right, and not once did I start to question any decision that was made by Coogler or the rest of the writing team. I just sat back and watched a sequence of events unfold culminating in one of the most invigorating theater experiences I have had in quite some time. I loved the scale and how immersive it was, and at this point I’m just trying to figure out when I can see it again. Also, even though at times it felt like Black Panther meets the new Avatar, I surely wasn’t complaining.

Bottom line, Black Panther: Wakanda Forever feels bigger than a movie, and we owe it to not only ourselves to see it in theaters, we owe it to the memory of Chadwick Boseman that will live on through the pure joy of cinema. Plus as I said, even if none of that matters to you, this movie is just that good. Be sure to stick around for the post-credits scene as well. I’ll leave you with two words that will surely be ringing in your ears as you leave the theater… Wakanda Forever!!

TED TAKES RATING - 9.6/10

Black Panther: Wakanda Forever is now playing only in theaters. Check out the latest trailer below.

Causeway

Causeway is a 2022 psychological drama directed by Lila Neugebauer, from a screenplay by Elizabeth Sanders, Luke Goebel, and Ottessa Moshfegh. The film had its world premiere at the 2022 Toronto International Film Festival on September 10, 2022.

Lynsey, a U.S. soldier, experiences a traumatic brain injury during her tour in Afghanistan which forces her to return home. She struggles to return to her daily life with her mother as she waits for her eventual redeployment.

The cast includes Jennifer Lawrence, Brian Tyree Henry, Linda Emond, Stephen McKinley Henderson, and Jayne Houdyshell.

Causeway made its debut in select theaters and on Apple TV+ November 4th.

THE GOOD

By the time the trailer released, Causeway was buzzing thanks to involvement of A24, as well as the cast which includes Jennifer Lawrence and Brian Tyree Henry in the lead roles. All I needed to hear was A24 and I was invested, so Lawrence and Henry were just icing on he cake for me. I knew the film would have more of a indie feel, and the trailer did not disappoint. I did however show my wife the trailer in the hopes that she may want to watch it with me, but after she watched it she promptly said I have no idea what this movie is even about. Now she wasn’t wrong as the trailer is very mysterious and sort of ominous, but that plays in to the overall impact of the film which I will touch on. So needless to say I ended up giving this a solo watch, keep reading to find out if my excitement matched the final product.

Bottom line, this movie was amazing. First of all, Causeway was much different than I expected it to be, at least at first. As I touched on with the trailer not giving anything away, it was clearly by design and I feel like it was a very smart move. Viewers are essentially thrown into the fire as it relates to the extremely dire circumstances the main character Lynsey finds herself in, without the ability to prepare yourself for any of it. You are essentially dropped into the middle of the story as you patiently wait for the details of what happened before that led us here. I mean Jennifer Lawrence, who plays Lynsey, is so unbelievably incredible in this movie she absolutely needs to be in the conversation for Best Actress. A film like this hinges so strongly on the performances, and all I can say is I felt for her character from the first 5-minutes, and the emotion she conveyed through just her eyes was something to experience.

I will talk more about the cast in a bit but I have to touch on the story. The screenplay for Causeway is rooted in dire circumstances and raw emotion. It is about our innate ability as human beings to dig deep for that strength we never knew we had, or our obsession with distractions and hiding from our reality when life gets unbearable. Life is hard, and in Causeway the main character is dealt one bad hand after another to the point where she is willing to put her life on the line once again if it means dulling the pain, or just hiding from the life she tried to forget. I do feel like in order to truly relate to Lynsey, or co-star Brian Tyree Henry who plays her newfound and equally devastated friend James, you need to have experienced loss on some level. Also, what I found really unique was the fact that both characters have a very different yet equally traumatic story to tell, and somehow they found each other in their ultimate time of need.

Causeway is a slow moving film that somehow never feels boring or labored in terms of the story and the pacing, and that is a testament to the performances. I know I keep bringing up the cast but I just can’t help myself. I already talked about the incredible performance from Jennifer Lawrence, and I briefly touched on the performance given by her co-star Brian Tyree Henry, but it needs more talking about. Star of the hit series Atlanta who has seen his career take off in the last few years, Henry delivers what I felt was easily his best performance to date. He plays a man who is clearly well-intentioned with a big heart, but he has some demons that he is grappling with from his past. As we have all been told, grieving is a process, but what you may not know is it is quite common to abandon that process altogether choosing to instead bury the pain because it is just too much. Henry delivers a powerful performance and honestly had me on the edge of my seat, all while feeling so much sympathy for him and what he had gone through. I mean, Lawrence and Henry deserve standing ovations for their performances, simple as that.

As far as the rest of the cast, you won’t find a weak link. I have to talk about Jayne Houdyshell who plays the nurse that cares for Lynsey in the beginning. I just loved how genuine she was, and by the end of it I just wanted to give her a hug. I just loved her character so much. Veteran actor Stephen McKinley Henderson plays a smaller supporting role as Dr. Lucas, the man Lynsey is required to see before she gets her clean bill of health. I really liked his character and felt that he was able to display genuine concern for a patient who he knew was struggling significantly. The last interaction between the two during the films final act was powerful. I also really liked Linda Emond who played Lynsey’s estranged mother Gloria. Also I have to shout out to director Lila Neugebauer for a job well done, as well as composer Alex Somers for delivering a score packed so full of raw emotion it was practically bursting at the seams. Cinematographer Diego García was amazing as well, doing such a fantastic job immersive viewers in the true feel of Louisiana.

THE BAD

I personally have no issues with the film, but it is worth pointing out that it is not for everyone. For example as I touched on a bit already, Causeway is a very slow-burn style film and for that reason it requires a deep investment in the characters, primarily the lead played by Lawrence. Plus, it deals with an extremely difficult and very real subject matter in loss, drug addiction, and PTSD. The main characters often feel alone and hopeless, and you have to be prepared to share these same feelings during their complicated journey.

THE VERDICT

Anchored by profoundly captivating and often gut-wrenching performances from Jennifer Lawrence and Brian Tyree Henry, Causeway is admittedly a difficult watch due to the subject matter but absolutely rewards viewers willing to give it a chance. Lawrence and Henry became their characters, which is quite an achievement considering how many roles they have both had at this point. This is an amazing film, and is quite simply one of those movies that is more of an experience than anything else as I was absolutely enthralled from start to finish. Every single second of this movie felt like it mattered, and although the ending may feel unresolved, I felt like I got the conclusion I needed as I stared at a blank screen waiting for the films credits. You have done it once again A24, kudos to you. It seems crazy to me that this was filmed way back in the summer of 2019, but it was well worth the wait. If you’re willing to give Causeway a chance, it will leave its mark on you that I guarantee.

TED TAKES RATING - 9.2/10

Causeway is now streaming on Apple TV+. Check out the latest trailer below.

The Estate

The Estate is a 2022 comedy written and directed by Dean Craig (Death at a Funeral), and is produced by Marc Goldberg, Sarah Gabriel, Sarah Jessica Parker, and Alison Benson.

Two sisters try to win over their terminally ill, difficult-to-please aunt in hopes of becoming the beneficiaries of her wealthy estate, only to find the rest of their greedy family has the same idea.

The talented cast includes Toni Collette, Anna Faris, David Duchovny, Rosemarie DeWitt, Ron Livingston, Keyla Monterroso Mejia, Kathleen Turner, Patricia French, and Danny Vinson.

The Estate made its debut in theaters on November 4th.

THE GOOD

Somehow this movie literally appeared out of thin air considering I hadn’t even heard of it until it popped up on the release calendar at my local theater. Once I saw this stacked cast it baffled me that it could have flown under-the-radar for me like it did, but here we are. I watched the trailer for The Estate and was immediately intrigued by the potential for this R-rated comedy which seem to be fairly rare these days. So, needless to say I made my way to the theater on opening day to see The Estate so that you would know whether or not it is worth the price of admission. Keep reading to find out!

Alright so just like the movie itself, I am going to keep this short and sweet. I’m not going to sit here and sing the praises for The Estate from the rooftops or anything, but I enjoyed this movie for what it was and thought writer-director Dean Craig serves up some quality entertainment. I went in with realistic expectations, and for me it delivered. The premise was very simple allowing viewers the opportunity to shut their brains off and focus on the great cast, and I really enjoyed the characters. The dynamic between Toni Collette and Anna Faris in the lead roles worked well, and I also liked the rivalry between their characters and their seemingly uppity cousin played by Rosemarie DeWitt. Plus, I love me some Ron Livingston who plays a fish-out-of-water character as DeWitt’s husband, and the only non-family member who quickly realizes he needs to get the heck out of dodge.

The ageless and legendary Kathleen Turner was amazing as expected, but my favorite character was undoubtedly perverted cousin Richard from Florida, played by David Duchovny. Each time his character with the spray tan and ridiculous mustache was on-screen, I had a smile on my face. He had some great off the cuff one-liners that had me cracking up. I often felt like he was afforded the opportunity to adlib which was a great decision by the writing team in my opinion. Speaking of, I would love to see the outtakes for this movie. If you can keep a straight face looking at this guy in his fancy tracksuit sipping bourbon from a gold rimmed glass, you are stronger than I am.

I was also pleasantly surprised by actress Keyla Monterroso Mejia, who played the oddball Dungeons and Dragons loving half-sister of Collette and Faris. I also have to give a shout out to Danny Linson, Patricia French, and Gichi Gamba for their effective supporting roles. Linson in particular was great. Like I said the story itself was simple yet effective, and I thought the film thrived with the awkward character interactions that often caught the unsuspecting “normal” characters by surprise.

THE BAD

As with most comedies, the majority of the funny parts were shown in the trailer which always annoys me. I mean sure, I still laughed at the majority of them because they were still funny, but I wasn’t surprised by nearly as many not shown in the trailer scenes as I was hoping for. I also felt like to an extent they squandered such a talented cast in terms of the films ceiling, but part of me feels like that was by design. Anna Faris sort of channeled her character in the Mom sitcom, and Tony Collette Rosemarie Dewitt were really good as usual, just not great. Plus it is definitely dry humor which may not do it for some viewers.

The acting in general just felt sort of average with nobody really trying too hard to separate themselves from the pack. The story was definitely predictable, but again not a deal breaker. If I’m being honest, I would have preferred the film to center on Duchovny and his character, but that is probably more so because I like that brand of humor. So yeah, I could go on and on if I wanted to try and pick this movie apart, but The Estate has a clear identity from the start which made it easy for me to sit back and appreciate it for what it was. Also if you have an issue with profanity, you better sit this one out because the swear jar is basically a Powerball ticket by the end.

THE VERDICT

A run-of-the-mill raunchy comedy that often feels like a feature-length sitcom, The Estate won’t win over audiences expecting more but offers plenty of laughs for those willing to accept a well deserved hour and a half escape with some ridiculous characters. As I mentioned in the review I do feel like they could have accomplished more with such a talented cast at their disposal, but I also understand the fact that they weren’t going for substance. I had fun with the characters and I was satisfied with the story as a whole, and I did like the ending. Plus, I would come back for more of Duchovny and now I feel like I need to go re-watch his hilarious comedy series Californication. This is a project that the cast clearly enjoyed working on, and for my money The Estate serves its purpose and is a nice reminder that raunchy comedies do still deserve the theater treatment, at least in my opinion anyway.

TED TAKES RATING - 6.3/10

The Estate is now playing only in theaters. Check out the latest trailer below.

Till

Till is a 2022 biographical drama film directed by Chinonye Chukwu (director of Clemency) and written by Michael Reilly, Keith Beauchamp, and Chukwu. It stars Danielle Deadwyler (The Harder They Fall, Station Eleven), Jalyn Hall, Frankie Faison (The Wire), Haley Bennett (Cyrano), and Whoopi Goldberg (Sister Act).

The true story of Mamie Till-Mobley's relentless pursuit of justice for her 14-year-old son, Emmett Till, who was brutally lynched in 1955 while visiting his cousins in Mississippi.

Till made its limited theatrical release on October 14th before a wide release on October 28th, by United Artists Releasing.

THE GOOD

Alright so as soon as the first trailer for this movie dropped, I was beyond excited to see it. The trailer itself was amazing, and it just had the instant feel of a movie that would be raking in the awards. I did some light research on the story Till was based on, and I was beyond ready for the October 28th release date. Unfortunately due to the fact that the film was a limited release from United Artists Releasing, I had to wait about a week longer than I had planned to see it. Don’t worry though, my excitement did not waiver and as soon as one of my local theaters made it available, I was in the car and on my way. So, was it worth the wait and was it the sure-fire contender I knew it would be come awards season? Keep reading to find out!

This movie was amazing. I went into the theater with sky high expectations for obvious reasons, and I was still blown away. Till was nothing short of incredible, and just one of those theater experiences that feels like much more than a movie. From the story, to the acting, to the phenomenal score and soundtrack, this movie simply has it all. There wasn’t a dry eye in the theater, and it wasn’t just because I saw it with a bunch of older ladies.

As a grown man who watches football religiously who could live on red meat and beer, I had tears streaming down my face at an alarming rate. I haven’t had water works like that since the dramatic and heartbreaking end to the Patriots historic undefeated 2007 season. But in all seriousness, as heartbreaking as this movie is, this story is told in such a genuine and effective way that all viewers can appreciate what these people went through. One thing is for sure, you will leave the theater with a special place in your heart for the memory of 14-year-old Emmett Till, that I can guarantee.

Till is an absolute clinic in terms of the acting. Danielle Deadwyler takes on the lead role as Mamie Till-Mobley, and it is honestly hard to put her performance into words. To say that she paid honest and genuine tribute to this story with her performance would be an understatement. This was by no means an easy role to take on, and I could feel the pain she was feeling as well as the transformations her character made from devastated and defeated mother, to strong-willed civil rights activist hellbent on getting justice for her son. Till-Mobley dedicated her life to ensuring that her sons death was not in vein, and Deadwyler exuded her strength and perseverance. Come awards season if she isn’t at least nominated for Best Actress, it will be nothing short of a travesty. She deserves all of the praise for a performance that should open quite a few doors for her as an actress.

Starring alongside Deadwlyer as her son Emmett Till is Jalyn Hall. A relatively new actor who is slowly carving out a place for himself in Hollywood, Hall was simply fantastic. In order for this story to work you needed to buy in to his chemistry with Deadwyler and you needed to genuinely care about his character, and he hits it out of the park on both accounts. From his sweet smile to his care-free attitude and genuine appreciation for the simple joys in life, Hall allowed audiences the opportunity to understand Emmett Till and just how tragic and senseless his death was. I’m looking forward to seeing what Hall does next.

Deadwyler and Hall play the primary roles in the film, but the supporting cast is amazing as well. Now although he played a fairly limited role in terms of screen time, I really loved John Douglas Thompson as Moses Wright, otherwise known as Preacher. Thompson recently took on the role of Chief Carter in the hit HBO series Mare of Easttown. Wright is Till’s great Uncle, and his character is burdened with the full weight of Emmett’s death and the circumstances surrounding it. I felt so incredibly bad for him, and the fact that he was helpless to stop his nephew from being taken, and more than that he was forced to choose his family over the only child of his beloved niece. He was put in a position that no human being should ever be put in. But as far as Thompson as an actor, he brought his character to life in such a way that blew me away. Actress Keisha Tillis plays Elizabeth Wright, the strong-willed wife of Moses Wright, who is a mother as well. One scene in particular involving Tillis and Deadwyler had me in full on tears, and I honestly cannot remember the last time a scene dropped me to my knees in such a way. I could spend an hour talking about how flawless the entire cast, was but I will let you experience it for yourself.

The technical elements were extremely impressive and a big reason why everything worked so well. Till is an intense film in so many ways, but the way that it effortlessly shifted from care-free to intense was a huge reason why it worked so well. During some of the more emotional scenes, good luck not reaching for a tissue because the odds are stacked against you. I felt like the score was about as integral a part to the film as it could be, and it was just one more reason why I loved this movie so much. It was almost as if composer Abel Korzeniowski’s score flowed seamlessly with the powerful emotions of the story. A versatile talent who has dabbled in a variety of genres, Korzeniowski clearly understands the importance of feel and the difference between manipulating audiences and providing an opportunity to experience real feelings.

THE BAD

If you’ve been reading this review, you likely guessed this section will be fairly empty. I guess if you have a sensitivity to the subject matter or have a hard time dealing with raw and real emotion, this movie may not be for you. Otherwise, you’d be hard pressed to criticize Till in any form or fashion. So yeah, that’s about it for this section.

THE VERDICT

A powerful and tragic true story told with the utmost care and brought to life by a transformative and career-defining performance from actress Danielle Deadwyler, Till is the sheer definition of a must-see movie and an experience you won’t soon forget. This movie hit hard for me, and even though I knew what was going to happen, I was not prepared in the least. It’s one thing to try and tell a story that meant so much to the history of our country while also honoring the memory of a young man who lost his life in such a senseless way, but I honestly don’t know how they could have done a better job. Till is one of those movies that will have you sitting in your seat 5-minutes after the end credits, and for good reason.

I simply can’t get this movie out of my head. I mean, this happened in 1955, just think about that for a second. The last time I had an experience even remotely similar was when I saw Ryan Coogler’s Fruitvale Station (2013), and I had to wait a few minutes just to gather myself before exiting the theater. Do yourself a favor and see Till in theaters as soon as possible, because you will be hearing a lot about this movie come award season.

TED TAKES RATING - 9.7/10

Till is now playing only in theaters. Check out the latest trailer below.

Prey for the Devil

Prey for the Devil is a 2022 supernatural horror film directed by Daniel Stamm (The Last Exorcism, 13 Sins) and written by Robert Zappia (Halloween H20), based on a story by Todd R. Jones and Earl Richey Jones. It is the final film to feature actor Ben Cross before his death in 2020, and is dedicated to his memory.

In response to a global rise in demonic possessions, the Catholic Church reopens exorcism schools to train priests in the Rite of Exorcism. On this spiritual battlefield, an unlikely warrior rises: a young nun, Sister Ann. Although nuns are forbidden to perform exorcisms, a professor recognizes Sister Ann’s gifts and agrees to train her. Thrust onto the spiritual frontline with fellow student Father Dante, Sister Ann finds herself in a battle for the soul of a young girl, who Sister Ann believes is possessed by the same demon that tormented her own mother years ago, and soon realizes the Devil has her right where he wants her… and it wants in.

The film stars Jacqueline Byers, Colin Salmon, Christian Navarro, Lisa Palfrey, Nicholas Ralph, Virginia Madsen, and Ben Cross.

Prey for the Devil made its debut in theaters on October 28th, courtesy of Lionsgate.

THE GOOD

I will skip the spiel about how I am a horror movie fanatic and live for the genre etc etc because if you have read any of my reviews, you have likely heard the same story a few times already. I will say that I live for this time of year, especially when we are treated to a few quality horror movies in theaters, and this year has been pretty good. When the Prey for the Devil trailer made its debut I was extremely intrigued, it just looked really good. From the production value to just how well made the trailer was in general, I knew this was going to be the Halloween movie I needed to see in theaters as soon as it released. So, did the trend solid horror movies continue or was this a dud? Keep reading to find out!

Alright so bottom line, I really enjoyed this movie. Prey for the Devil is as advertised and brings to the table tremendous production value, well above average acting, a top-notch score, and just an overall horror package that feels well-rounded and balanced. I wasn’t sure exactly what to expect as far as the cast in general, but that was a massive bright spot for me along with what I felt like was a great story with lots of depth especially considering the short hour and a half runtime. One of the things Prey for the Devil does best is it appeals to a broad range of audiences, offering something for the jump scare crowd and also appeals to my preference which is more of tense and chilling moments that give you chills. Bottom line, it all works and equates to a movie perfect for the Halloween season.

I thought the screenplay was a big reason why Prey for the Devil really stuck with me. I expected a quality story to go along with the great production value, but what I got was much more depth than I originally anticipated. This film has a clear identity, and for that reason it goes well beyond your standard run-of-the-mill exorcism style film. The story revolves around an earlier trauma involving the main character, and for that reason you are constantly wondering how much her personal story has impacted the events she finds herself involved in. Any horror thrill with a twist that catches audiences by surprise has an opportunity to do big things, and I think that is more often than not the case here.

I touched on it briefly but the cast definitely overachieved here. Lead Jaqueline Byers, who by all accounts is a fairly unknown actress but did play a supporting role in the 2018 crime thriller Bad Samaritan, is fantastic. In many ways she reminded me of former Game of Thrones star Emilia Clarke, and believe me when I saw that is a compliment. Not only is Byers very attractive even though she is not a natural blonde (I know, spoiler alert), she can act. Her character has a great deal of depth and is the most important part of the overall story, and she handled everything like a veteran actress. I personally thing Byers has a talented future ahead of her, and how good she looks in that nun uniform certainly doesn’t hurt.

Another actor who I really liked that also played a pivotal role is 13 Reasons Why star Christian Navarro. Navarro plays another character that is very important to the story, and he has great on-screen chemistry with Byers. I feel like Navarro also impressed as an actor trying to make a name for himself, and I think he has a bright future. Veteran actor Colin Salmon, who has been in literally everything since his career began in the early 90’s, plays an important supporting role. Salmon has a powerful on-screen presence so he tends to do well in horror movies. I personally take him very seriously no matter what role he plays and I loved the decision to bring him in for this movie.

Any great horror film needs a powerful and effective score, and Prey for the Devil has that and then some. The film is decked out with intense sequences, and audiences are treated to music that absolutely compliments exactly what is unfolding on-screen. For me the sound just got me that much more immersed in the film, and instead of having visual queues in terms of when I should be prepared for something crazy to happen, the great music and sound added another unique and impactful element. The story and the acting was a big positive for me, but the score was right up there in terms of why Prey for the Devil worked so well.

THE BAD

Prey for the Devil isn’t perfect, and some of the issues are admittedly personal preference. First and foremost, I just wish it was scarier. Plain and simple. Now that isn’t necessarily a knock on the film in terms of the overall effectiveness, I just needed a little more emphasis on certain elements. I definitely got chills more than a few times during the film and even jumped a few times which is rare for me, but if they had built more on the elements of the film that really got me I do think it would have been even scarier. I also felt like the final act could have been finessed a bit more even though I really liked the overall twist to then story and the fact that everything came full circle.

THE VERDICT

A well-crafted and chilling supernatural horror thriller from The Last Exorcism director Daniel Stamm, Prey for the Devil takes full advantage of its strengths serving as a very solid genre entry. I was genuinely impressed with the screenplay and the performances in particular, but more than anything else the fact that the final product was able to match the excitement generated by what I considered to be a couple damn good trailers. This is a quality experience for horror fans any way you look at it, and proves that this genre can thrive with with a lesser known cast as long as the other elements of the film come together. Prey for the Devil impressed me, and if you give it a chance I believe it will impress you too.

TED TAKES RATING - 7.8/10

Prey for the Devil is now playing only in theaters. Check out the latest trailer below.

Halloween Ends

Halloween Ends is a 2022 horror slasher film directed by David Gordon Green and written by Green, Danny McBride, Paul Brad Logan, and Chris Bernier, the creative team between the 2018 franchise re-launch. The film is based on characters created by John Carpenter and Debra Hill. It is a sequel to 2021's Halloween Kills and the thirteenth installment of the Halloween film franchise. The film is produced by Jason Blum through his Blumhouse Productions banner, alongside Rough House Productions, Miramax and Trancas International Pictures.

Four years after the events of last year’s Halloween Kills, Laurie is living with her granddaughter Allyson and is finishing writing her memoir. Michael Myers hasn’t been seen since. Laurie, after allowing the specter of Michael to determine and drive her reality for decades, has decided to liberate herself from fear and rage and embrace life. But when a young man, Corey Cunningham, is accused of killing a boy he was babysitting, it ignites a cascade of violence and terror that will force Laurie to finally confront the evil she can’t control, once and for all.

This is Laurie Strode’s last stand. After 45 years, the most acclaimed, revered horror franchise in film history reaches its epic, terrifying conclusion as Laurie Strode faces off for the last time against the embodiment of evil, Michael Myers, in a final confrontation unlike any captured on-screen before. Only one of them will survive.

Starring Jamie Lee Curtis, James Jude Courtney, Andi Matichak, Rohan Campbell, Will Patton, Kyle Richards, and Omar Dorsey.

Halloween Ends made its debut in theaters and on Peacock October 14th, courtesy of Universal Pictures.

THE GOOD

I’m a slasher guy through and through, and while the Friday the 13th franchise is my all-time favorite, Halloween has always been high up there for me as an iconic franchise. Both franchises were born many moons ago with Friday the 13th making its debut in 1980, and the original John Carpenter Halloween arriving back in 1978. These movies serve a purpose, and that purpose is to provide lots of satisfying kills, while highlighting the main attraction which in this genre is usually the killer. With the Halloween franchise in comparison to my beloved Friday the 13th, the formula is slightly different as you have the iconic survivor in Laurie Strode played by the great Jamie Lee Curtis. This leads us to the latest entry in the Halloween franchise as Laurie takes her final stand against the masked epitome of evil Michael Meyers. So, who survives the final bloodbath and are fans treated to the great finale they deserve?! Keep reading to find out!

Alright so this movie is very much a mixed bag, and I am going to do my best to try and break it down without spoiling anything as per usual. Although my expectations weren’t high necessarily, I was underwhelmed by the final product. I will talk more about what I didn’t like about the movie later in the review, but first I will touch on the bright spots. First, Halloween Kills starts off with a very intense opening sequence that honestly caught me by surprise and that had me on the edge of my seat early. I was also impressed right away by the acting and the overall feel of the film as it just felt like more than just a run-of-the mill slasher. the score and soundtrack also made its presence known right away, seemingly going for that hopeless and detached feel we got from the horror classic The Lost Boys (1987), which I can certainly appreciate.

The story is surely the centerpiece of the film as Halloween Ends is set to be the finale for this new trilogy, so how they decided to end things is sure to garner hate or admiration from fans of the franchise. The writing team had a decision to make in terms of how they would close things out, whether they would pick up where they left off with the last movie, or try and take things in a new direction. I personally would have preferred the latter as a fan of the franchise, but I guess the creative juices were flowing. Although they did some great things and added some intrigue with a few new wrinkles to the story, they definitely took a left when we expected them to take a right. Dare to be different right? I’ll talk more about the story later in the review.

I was genuinely impressed with he quality of the acting in this movie, which to be honest surprised me. Last year’s Halloween Kills was packed with corny acting, but it was expected. This movie throws a wrench into the usual formula offering up solid performances from the primary cast. Jamie Lee Curtis was much better here than she was in the previous movie, and I thought Andi Matichak really showed up. Matichak jumped off the screen more for me in this movie, and I thought she played a much more developed character. My biggest surprise in Halloween Ends is easily actor Rohan Campbell who plays Corey Cunningham, a new and pivotal character to the story. Cunningham, who is best known for the series The Hardy Boys and the Netflix series Virgin River, delivers a very commendable performance. I thought he was tasked with a fairly difficult role requiring a decent amount of depth, and from where I was sitting he delivered.

THE BAD

Let me just preface this section by saying I don’t find any joy in picking apart one of my favorite genres, but when the formula and recipe for success is fairly obvious yet still ignored for the most part, my hands are tied. On the forefront of my issues with his movie, Halloween Ends made the questionable decision to make Michael Myers a co-star in his own movie. This decision baffled me for many reasons, and I won’t go into detail because as usual we don’t spoil movies here, but fans hoping for the epic sendoff Myers deserves will likely be disappointed. I mean sure, we went into this expecting a UFC fight between a couple 70-year-olds, one of which is a psycho killer, and the other is part stay-at-home mom and part Sarah Connor. Sadly, Dana White is a no show and for that reason we are left wanting more, much more.

Myers, once a feared pillar of the community you could say, is relegated to obscurity since the last movie. I mean his reign of terror did last 50+ years, so I suppose that is something. But seriously, the writing team makes the decision keep Myers in the shadows for the majority of the movie, and considering the way the last movie ended, it felt uneven to me. As a fan of the franchise and slashers in general, I can’t help but think they should have just concluded this reboot with Halloween Kills, because for me that is how you send Michael Myers out. Staring out his sisters window after basically murdering the entire town in a no-holds barred street fight.

I touched on it already briefly but the primarily complaints with this movie are the story, which is no real surprise considering it is meant to be a culmination of a franchise that kicked off in 1978. I mean sure, nobody actually believes this will be the last Halloween movie ever made, but we are supposed to leave this movie feeling like that is actually a possibility. Aside from the fact that Myers is now in his 70’s and isn’t exactly prioritizing his health, the beating heart of the franchise has been the fact that his menacing presence is unstoppable. If you take that out of the equation, what do you have? Here is a good analogy, if you want to call yourself the best heavyweight boxer of all-time you would want to knock out Mike Tyson in his prime, not old and out of shape Mike Tyson. I mean sure you beat the man, but as a shell of himself how satisfying is it? I want to see Michael Myers in all of his butcher knife wielding glory get taken down as he fights until the very end, but I guess that is just me.

I’ve heard complaints about the ending which is interesting to me considering that part of the movie actually fits better within the franchise in terms of how they seemingly wanted to close things out. I will say it still felt a bit half-assed and a bit forced and out of left-field, but I think they got their message across. This movie needed to have some level of closure in order to stay true to its name, and I do believe they accomplished that. Now whether you like how they decided to conclude the legend of Michael Myers, well that is another story entirely.

THE VERDICT

Although it still has redeemable qualities and makes for an entertaining movie experience in its own right, Halloween Ends strays from a tried-and-true formula that helped build an iconic franchise dividing audiences in the process. You have to commend the writing team for taking a chance here and I wish I could say it worked out in the end (pun intended), but unfortunately we are left with what feels like a jumbled mess and an overall unfinished product. I personally think they bit off more than they could chew, and easily needed an additional 30-minutes to try and flesh out this new backstory they aimed to create. Now I’m not saying it would have made this a great movie because you are still making Meyers more or less a background character, but at least you would fill some of the holes in the story and make things feel a bit more cohesive.

As I mentioned earlier in the review, I was impressed with the acting and still enjoyed the movie for the most part, but to say it is a worthy sendoff for such an iconic franchise would be like saying the earth is flat. Just because some people believe it, doesn’t make it true. The reality is we will see more of Michael Meyers in the future with the next franchise reboot, and I will be watching.

TED TAKES RATING - 5.9/10

Halloween Ends is now playing in theaters and streaming on Peacock. Check out the latest trailer below.

Black Adam

Black Adam is a 2022 superhero film based on the DC Comics character of the same name, directed by Jaume Collet-Serra from a screenplay by Adam Sztykiel, Rory Haines, and Sohrab Noshirvani. Collet-Serra, who had his directorial debut back in 2005 with the horror thriller The House of Wax, recently directed the hit Disney action adventure film Jungle Cruise, also starring Dwayne Johnson. Black Adam is intended to be a spin-off of Shazam! (2019), and the eleventh film in the DC Extended Universe (DCEU). The Black Adam character was first introduced in the comics as a one-off villain way back in 1945, but for the last 15 years or so Johnson has made it his mission to breathe new life into this controversial antihero.

Nearly 5,000 years after he was bestowed with the almighty powers of the Egyptian gods -- and imprisoned just as quickly -- Black Adam is freed from his earthly tomb, ready to unleash his unique form of justice on the modern world.

The cast includes Dwayne Johnson as Teth-Adam / Black Adam alongside Noah Centineo, Aldis Hodge, Sarah Shahi, Quintessa Swindell, Pierce Brosnan, and Mohammed Amer.

Black Adam made its debut in theaters on October 21st, courtesy of Warner Bros. Pictures.

THE GOOD

I will be the first to admit that I have had tempered expectations when it was officially announced that Black Adam was finally happening. Dwayne Johnson, who I am a huge fan of, has been marketing the crap out of this movie for what feels like two years at this point. When the first trailer dropped I remained skeptical mainly because it had the feel of yet another mish mash DC movie that veered into the world of over-the-top corny more often than it should. But, after that 2nd trailer, I was like okay, we might have something here. It had that gritty feel I was looking for, which caused me to change course a bit, becoming hopeful for what was set to debut at the end of October. So, was I right to be concerned initially or was the 2nd trailer an indication that DC finally got it right? Keep reading to find out!

I’m very pleased to admit, I was genuinely impressed with Black Adam. I went in with my fair share of reservations as I mentioned, but I left the theater satisfied and excited for what is surely to come next. Superhero films are a dime a dozen these days, but one constant has been that DC is best known for duds, and Marvel on the other side of the aisle packs theaters. But little brother DC is clearly sick of being pushed around, and a behemoth of a man with a shiny smooth bald head is here to change the narrative. The origin story for Black Adam often has a 300 feel to it which I loved, and the characters were just fantastic. One of the primary reasons why big-budget Marvel films continue to succeed is their ability to entertain while giving viewers several characters to root for, not just the headliner. My eyes were glued to the screen for the entire movie thanks to impressive pacing and an engaging story. Black Adam is a big-budget blockbuster that feels like a big-budget blockbuster, if that makes any sense at all. Bottom line, my criticisms were few and far between with this movie, and that is a big win in my book.

I was intrigued by the origin story of Black Adam and felt like it had more depth than you would usually expect from a superhero film. It also has a ton of great one-liners, and bunch of perfectly funny interactions between characters that feel very authentic. One of my big issues with DC films is they often come across as either trying so hard to be gritty that they miss the mark altogether, or they want so badly to be funny that it feels forced and comes across as corny. That couldn’t be further from the case here, and I think the writing and the chemistry between the cast was a big reason why it all worked so well. I keep picturing certain scenes that had me laughing out loud in the theater, and they are still putting a goofy smile on my face. I honestly can’t wait to see Black Adam again.

Okay now it’s time to talk about the cast, and I personally thought it was fantastic from top to bottom. If they asked for my feedback, this is the cast I would have envisioned for this movie. Dwayne Johnson has been fighting for this project to come to fruition for a decade and a half, and you won’t question his commitment to this role even for a second. Johnson is locked in, and even though he is a larger-than-life personality and a fixture in our lives these days, I was still able to see him as Black Adam which to me was an incredible accomplishment in itself. He crushed this role, simple as that. Although Johnson is most certainly the main attraction, the rest of the cast is pivotal to the success of the movie as a whole.

I have to start with actress Sarah Shahi, a former model who’s birth name is Aahoo Jahansouzshahi. I’m guessing its obvious why she decided to go with a different name professionally. I’m not gonna lie, I was infatuated with her character from the outset because not only was she absolutely gorgeous, she was a badass. She plays Adrianna Tomaz, a tough-as-nails mom hell bent on making life better for her people who are currently oppressed. She was simply amazing in this role, and I couldn’t imagine anyone playing it better.

So during the movie I felt like she looked familiar but I couldn’t quite put my finger on it, but after doing a bit of research I had a big “ohhh that’s who she is!” moment. She was in one of my favorite shows, the unique crime drama Person of Interest, where she plays the sexy and tough Sameen Shaw. Her character in that series is not so different from who she plays in Black Adam, reinforcing the fact that she is the right person for roles like this. The Euless, TX native has been making a name for herself, mostly in television, since her career began way back in 2000. I can’t understate how happy I am for her and the success she is having. If you want to check out Person of Interest, all 5 seasons are currently streaming on HBO Max. I highly recommend it.

Next I have to talk about another actor who I am excited to see finding so much success, and that would be my guy Mohammed Amer. The Palestinian stand-up comedian turned actor who was born in Kuwait before his family made the decision to flee to Texas during the first Gulf War way back in 1990, has seemingly come out of nowhere in the acting world. After making his acting debut in an episode of the HBO series Crashing, his big break was in the Hulu comedy drama series Ramy (preview and trailer here), where he starred as a supporting character alongside Ramy Youssef.

I watched the series which I very much enjoyed and definitely recommend, and Amer was easily one of my favorite characters. So when I found out he was getting his own series loosely based on his own life experiences as a refugee trying to make a living in Texas, I was pumped. The Netflix original series Mo (preview and trailer here), is now streaming and is absolutely worth a watch. Amer has such an incredible on-screen presence, and he is absolutely hilarious. I really enjoyed his character in Black Adam as he provided the majority of the comic relief as Karim, the brother of Shahi’s character.

The rest of the cast was great as well, mainly the core crew that made up the Justice Society from acting legend Pierce Brosnan as Dr. Fate, Aldis Hodge as Hawkman, Noah Centineo as Atom Smasher, and Quintessa Swindell as Cyclone. This group had awesome chemistry with each other, and I loved the toe to toe interactions between Hawkman and Black Adam. I wouldn’t say it was a ripoff or anything, and to be clear I know zero about the comics, but Hawkman felt very similar to Anthony Mackie’s Falcon, and I thought that Atom Smasher had a ton of similarities to Paul Rudd’s Ant-Man. I mean this as a compliment in the sense that I gravitated towards these characters, and although Atom Smasher and Cyclone play smaller roles comparably, the chemistry these two shared added some additional depth to the film. Plus, Centineo definitely added to the comic relief element.

On the technical side of things, I personally thought the CGI and special effects were great. They were over-the-top more often than not, but they hit hard and that’s exactly what I was hoping for. The action sequences were a blast to experience, and I also loved the 300 cinematic style we were treated to during the earlier parts of the film as well as the flashback scenes. Plus, the nice thing about casting Dwayne Johnson in a role like this is you don’t need any CGI up make him look like an absolute beast. The film also served up a ton of slow-mo during some of the crazier action scenes which I thought actually worked quite well all things considered, and in general I never got the corny feel from the film which was something I was initially concerned about.

The score and soundtrack are pure fire any way you look at it, and was hugely beneficial to the overall experience. Composer Lorne Balfe is one of the biggest names in the business with 167 credits according to his IMDb filmography. This guy is a machine, in 2022 alone he did Ambulance, Infinite Storm, Top Gun: Maverick, Ticket to Paradise, and now Black Adam. And next year looks massive for him yet again with The Lego Batman Movie 2, Tetris, Dungeons & Dragons: Honor Among Thieves, and Mission: Impossible - Dead Reckoning Part One. The guy is like the Dwayne Johnson of composers, always burning that midnight oil. He is definitely one of the greats. As the icing on the cake to the incredible work from Balfe, we are also treated to music from The Smashing Pumpkins, Player, The Rolling Stones, and Kanye West. Plus, I have to give a bit shoutout to director Jaume Collet-Serra because he brought his A-game for Black Adam.

THE BAD

Listen, I’m not going to talk about Black Adam like it deserves it’s rightful place in cinematic history. I mean, at the end of the day it’s a superhero movie and its not perfect, but that’s okay. The special effects and CGI sometimes feel a bit too over-the-top, but that’s really par for the course, right? I’m not going to knock the acting because as I said it was well above average. I felt like they took full advantage of the 2-hour runtime, making sure each scene had a purpose. So kudos to the editing team for that. Above all else, entertainment factor remained from start to finish and in my mind that’s really all that matters. The good far outweighs the bad, and after seeing Black Adam I have every reason to believe this could be the next franchise that gives DC that boost it so desperately needs. So yeah, I’m going to keep this section short and sweet because at the end of the day Black Adam defies expectations, and that’s the story I’m sticking to.

THE VERDICT

An action packed superhero origin story with genuinely likable characters and an engaging storyline, Black Adam is not only one of the best DC movies in recent memory, it gives big brother Marvel a run for its money. Dwayne Johnson’s 15-years in the making passion project was intense when it needed to be, but still provided the necessary balance of humor to ensure it was always fun. I loved the cast, and I am ecstatic for the opportunities a movie like this will afford actress Sarah Shahi and actor Mohammed Amer, who are very deserving of their success. I haven’t even bothered reading what these so-called critics over on Rotten Tomatoes have had to say about this movie, but who cares really. At the end of the day it’s about whether or not YOU will enjoy it, and as a fan of superheroes on the big screen who also happens to write these half-ass reviews that I hope you enjoy reading, this was a theater experience that was absolutely worth my time.

As I mentioned I’m not a comic book guy so I went in fairly blind in terms of what to expect, but after seeing this movie I’m pumped about Black Adam and his place in the DC universe. Plus, an epic mid credits scene has me excited and full of anticipation. Ignore the haters and get out to the theater ASAP to see Black Adam because it is worth your hard earned money, and then some. That’s right, you heard it here first. So, what are you waiting for?!

TED TAKES RATING - 8.3/10

Black Adam is now playing only in theaters. Check out the latest trailer below.

Smile

Smile is a 2022 psychological horror film written and directed by Parker Finn in his feature film debut, based on his 2020 short film Laura Hasn't Slept, which was awarded the Jury Award for Midnight Short at the 2020 SXSW film festival. Taking a unique approach with the marketing budget, people were planted at a variety of crowded venues including several sporting events, and just sitting or standing 3+ hours with the creepiest smile you have ever seen on their faces. If you don’t believe me, Google it.

After witnessing a bizarre, traumatic incident involving a patient, Dr. Rose Cotter starts experiencing frightening occurrences that she can't explain. As an overwhelming terror begins taking over her life, Rose must confront her troubling past in order to survive and escape her horrifying new reality.

The film stars Sosie Bacon (Mare of Easttown, As We See It), Jessie T. Usher (The Boys), Kyle Gallner, Robin Weigert, Caitlin Stasey, Kal Penn, and Rob Morgan.

Smile made its debut in theaters on September 30th, courtesy of Paramount Pictures.

THE GOOD

Smile was one of the rare horror movies destined for a theatrical wide release that somehow snuck up on me. I was actually at the movie theater seeing something else and was chatting with the crew when someone mentioned the movie to me and I immediately assumed it was yet another under-the-radar horror that would get a VOD release or find its way onto Shudder. Now I’m not saying those movies don’t have the potential to be good because they absolutely do, but theaters putting their faith in horror movies these days is fairly rare. So of course I immediately started digging in to this movie and found that it was still without the first official trailer at the time, but once it dropped I was sure to have a preview posted immediately. I doubt I need to point out this obvious fact, but the trailer for Smile was legit. It felt fresh, original, and more than anything else it seemed brutal and well deserving of the R-rating, as any horror movie worth its salt should be. So needless to say I was pumped to check this out opening day. So, was it worth the excitement? Keep reading to find out!

It sure was! Smile is a damn good horror movie, and one heck of a debut for writer and director Parker Finn, allowing audiences the opportunity to experience the feature-film version of his terrifying 2020 short film on the big-screen. It was gloriously dark and brutal, the score was terrifying and oh so satisfying, the cinematography and camera work were clutch, and more than anything else the story quenched my insatiable thirst for horror. This is a fantastic example of how a horror movie is supposed to leave a lasting impression.

But, before I get ahead of myself, it wasn’t perfect and I will touch on that later in the review. For me Finn’s story blended elements of horror films like The Ring (2002), and the classic indie horror film It Follows (2014), to perfection without feeling like a blatant ripoff of either classic horror film. Its just that resounding sense of dread that creeps in and never leaves you that makes movies like Smile leave such a lasting impression. The fact that the film is based on an original story from Finn is impressive to me because it did feel like it could have been a remake of a Japanese horror similar to The Ring, which is a credit to the story. Speaking of the story, I loved it. Horror movies are supposed to leave you feeling uneasy and on the edge of your seat with your mouth wide open as the credits role, and that was surely the case with Smile. And speaking of mouth wide open, those smiles are sooooooooo damn creepy.

I thought the final act was fantastic, and in many ways reminded me of the mindfu*k of an ending that we got with The Night House, which is a great horror thriller if you haven’t seen it and is now streaming on HBO Max. Now that I think about it, Smile has quite a bit in common with that movie. Finn put together a story that is relatable in a depressing and traumatic way, very dark, and more than anything else uniquely immersive. Oh and if you are one of those people who are especially susceptible to jump scares, you better buckle up because otherwise you might end up on the floor of the theater. I keep bringing it up but the story is obviously the star of the show, and like many of the more successful horror films as of late like Ari Aster’s 2018 film Hereditary (our review here) as a great example I like to use, it felt relatable in a grounded in reality sort of way. I mean sure, the basis of the film is far-fetched as it should be, but the core of the story is rooted in unresolved trauma, and let’s be honest this is precisely why therapists make the big bucks. It does make you wonder though how many therapists choose that career path as a way to deal with their own issues.

Actress Sosie Bacon leads the way for the cast and I thought she was fantastic. If you think her last name sounds familiar you would be onto something. She is the daughter of legendary actor Kevin Bacon, who had her with actress Kyra Sedgwick. Now that is some solid acting roots right there. A spitting imagine of her dad, Bacon is most recognized for her recent role in the HBO limited series Mare of Easttown. A ton was asked of her character in Smile, and I felt like she answered the call every single time. She reminded me a bit of Rebecca Hall in The Night House, a woman brought to her knees by tragedy holding on by a thread. Bottom line, this movie does not work without her and I look forward to what she does in the future. I won’t talk too much about the supporting cast here as I have a few thoughts later in review, but my favorite supporting roles were played by Caitlin Stasey as the troubled patient that starts it all, Robin Weigart who plays Dr. Madeline Northcott, and Kyle Gallner who plays Joel, the ex boyfriend turned detective.

THE BAD

Few things grind my gears more than a movie making stupid and unnecessary missteps keeping it from being great. Now if you have been paying attention I have made it very clear that Smile is a top-tier horror movie that I genuinely enjoyed, but the reality is it could have been better. I won’t spend too much time talking about the issues I have with the movie mainly because they are relatively inconsequential in the grand scheme of things, but sometimes as a reviewer of movies you have to nitpick a bit. First, I had issues with the writing and the editing decisions that were made. At just shy of 2-hours, I feel like they could have easily cut about 15-20 minutes out of this movie. I can think of at least three scenes that served literally zero purpose that could have been scrapped. They just felt forced and if anything took away from the impact of the film.

Now I have to talk about the casting, first I love me some Kal Penn, the guy is great and will be a legend forever thanks to Harold & Kumar and those delicious little White Castle burgers. But, what is he doing in a horror movie with no comedic element whatsoever you ask? Great question. It just felt like a weird decision to have such a recognizable guy play such a small yet important role. If I’m being honest, I just kept waiting for him to crack a joke. Next in line of bad casting decisions is the role played by Jessie T. Usher. Usher plays Trevor, the fiancé of Sosie Bacon’s character, a pivotal role in terms of the overall impact of the story. But man, I did not like his character at all. It started off okay, but once we start to learn a bit more about Rose Cotter and her “demons”, it becomes pretty clear that these two couldn’t be less compatible. The trend of passive and dare I say pansy ass men in this movie felt like a weird dynamic to say the least that did more bad than good. As the film got darker and more intense, Usher’s character became more of a joke than a quality character. I thought Usher was great in The Boys, but this role was not for him.

THE VERDICT

An unsettling and immersive urban legend style horror film blending elements of The Ring and It Follows, Smile gets the hooks in you early and delivers a very satisfying final act you won’t soon forget. I thought the tone was fantastic throughout, and the film absolutely delivered on the technical side of things which can be rare for wide-release horror movies. I loved Parker Finn’s original story, and felt like as a director he prioritized the elements that mattered most ensuring he delivered a horror experience that would stand the test of time while satisfying hardcore and casual genre fans.

Unfortunately a few poor casting decisions and questionable writing at times kept the film from moving into the upper-echelon of horror, but luckily these issues were not detrimental to the final product. Smile satisfied my hunger for quality horror, and is without a doubt the movie horror fans need to be seeing on the big-screen this Halloween season. I can’t wait to see it again, and I am looking forward to keeping an eye out for what Finn does next.

TED TAKES RATING - 8.1/10

Smile is now playing only in theaters. Check out the latest trailer below.

Lyle, Lyle, Crocodile

Lyle, Lyle, Crocodile is a 2022 live-action animated musical comedy directed by Will Speck and Josh Gordon, from a screenplay by William Davies. It is an adaptation of the children's story of the same name and its prequel The House on East 88th Street by Bernard Waber.

When the Primm family moves to New York City, their young son, Josh, struggles to adapt to his new school and friends. All of that changes when he discovers Lyle, a singing crocodile that loves baths, caviar and great music. The two become fast friends, but when evil neighbor Mr. Grumps threatens Lyle's existence, the Primms must band together to show the world that family can come from the most unexpected places.

The cast includes Shawn Mendes, Javier Bardem, Constance Wu, Winslow Fegley, Scoot McNairy, and Brett Gelman.

Lyle, Lyle, Crocodile made its debut in theaters on October 7th, courtesy of Columbia Pictures via Sony Pictures Releasing.

THE GOOD

My trip to the theater to see Lyle, Lyle, Crocodile was an overwhelmingly positive experience for several reasons. First, I was excited that I finally had another chance to take my almost 4-year-old little guy to see another movie, allowing me an opportunity for some great father son bonding time. He had been asking me when he would be able to see another movie in theaters, and needless to say I wasn’t about to bring him to see Bros (our review here) or Smile. My wife and I also had the crazy thought to try and take our almost 2-year-old, who is admittedly a mini-me, to see his first movie. Both boys watched the trailer and just kept running around the house yelling “Lyle, Lyle, Crocodile”, and I’m not gonna lie it was pretty damn cute. We even grabbed the book from the library to read to them before bed earlier in the week.

As our youngest climbed into his seat and looked at the giant bucket of delicious popcorn and the glorious illuminated screen in front of him, all he could say was “wowwwwwwwwww”. It was at that very moment that I knew I could forego the DNA test, he was definitely my kid. In all seriousness, both boys loved the movie, and our youngest sat through the entire thing and only became slightly distracted towards the end. Bottom line, Lyle, Lyle, Crocodile was a very successful trip to the theater for our little family. So, did the adults enjoy the movie? I’m glad you asked!

We did! I personally had a lot of fun with this movie, and more than anything else appreciated its ability to appeal to both kids and parents. It tells a very simple yet effective story, and also takes full advantage of the fact that it is partly a musical as well. I wouldn’t consider myself to be a musical fanatic necessarily, but I love when a movie can seamlessly blend musical elements within the story to where it doesn’t quite feel like a full-blown musical. The songwriting team from The Greatest Showman returns for Lyle, Lyle, Crocodile and you can feel their energy right away.

Having a talent like Shawn Mendes as the voice-actor for Lyle was a massive casting move, but the performances needed to jump off the screen, and in my opinion they absolutely did. I looked forward to the next time Lyle graced us with his angelic vocal chords, and that is saying a lot for someone who usually has a take it or leave it attitude when it comes to musicals. Bottom line, the performances were fun and exciting and kept my eyes glued to the screen as we were treated to a great soundtrack. Oh and little Lyle was so damn cute, I almost wanted a pet Crocodile of my own. Almost.

I was also genuinely pleased with the cast, lead by musician Shawn Mendes as Lyle and Javier Bardem. The two of them are just electric on screen. I really liked Winslow Begley who plays Josh Primm, and thought that he delivered a very solid performance. Begley was able to develop a unique bond with Lyle, and I felt like his difficult transition to a new home and a new city felt authentic and got audiences invested. Constance Wu and Scoot McNairy played Josh’s parents, and I really enjoyed both characters.

One of the scenes in the film that garnered the most laughs in the theater included McNairy’s character reliving his days as a championship wrestler. Having read the book to my kids before bed several times before seeing the movie, I knew it was important to cast the right person to play the films antagonist, Mr. Grumps, and comedian-turned-actor Brett Gelman was absolutely the right choice. The veteran actor is simply hilarious in his super odd role in one of my favorite comedies The Other Guys, and even though this role isn’t quite as over-the-top, he still plays it to perfection.

THE BAD

Andrew and I sort of have an unwritten rule where we don’t shred children’s movies, unless they are deserving of course, especially when they are based on popular books. But before you start questioning our thoughts on these movies, rest assured they will still receive the rating they deserve. To be honest, Lyle, Lyle, Crocodile met and exceeded my expectations. It was fun, never boring, and didn’t reach the cheesy status that it easily could have considering well, it is based on a children’s book about a singing and dancing crocodile. I felt like the film stayed fairly grounded all things considered and told a story with substance. I will say that I had hoped it would tug on the old heart strings a but more than it did, but that is just me sort of nitpicking. Instead of dragging out the third act of the film the writers decided to focus on the root of the story, and I do feel like it was the right decision.

THE VERDICT

An energetic and heartwarming family comedy featuring some great musical performances thanks to the talented duo of Shawn Mendes and Javier Bardem, Lyle, Lyle, Crocodile serves up something for the entire family making it well worth a trip to the theater. Family movies, especially those for younger kids, seem to be few and far between the last few months so jumped at the opportunity to see this with the family and it was well worth it. As I touched on earlier in the review, I am hard pressed to pick apart or be critical of Lyle, Lyle, Crocodile for the simple fact that it did what it set out to do, and then some.

Do yourself a favor and take advantage of a seemingly rare opportunity to get the littles ones out to the theater, you won’t regret it. Also pro tip, lots of delicious popcorn always helps too.

TED TAKES RATING - 7.2/10

Lyle, Lyle, Crocodile is now playing only in theaters. Check out the latest trailer below.

Blonde

By: Andrew Wing

Blonde is a 2022 American fictionalized biographical drama film written and directed by Andrew Dominik (The Assassination of Jesse James by the Coward Robert Ford, Killing Them Softly), based on the 2000 novel of the same name by Joyce Carol Oates. The film stars Ana de Armas (Blade Runner 2049, Knives Out) as the American icon and actress Marilyn Monroe. The cast also includes Adrien Brody (The Pianist, The Darjeeling Limited), Bobby Cannavale (Spy, Ant-Man), Xavier Samuel (The Twilight Saga: Eclipse), and Julianne Nicholson (August: Osage County, Mare of Easttown).

This reimagined fictional portrait of Hollywood legend Marilyn Monroe follows her from her volatile childhood as Norma Jeane through her rise to stardom and romantic entanglements and blurs the lines of fact and fiction to explore the widening split between her public and private selves.

Along with shifting aspect ratios, most of the film is presented in black and white. Dede Gardner, Jeremy Kleiner, Tracey Landon, Brad Pitt, and Scott Robertson produced the film, which, after a lengthy period of development that began in 2010, entered production in August 2019 in Los Angeles. Production wrapped in July 2021, following the COVID-19 pandemic in 2020. The film also garnered controversy and notoriety for its lead casting, graphic sexual content, and status as the first NC-17-rated film to be released via a streaming service.

Blonde premiered at the 79th Venice International Film Festival on September 8, 2022, and began a limited theatrical release in the United States on September 16, 2022, before its streaming release on September 28, by Netflix.

THE GOOD

The time has finally arrived. Blonde has without a doubt been one of the most highly anticipated movies of the past couple of years, and it finally hit Netflix a little over a week ago. Why was it anticipated so highly you might ask? Well, for starters it’s a biopic, albeit fictional, on the life of American screen icon Marilyn Monroe played by one of the most talented young actresses working today in Ana de Armas. Also, it is the Australian filmmaker Andrew Dominik’s first feature film in a decade, so people were excited to see what he has spent all this time working on. Despite those good things, this film was also highly anticipated because since early press screenings it has garnered a lot of controversy due to the way it portrayed Monroe and also with the fact that it earned an NC-17 rating due to its graphic sexual content. So was the inclusion of two talents in de Armas and Dominik enough to make this a great biopic, or was this the absolute dumpster fire a lot of critics have been saying it is? Keep reading to find out!

I take no pride in saying that it was the latter. Trust me, I will touch on all of the things wrong with this movie, but with this being the good section, that will just have to wait. But for now, there is only one way to start this review and that is by praising the beautiful and incredibly talented Ana de Armas. If there’s one thing to take away from this film, it is that she is going to be a star. It is obvious from the very first scene that she absolutely devoted herself to this role and despite the fact that people want to give her a hard time because her voice didn’t perfectly match that of Monroe’s, I would definitely call this a transformative performance. I thought the voice was more than fine, and I truthfully didn’t find it as distracting as other critics. And lastly when it comes to Ana de Armas, I just applaud her for her bravery in doing some of these very hard to watch scenes that I’m sure a lot of other actresses wouldn’t have done and I wouldn’t have blamed them, but de Armas just continues to impress me with whatever she does and I can’t wait to see where her career goes from here.

Now onto the director Andrew Dominik. I unfortunately don’t have a lot of good to say about him as I thought I would going into this review, but he is still worthy of some praise. I shame myself for one not having seen his feature film Chopper, but more for not yet having seen his 2007 Western The Assassination of Jesse James by the Coward Robert Ford. However, I have had the pleasure of watching his most recent film Killing Them Softly and one thing I took away from that was that Dominik is an incredible visual stylist and he absolutely puts that on display in Blonde. This movie is an incredible visual achievement. The black-and-white is about as impressive as it gets and Chayse Irvin’s cinematography was phenomenal.

Other than de Arma’s performance and the film’s visuals, there is nothing else I would say is great about Blonde. Despite that though, I did like all of the supporting performances we got here even though I think a lot of the side characters you could make the case were underwritten. I was specifically impressed by Bobby Cannavale who is definitely more known for his comedic roles but I think is one talented dramatic actor. I was also blown away by Julianne Nicholson who plays Monroe’s mentally unstable mother. She, like de Armas, really takes some risks with her performance and I was just left speechless a couple times at what she was able to do on screen. And lastly, me being a big music guy, I was a big fan of what Nick Cave and Warren Ellis brought to this movie in that department and I enjoyed hearing all of Marilyn Monroe’s hits at times throughout the film.

THE BAD

Before we dive too deep into the critiquing of this film, it should be known that this movie is adapted from Joyce Carol Oates 2000 novel of the same name. Dominik then adapted the screenplay, and while I respect his total commitment to whatever he was trying to achieve here, I have no fucking clue what he was going for here. Whatever it was was truly disappointing. I feel rude saying this but it also felt at times to be a little brain dead and I only say that because of how troubling the film is. From what he was trying to say about Marilyn Monroe and the life she lived, to femininity, to middle-century America, he just swung and missed here. I will say I haven’t read the novel, and I just might need to now, but there is just no debating that this movie doesn’t work and is a black mark on Dominik’s resume.

My next big problem with Blonde is the absurdly long runtime. It clocks in at a whopping 167 minutes and I’m usually one who is fine with longer movies and one who wishes some movies were longer, but that was absolutely not the case here. Once I came to terms with what this movie was, I just wanted it to end. The film is an imagining of Monroe's life and while I’m okay with a conspiracy theory here and there, this film just takes so many, and I would argue too many creative liberties with what was this woman’s life. And with that being said, the movie is pretty uncomfortable at times and the last thing I enjoy is being uncomfortable for almost three hours, so yeah, I would’ve liked this to be much shorter.

Continuing with that uncomfortable feel, it has to be said that there are A LOT of scenes in this film that I found to be unnerving, and I strongly believe that women will have a hard time watching this because well, there’s no other way to say it, this film is incredibly demeaning to females. From nudity, rape, attempted murder, attempted suicide, physical abuse, mental abuse, abortion, this film really has it all and it certainly earns its NC-17 rating. In conclusion, aside from all of the complaints I’ve made, I would argue the biggest one is that this film is just not entertaining in the slightest and I have a hard time recommending someone to check this out.

THE VERDICT

Andrew Dominik’s Blonde is a visual achievement and it also features what I found to be a pretty remarkable transformative performance from Ana de Armas as Marilyn Monroe, but that’s about all the good I have to say about it.

I truly don’t know what Dominik was trying to say or accomplish with this film, but whatever it was, it absolutely didn’t work. The way he portrayed Monroe’s life was exploitative, sexist, and dehumanizing, and more than that, the movie as a whole was just demeaning to women in general. At the end of the day, Dominik’s passion project is a failure that clocks in at a brutal runtime of 167 minutes.

TED TAKES RATING - 4.2/10

Blonde is now streaming exclusively on Netflix. Check out the latest trailer below.

Emily the Criminal

By: Andrew Wing

Emily the Criminal is a 2022 American crime drama film written and directed by John Patton Ford. It stars Aubrey Plaza (Parks and Recreation, Safety Not Guaranteed), Theo Rossi (Sons of Anarchy), Megalyn Echikunwoke (Night School), and Gina Gershon (Bound).

Emily (Plaza), who is saddled with student debt and locked out of the job market due to a minor criminal record, gets involved in a credit card scam that pulls her into the criminal underworld of Los Angeles, ultimately leading to deadly consequences.

It premiered at the Sundance Film Festival on January 24, 2022, and was released in the United States on August 12, 2022, by Vertical Entertainment and Roadside Attractions.

THE GOOD

Ever since premiering at this year’s Sundance Film Festival, Emily the Criminal has been one of my most anticipated movies to check out mainly because of the widespread positive reviews it has gotten. Another reason for my excitement was the inclusion of Aubrey Plaza, an actress I am a huge fan of. Plaza is largely known for her hilarious role in Parks and Recreation, but for the past five years I have been really impressed with some of her dramatic performances in small indie films like Ingrid Goes West and Black Bear, so I was pumped to see if she could go up another level with her performance in Emily the Criminal. So with that said, was this Plaza’s career-best performance? Keep reading to find out!

IT WAS! I mentioned some of her other performances, but I really do think this is the best. Plaza’s character is a woman who gets slowly integrated into a world of crime, specifically credit card fraud, and the way she portrayed this character’s descent into madness if you will call it that, was remarkable. It was so fun as we got to discover what this character had up her sleeve the deeper we got into the story, and it was just so fun to watch Aubrey Plaza become an absolute badass in this world of crime. She just continues to stretch her limits as an actress in these indie films, and I’m just buying all the stock in her. She carries this film with ease, she has the range to do anything, and it’s not surprising the legendary Francis Ford Coppola recently cast her to be in his highly anticipated Megalopolis, which will feature her starring alongside my favorite actor Adam Driver. 

There’s no denying that Plaza stole the show here thanks to her performance, but this is just a solid crime drama film at the end of the day. It was written and directed by John Patton Ford and I was just really impressed by what he did with his feature film debut. The movie is a thriller that starts in a really grounded place which I was a fan of. That grounded feel made the way the story unfolded surprising when things started to escalate and it was just a very good script full of well-written characters. As good as his writing was, the direction though was great. The film is very tense and anxiety-inducing and Ford just did a fantastic job of heightening the tension at all the right spots

I usually don’t dive super deep into my movie reviews, but for this one, I will. So continuing with my praise for Ford, I liked the film’s commentary on how once someone is labeled a criminal and has a criminal record, no matter how small and harmless the crime might have been, you are forever deemed a criminal by society and that makes it extremely hard to get a job and make a living. We obviously see this firsthand with Plaza’s character Emily, who believes more in being a criminal than capitalism because she’s drowning in student loans. I don’t know, I’m not saying I’m pro-being a criminal, but I just thought it gave the film another layer of depth and made the character of Emily extremely relatable despite her criminal nature.

Before I wrap up the good, there are some more things I want to give some love to when it comes to Emily the Criminal, the first being Theo Rossi. I remember Rossi from his small supporting role in Sons of Anarchy, but he just crushed it here. His character was given a lot and Rossi’s performance just made you like his character who was also a criminal and made you see him as this warm, genuine person. The editing too here from Harrison Atkins was awesome. I was locked in from the start and the 93 minutes runtime was perfect. The cinematography was solid too and being a big fan of close-ups, I loved all of the close-ups we got in this film, so shoutout to cinematographer Jeff Bierman.

THE BAD

As much as I enjoyed this movie, the reason for my score which you’ll see shortly is simply because I don’t know if I can say the movie did anything exceptionally. Don’t get me wrong, this is a solid straightforward thriller with great performances, but I just can’t put it in that upper echelon of crime drama films which there are aplenty. Also, and I say this a lot when I critique movies, but I just wanted to see them dive a bit deeper into the world they were showing to us. I just wanted to see this movie try to take things a step further and I think it not doing that is why I didn’t totally love the ending. Other than that small gripe of mine though, there’s nothing bad about this movie and I have a hard time seeing anyone not enjoy Emily the Criminal.

THE VERDICT

Behind a career-best performance from Aubrey Plaza, Emily the Criminal is a thrilling crime drama from John Patton Ford in his feature film debut. It’s not groundbreaking, but it’s rock solid and just such an easy-to-watch film that you’re going to be locked into from start to finish thanks to both its crisp editing from Harrison Atkins and its perfect runtime of 93 minutes.

TED TAKES RATING - 8/10

Emily the Criminal is now available for rent or purchase on demand. Check out the latest trailer below.

Bros

Bros is a 2022 romantic comedy film directed by Nicholas Stoller from a screenplay he co-wrote with Billy Eichner, who also stars and executive produces. Stoller and Judd Apatow are producers of the film. Stoller has quite the resume in the world of comedy, having previously directed Forgetting Sarah Marshall (2008), Get Him to the Greek (2010) (which he also wrote), and Neighbors (2014). Bros had its world premiere at the 2022 Toronto International Film Festival on September 9, 2022.

Bobby Lieber, an "out and proud but also scared and self-doubting" New York museum curator, is hired to write a romantic comedy about a gay couple. Along the way, he meets—and eventually falls in love with—Aaron, a "macho" lawyer.

The cast includes Billy Eichner, Luke Macfarlane, Bowen Yang, Guy Branum, Harvey Fierstein, Ts Madison, Dot-Marie Jones, Monica Raymund, Eve Lindley, Guillermo Díaz, Amanda Bearse, Miss Lawrence, Ryan Faucett, and Jim Rash.

Bros made its debut in theaters on September 30th, courtesy of Universal Pictures.

THE GOOD

Once I hear the name Judd Apatow, I am already reaching for my debit card ready to buy a ticket. The guy does not miss in my mind and is the man when it comes to comedies with substance and a real story you can get behind. Granted he is only attached to the project as a producer, but his name means something in the business. After watching the initial trailer for the movie I was genuinely excited, it just felt like an Apatow movie. And after the incredibly positive feedback from earlier screenings, I was all in. Plus, life is hard sometimes so we need to jump at the opportunity to escape for around two hours by seeing a comedy like Bros in theaters. So, does it do the Apatow name justice or fail to meet expectations? Keep reading to find out!

I had a ton of fun with this movie, and I can say without a doubt it met my expectations. Once again Judd Apatow’s name is worth its weight in gold. I laughed out loud a ton, but more than anything else I had a really good time from start to finish, and the movie absolutely flew by. I will say right out of the gate Bros will likely divide audiences which I will talk about later in the review, but I thought it was hilarious, well-intentioned, and just an enjoyable escape to Provincetown (a gay reference, obviously). I really enjoyed the characters and all of their erratic personalities and felt like the story was intriguing enough to get me invested even though it was formulaic and fairly predictable as are most romantic comedies, although I think that may have been the point. I really liked the New York setting, although it was filmed in New Jersey. I also liked the references to Hallmark movies and the Hallmark Channel in general which my wife is next-level obsessed with. Star Luke Macfarlane, a straight man in real-life, actually got his start in Hallmark movies although my wife isn’t sure if she has seen any of them. The film is packed full of great one-liners, a surprising amount of depth when it comes to navigating relationships, and the undeniable fact that men will do anything to avoid talking about anything emotional with each other, and this is regardless of sexual preference.

I thought the writing was fantastic and without a doubt the primary reason why Bros is getting so much praise from critics. Director Nicholas Stoller co-wrote the screenplay with star Billy Eichner, a very openly gay comedian and New York native who seemingly plays himself in the movie. Stoller is extremely talented when it comes to putting together a quality story for a comedy, and love him or hate him Eichner plays to his strengths here and essentially adds his own level of expertise when it comes to the subject matter of the film. Bros perfectly mocks all sexual orientations, from straight, to bisexual, to transexual, but it especially rips gay people in hilarious fashion. I know women often feel like they are getting looked at like they are nothing more than a piece of meat, but I have visited gay clubs before (long story) and I have never been more uncomfortable, so I get it. Gay people have no filter, absolutely LOVE to party and hit the club scene, and they really are hilarious more often than not.

Bottom line, all of the funniest comedians are great at making fun of themselves, which allows for infinite material as they tend to refer to their own personal experiences. This felt like an opportunity for Eichner to mock the absolutely ridiculous world of gay men, from Tinder to Grindr, and to point out why the perception of gay men is often all wrong. Also, the portrayal of what Tinder is like is pretty spot on (I had a short and fairly successful run myself), but I will say that the ladies are far less aggressive than the men. Not to say I didn’t have a scenario or two where a very aggressive female asked to include their boyfriend 5-minutes before I left to meet her, but that is ancient history. Spoiler alert, I stayed home. But seriously, Bros makes fun of literally everything. Men of all sexual orientations, lack of commitment, meathead guys and working out in general (specifically CrossFit which I thought was hilarious), and anything and everything that has to do with how uncomfortable dating can be. The bread and butter of Bros is the mocking of pretty much every stereotype you can think of, and in my mind, that is a big part of what makes it so damn funny.

I touched on it briefly but I thought the cast was great. Eichner is perfect in his role, although he is annoying at times but that is likely by design. He often mocks straight men playing gay men in movies, and I can say without a doubt that he was able to become this character because as I mentioned, it is basically him in real life. I really liked Luke Macfarlane and thought the chemistry he had with Eichner was perfect. I assume a straight man playing a gay man, alongside a gay man basically playing himself, is not easy and probably uncomfortable at times, but he was great. The relationship between the two felt genuine, which allowed the story, as predictable as it was, to hold that much more weight. I honestly enjoyed the majority of the supporting cast, especially Guy Branum as that token friend you go out to bars with, but my favorite supporting character even though he had limited screen-time was Oscar-winning actor Jim Rash. He was hilarious during the constant back-and-forth bickering as he played the “underappreciated” bisexual man, and this role was just perfect for him. I won’t go too in-depth on the supporting cast as the leads definitely steal the show, but I thought everyone did a great job. Dot-Marie Jones crushed it as the no-filter lesbian of the group, and one scene in particular towards the end of the film was just perfect. Plus, Will & Grace star Debra Messing playing herself was just glorious. And lastly, I just have to give a shout-out to director Nicholas Stoller who continues to serve up hilarious content.

THE BAD

I mean, the reality is Bros is not for everyone. If you have any sensitivity at all to sexual situations involving gay men, you better steer clear. If you are homophobic, I wouldn’t even drive by the theater while the movie is playing. Am I being a bit ridiculous? Sure, but this movie does not hold back although to be fair you get more full-frontal male nudity in Game of Thrones. The majority of what you will see is fairly classy I guess you could say, most of the “hardcore” sexual nature of the film takes place off-screen or makes viewers use their imagination. But if you are uncomfortable with half-naked men who can’t seem to keep their hands off each other, this will be a difficult watch. I don’t want to go down this rabbit hole too deep, but I find it interesting how fired up people are getting about this movie.

First, you have the homophobic demographic who had zero interest in seeing the movie from the start, then after the movie bombed at the box office opening weekend, you have comedian and star Billy Eichner basically calling out straight people on Twitter for refusing to see the movie, and more or less accusing them of being homophobic. Now listen Billy, you were great in the movie but you do essentially portray the cocky persona you have on social media (and seemingly in real life), and calling out straight people is not a good way to get butts in the seats, pun intended. People saying that seeing a romantic comedy about gay people would be weird for a straight couple are idiots because for one I tried to get my wife to see it with me (sort of glad she didn’t because she would have been drooling over Macfarlane) but she was willing to, and I know for a fact that Andrew and his girlfriend were hoping to (and likely will) see it together.

Am I more comfortable with my sexual orientation than most? Can I appreciate a movie for what it is and ignore the BS surrounding it? Honestly, at the end of the day, it really doesn’t matter. In the era of social media basically running our lives people just like to get angry about things just to add meaning to their mundane existence, and sorry to say but Billy is playing right into the hands of these idiots (and by idiots I am referring to all sexual orientations, for the record). If they can keep this guy off social media for a few weeks and people stop pissing and moaning for a change, I think Bros will end up doing just fine at the box office.

THE VERDICT

Taking every opportunity to mock all sexual orientations equally while providing a ton of laughs along the way, Bros is a very well-written romantic comedy that plays to the strengths of its leading men while offering a surprisingly relatable albeit predictable story. The more I think about this movie, the more I appreciate the writing and all of the little details. As funny as it is, the ability to hang on to a story that has genuine substance in the face of rom-com predictability is an achievement. But again, are we really that surprised considering Judd Apatow’s involvement?

Do you need to sign a waiver saying you are comfortable with your sexuality before seeing the movie? Absolutely not, but if you are narrow-minded or homophobic it will be difficult to watch (refer to the “bad” section). But listen, two older ladies who were easily in their late 60s were in the theater and they had a blast, and I don’t need to tell you how things were “back in their day”. Bombing at the box office opening weekend has been a big topic and I do believe that releasing during horror movie season and not let’s say Valentine’s Day was a weird decision, but if you can ignore the noise and appreciate this movie for what it is, Bros is absolutely worth seeing in theaters and I may even see it a second time.

TED TAKES RATING - 9.1/10

Bros is now playing only in theaters. Check out the latest trailer below.

Don't Worry Darling

Don't Worry Darling is a 2022 psychological thriller film directed by Olivia Wilde. The screenplay was written by Katie Silberman, based on a story by Carey van Dyke, Shane Van Dyke, and Silberman. The film is produced by New Line Cinema and Vertigo Entertainment.

In the 1950s, Alice and Jack live in the idealized community of Victory, an experimental company town that houses the men who work on a top-secret project. While the husbands toil away, the wives get to enjoy the beauty, luxury and debauchery of their seemingly perfect paradise. However, when cracks in her idyllic life begin to appear, exposing flashes of something sinister lurking below the surface, Alice can't help but question exactly what she's doing in Victory.

The cast includes Florence Pugh, Harry Styles, Olivia Wilde, Gemma Chan, KiKi Layne, Nick Kroll, and Chris Pine.

Don't Worry Darling released in theaters on September 23rd, courtesy of Warner Bros. Pictures.

THE GOOD

Andrew and I have both been chomping at the bit for Don’t Worry Darling to hit theaters, and unless you live under a rock you are surely familiar with the pre-release drama surrounding the film that was stirred up during the promotional press tour, and the inevitable gossip that plagues our society today. But considering the box office success for the film so far, I would say that the idea of any press is good press rings true. I won’t bore you with the details of the aforementioned drama, but I will admit that I was annoyed by it mainly because it took away from the films highly anticipated release. Nonetheless, I ignored the noise and made it a point to see Don’t Worry Darling in theaters as soon as I could, So, was it worth my time? Keep reading to find out!

Let me just say that proving the naysayers wrong felt like a breath of fresh air, and boy was it satisfying. Seriously, Don’t Worry Darling is a damn good movie, and what I would consider to be one of the more unique and original psychological thrillers in recent memory. What intrigued me about the film in the first place was the overall concept, and the fact that it was obvious something wasn’t right, but you just couldn’t quite put your finger on it. Just like the trailers, the film does a fantastic job of keeping you guessing, and it wasn’t until the very end that I was greeted with what I would consider to be the big reveal which absolutely caught me off guard.

Now I can easily compare Don’t Worry Darling to other films that fall within the sci-fi thriller genre, but that would likely give things away and as you should know, I am not one to spoil a movie for someone. Katie Silberman’s screenplay in collaboration with Carey and Shane Van Dyke’s story deserves its time in the sun, because this movie thrives on feel and that element of mystery and intrigue. I couldn’t get enough of it. I also really enjoy the 50’s era as far as the clothes and the colors, and especially the cars. I also really liked all of the subtle elements of the film, like what the heck was Pugh’s character watching all the time on the TV while she was vacuuming?! And the visions that her character experienced were just awesome, and terrifying at the same time. What a unique balance.

Aside from what I considered to be a uniquely captivating story, Don’t Worry Darling has a stellar cast and it all starts with Florence Pugh. The English actress has absolutely exploded on the scene ever since a strong year in 2019 where she starred in the horror thriller Midsommar (our review here) as well as the period drama, Little Women. She snagged a starring role as a real badass in Marvel’s Black Widow in 2021, and here she is lighting up the screen in 2022 as she delivers arguably one of the best performances of the year. No joke, Pugh is simply THAT GOOD in this movie. Each and every scene she is in is electric, and I found myself in constant awe of her performance.

Oh and did I mention how insanely sexy she is in this? Sorry if I made it weird. Pugh stars alongside pop star turned actor Harry Styles, who in my opinion delivers a solid performance. Now I have read the criticism of his acting in the film, but if anything he was at a disadvantage trying to match the absolute clinic put on by Pugh. Bottom line, Styles is making a name for himself in movies and for my money is doing a damn good job, but to try and be overly critical of his acting in Don’t Worry Darling feels like a lazy and jealous attempt to get him to focus on music. He is here to stay folks, deal with it. Oh, and get ready for his next big role in My Policeman (preview and trailer here) set for a limited theatrical release on October 21st before a streaming release on Prime Video.

Yet another unreal performance is delivered by talented actor Chris Pine, who damn near gave me chills as the films primary antagonist. The amount of mystery surrounding Pine’s character is a big driver for the films backstory, and I thought he was just fantastic in this role. The supporting cast was pretty solid all around in my opinion, but I especially enjoyed Nick Kroll playing his usual a-hole role he is so damn good at. Director Olivia Wilde also plays an important supporting role in the film, and I thought she was great as usual. I also enjoyed the role played by Timothy Simons, and felt like he made quite an impact in his limited screen-time. Gemma Chan is phenomenal as Pine’s authoritative and intense wife.

Don’t Worry Darling really shines on the technical side of things. First and foremost, composer John Powell’s score is simply epic. So much of the score helped immerse me in the excitement and intrigue of the films story, and for me this made for an exciting and rewarding experience. The film puts a premium on what I would consider to be the big three of film as far as giving viewers everything they want and need, which is music, cinematography, and quality editing. Matthew Libatique handled the cinematography duties and crushes it, and Affonso Gonçalves hits a home run on the editing side of things. One scene in particular towards the end of the film had this crazy Mad Max vibe to it, and the overall feel just made me want to stand up and clap with excitement. The final act of the film was fantastic, and much of that is attributed to the overall technical prowess. As a follow-up to her 2019 hit film Booksmart, Olivia Wilde has proven that she is a talented director and someone worth keeping an eye on.

THE BAD

Don’t Worry Darling is a very effective and extremely entertaining psychological thriller. Is it perfect? No, but in my mind the good far outweighs the bad. Some of the acting isn’t great at times, but as I touched on earlier I believe much of that is the disparity between Florence Pugh and the rest of the cast, minus Chris Pine and Gemma Chan, as far as overall acting ability. I know I said Harry Styles delivered a solid performance, which he did, but he did flutter at times but luckily it was not detrimental to the film mainly because Pugh carried the more dramatic scenes. I can’t really think of many issues with the screenplay or story as it kept me guessing and never dragged. Long story short, I was too busy enjoying Don’t Worry Darling and must have forgotten to pick it apart. As the cool kids say, ignore the haters. Plus, at the end of the day the overall impact of the film and whether or not it “works” depends on two performances, which is the tense game of tug-a-war between Florence Pugh and Chris Pine’s characters, and as a great sports analogy, they leave everything out on the field.

THE VERDICT

Anchored by a tremendous score, a captivating screenplay, and a career-defining performance from actress Florence Pugh, Don’t Worry Darling is a psychological thriller that will stick with audiences long after the credits roll. I can’t get this movie out of my head, and I am so glad I ignored the pre-release drama and the out of touch critics because this movie hit hard. I talked about how excited I was to see it earlier in the review, but I am still amazed that it was able to meet my expectations. It may not be perfect and the supporting cast sometimes struggles to match Pugh and her pure acting talent, but in no way does it take away from the overall impact of the film.

I just love when a movie is able to become an experience that you can take home with you, and that is what happened for me here. Plus, at just over 2-hours this movie flies by. Do yourself a favor by ignoring the behind-the-scenes gossip and give Don’t Worry Darling a chance in theaters, you won’t regret it.

TED TAKES RATING - 8.3/10

Don’t Worry Darling is now playing only in theaters. Check out the latest trailer below.

See How They Run

By: Andrew Wing

See How They Run is a 2022 mystery comedy directed by Tom George, written by Mark Chappell, and produced by Damian Jones and Gina Carter. The film stars Sam Rockwell (Three Billboards Outside Ebbing, Missouri, The Green Mile), Saoirse Ronan (Lady Bird, Little Women), Adrien Brody (The Pianist, King Kong), Ruth Wilson (Locke, Anna Karenina), Reece Shearsmith (Shaun of the Dead), Harris Dickinson (The King’s Man), and David Oyelowo (Selma, Rise of the Planet of the Apes).

In the West End of 1950s London, plans for a movie version of a smash-hit play come to an abrupt halt after a pivotal member of the crew is murdered. When world-weary Inspector Stoppard (Rockwell) and eager rookie Constable Stalker (Ronan) take on the case, the two find themselves thrown into a puzzling whodunit within the glamorously sordid theater underground, investigating the mysterious homicide at their own peril.

See How They Run was theatrically released by Searchlight Pictures in the United Kingdom on September 9, 2022, and in the United States one week later on September 16, 2022.

THE GOOD

Ever since Rian Johnson’s Knives Out hit the scene in 2019, I have been a huge fan of the whodunit genre. They are just so much fun and because of my fascination with the genre, I of course went ahead and consumed some of the classics of the genre like the legendary Sidney Lumet’s 1974 Murder on the Orient Express, Jonathan Lynn’s 1985 classic Clue, and recently Kenneth Brannagh’s Death on the Nile (see Ted’s full review here). All that said, once I saw the trailer for See How They Run, I was pumped. Not only because it was another whodunit, but also because it featured two of my favorite actors in Sam Rockwell, and arguably the best young actress right now in Saoirse Ronan. So was I right to be so excited, or was I rather let down? Keep reading to find out!

I can’t say that it matched my expectations, but it definitely did not let me down. Tom George’s feature film directorial debut was to put it simply, a good time. There was a lot I enjoyed about his direction here and I’m excited to see what he does next. I also was quite impressed with Mark Chappell’s screenplay. It is so hard to keep an audience on their toes and engaged nowadays and thanks to Chappell’s script that kept me guessing, I was locked in from start to finish and I was totally surprised by the epic conclusion this film had. I was pleased overall with what I got from them, and there were other smaller things I could touch on like the editing, production design, and music, but let’s dive into what put my butt in the seat in the first place, the cast!

It’s only right that I start with the woman who just fails to give a bad performance in anything she is in, and that is the extremely talented Saoirse Ronan. I obviously knew she had the comedic chops after watching her in Greta Gerwig’s Lady Bird back in 2017, but I was blown away by how funny she was in this. You can ask my girlfriend who I saw it with, but I was literally chuckling at every line of dialogue her character had. Her chemistry with Sam Rockwell, who actually gave a great performance that was honestly unlike anything I’ve seen from him before, was amazing and the two of them definitely carried the film in my opinion.

Despite me having that sentiment, there were a number of other performances I enjoyed here. First with Tim Key, who played Commissioner Harrold Scott. Similar to Ronan, every line of dialogue he had made me laugh, and I was just really shocked at how much I enjoyed his presence in the film given that this was the first I had seen of him. I was also a big fan of Harris Dickinson’s small supporting comedic performance in this as the one and only Richard Attenborough, and I’ve said it before and I’ll say it again, but I think Harris Dickinson is a star in the making and I absolutely cannot wait to see him in Triangle of Sadness (watch the preview here) which comes out in just over a week. Oh and lastly, just like he did in The French Dispatch (see my full review here) from last year, Adrien Brody was just fantastic in his limited screen time.

THE BAD

Alright, this is difficult because there is no denying that See How They Run is a good movie. It’s a breezy watch with a unique story, but there was just something missing from me putting it in that upper echelon of the whodunit genre like the aforementioned Knives Out, which just so happens to be getting its own sequel, Glass Onion: A Knives Out Mystery (watch the preview here).

I don’t know what it was, but some of the jokes fell flat for me, and maybe that’s because this film is very British when it comes to its sense of humor, and it was also just pretty cheesy if I had to be completely honest. More than that, there were some performances I just wasn’t a fan of, especially David Oyelowo’s. Now I think Oyelowo is an amazing actor, but I just didn’t love him in this particular film and I think it’s mainly because it’s a comedy and I strongly believe that Oyelowo is better suited for dramas.

THE VERDICT

Thanks to fantastic performances from the leads Sam Rockwell and Saoirse Ronan, Tom George’s See How They Run is a good time from start to finish thanks to an engaging script full of perfectly dry British humor, making it a great addition to the whodunit genre.

Sure, it’s no Knives Out, but it’s still a breezy and bouncy watch that is well worth you making the trip to the theaters for!

TED TAKES RATING - 7.4/10

See How They Run is now playing at Smitty’s Cinema. Check out the latest trailer below.