Terrifier 2

TERRIFIER 2 is a 2022 horror slasher film written, directed, and produced by Damien Leone. It is a sequel to the instant cult classic for horror fans, Terrifier (2016). It had its world premiere at the FrightFest on August 29th, 2022. The third film in the franchise, TERRIFIER 3 (preview and trailer here), is set to debut in theaters October 11th, 2024.

After being resurrected by a sinister entity, Art the Clown returns to the timid town of Miles County where he targets a teenage girl and her younger brother on Halloween night.

The cast includes David Howard Thornton and Samantha Scaffidi, who portrayed Art the Clown and Victoria Heyes in the first film, and also stars Lauren LaVera, Elliot Fullam, Sarah Voigt, Kailey Hyman, and Casey Harnett.

TERRIFIER 2 released in select theaters on October 6th, 2022.

When I first heard about the original Terrifier film, I was intrigued just because I am a horror junkie but I fully expected it to be a corny B-movie horror. After finally watching the film once I found it streaming, I was actually pleasantly surprised. Now, it was for sure B-movie horror quality as far as production value, the acting, etc., but it was actually very creepy and definitely not for the faint of heart as far as the gore factor. Right away I could tell why the film was earning its place as a cult classic, which would eventually lead to TERRIFIER 2 getting a much more mainstream release 6 years later. So, where did TERRIFIER 2 land for me? Keep reading to find out!

I hate to be the bearer of bad news but TERRIFIER 2 was a big swing and a miss for me. What made the first film so good was the fact that the bad acting and weak story was just a placeholder for all of the gore and the overall creepy and disturbing presence of Art the Clown. For reasons I will never understand, Damian Leone decided to double down on the bad acting and terrible story making for a much too long, and more often than not, painful to watch sequel. The acting is brutal and the story is basically impossible to follow with any level of common sense because it was just too ridiculous. The gore is still at a 10, which is great, but just the fact that I was forced to suffer through acting that you would find in a middle school play, left a very bad taste in my mouth. I couldn’t even enjoy some of the wild scenes with Art the Clown because the poor acting pissed me off.

THE VERDICT

An example of exactly what not to do when attempting to build on the success of a predecessor, Damien Leone’s TERRIFIER 2 is a jumbled mess of brutal acting and mind-numbing backstory taking away from the glorious trail of carnage left behind by Art the Clown. You could basically cut every scene without Art the Clown and this movie would easily be 10x better than it is. I just can’t wrap my brain around why Leone would create a gem like the original Terrifier, which had no story to speak of, only to add an absolutely unnecessary additional hour to the sequel. I don’t know who he decided to take advice from or what the so-called critics who are praising this movie are smoking, but poor decision making wasted a ton of potential.

I loved the original and wanted so badly to enjoy TERRIFIER 2, and while I thought many of the kills were as creative as they were brutal, I ended up spending the majority of the movie with a “what the fu** is happening” look on my face while waiting for it to finally end. Oh and the “post-credit scene” that seemed to last 10-minutes, I just don’t even know what to say at this point. I really, really, really hope Leone redeems himself with TERRIFIER 3.

TED TAKES RATING - 2/10

TERRIFIER 2 is now available VOD and streaming on Prime Video. Check out the latest trailer below.

Speak No Evil

SPEAK NO EVIL is a 2024 psychological horror thriller film written and directed by James Watkins (Eden Lake, The Woman in Black), and is a remake of the 2022 Danish film of the same name. Jason Blum serves as a producer through his Blumhouse Productions banner.

When an American family is invited to spend the weekend at the idyllic country estate of a charming British family they befriended on vacation, what begins as a dream holiday soon warps into a snarled psychological nightmare.

The cast includes James McAvoy, Mackenzie Davis, Aisling Franciosi, Alix West Lefler, Dan Hough, and Scoot McNairy.

SPEAK NO EVIL made its debut in theaters September 13th, courtesy of Universal Pictures.

My love for the horror in general is undeniable, but when a film like SPEAK NO EVIL that relies more on the psychological thriller element I am still all in especially when my guy James McAvoy is involved. Admittedly I’m not a big subtitles guy so I did not see the 2022 Danish film that this is based on, but I was more than okay with going in blind. Bottom line, SPEAK NO EVIL is an intense edge-of-your-seat thriller powered by a dynamic performance from James McAvoy, and just the perfect balance as far as tone and feel making for a unique and very engaging cinematic experience.

The screenplay is setup perfectly thanks to perfect casting taking full advantage of McAvoy’s charisma and the great balance of the rest of the cast. The film keeps you guessing but the feel of unease is prevalent throughout making for a thrilling experience. I thought the soundtrack/score was great, and the cinematography really did a nice job setting the stage for viewers. This is very much a character and dialogue driven film so you really need to boy into the overall dynamic between the characters for it all to work and I definitely did.

As far as the cast goes SPEAK NO EVIL does a really nice job balancing strengths and personalities. James McAvoy anchors the cast as the primary antagonist but also has the most charisma and the larger-than-life on-screen presence. McAvoy is a very intense actor and I was absolutely enthralled by his performance.

My next favorite performance was from Mackenzie Davis who portrayed one of the films primary protagonists. In many ways Davis matches McAvoy’s intensity in her refusal to be intimidated by him. Davis is just a great actress and I would be lying if I didn’t point out her unique balance of sexy and intense, I am here for it.

Scoot McNairy plays Davis’s very passive husband who is clearly dealing with issues related to inadequacy as a husband and a father. I could see some viewers feeling annoyed with his character but I felt like it worked well within the dynamic of the film, and I do like him as an actor in general. Alix West Lefler and Dan Hough play the children in the film and I thought both were absolutely fantastic.

SPEAK NO EVIL lives and dies by the overall tone of the film which keeps viewers on edge from start to finish. The pacing was fantastic as you never quite know when things will take a turn for the worse for this family. The story never felt rushed and character development was clearly a big focus. I could see some viewers complaining that the film is a bit slow, but as long as you are able to become invested in the characters all of the pieces fall into place as they should.

From a technical standpoint I thought SPEAK NO EVIL was great. The cinematography really set the tone showing off the beautiful shooting location while still emphasizing the claustrophobic feel the film was going for. The set design was awesome particularly the old farm house that the majority of the film takes place in. I liked the score/soundtrack as well but felt like they were able to rely on that a bit less due to the fact that the film was primarily dialogue driven.

THE VERDICT

An immersive psychological thriller that gets under your skin thanks to a monster performance from James McAvoy, SPEAK NO EVIL packs a punch right until the very end and is well worth the price of admission. At this point I will see anything McAvoy stars in, he really is that good. If you are in the mood for a good psychological thriller you can’t go wrong with this one.

TED TAKES RATING - 8.1/10

SPEAK NO EVIL is now playing only in theaters. Check out the latest trailer below.

Never Let Go

NEVER LET GO is a 2024 survival horror thriller film directed by Alexandre Aja (The Hills Have Eyes, Crawl) from a screenplay by Kevin Coughlin and Ryan Grassby.

A family consisting of a mother and her twin sons has suffered from the torment of a malicious spirit for many years. However, when one of the boys starts to doubt the existence of the evil, the family's sacred bond is broken, leading to a dangerous fight for survival.

The cast includes Halle Berry, Percy Daggs IV, and Anthony B. Jenkins.

NEVER LET GO made its debut in theaters September 20th, courtesy of Lionsgate.

The name Alexandre Aja deserves some some serious praise especially among horror fans for some of the gems he has churned out over the years. Making a name for himself with cult classic horror films like The Hills Have Eyes (2006) and Horns (2013), Aja has a very specific vision and a passion for horror. He likes to terrorize viewers with intense visuals and he sticks to what he knows with NEVER LET GO.

As a massive fan of the horror genre this movie satisfied me in many different ways, including a thought-provoking screenplay, terrific acting, well-timed jump scares, and some very creepy visuals. I like the survival horror genre and NEVER LET GO feels in many ways like a blend between A Quiet Place and 10 Cloverfield Lane, with the addition of more pure horror. I love to be scared and want horror movies to be intense, and let me just say that if you are sensitive to the horror genre this movie will keep you up at night.

The stage is set smoothly for the screenplay thanks to a convincing cast and the perfect setting. I tried to avoid watching all of the trailers just in case they gave anything away, so I feel like I went in not knowing what to expect. The film opens with some brief narration to give viewers a good idea of what is going on without giving too much away. A primary strength of the screenplay is the fact that it keeps viewers guessing right up until the films conclusion. Some viewers may find themselves frustrated with the lack of clear answers, but I am a fan of a film that forces you to really think about how a film ended and what it all means.

The cast is on another level with NEVER LET GO, led by the generational talent that is Halle Berry, and she was nothing short of fantastic here. Berry is such a force in this film making every bit of the story feel like it holds some serious weight. She is on another level with the intensity she brings to her character. I was genuinely impressed with young actors Anthony B. Jenkins and Percy Daggs IV who play the children of Halle Berry’s character. Both are incredibly convincing and I never felt like they came across as

From a technical standpoint NEVER LET GO looks fantastic thanks to top-tier production value, a very effective score/soundtrack, impressive cinematography, and really great visuals. It takes a lot to make me jump or react a certain way to something and I was very impressed with how terrifying the visuals were in this film. NEVER LET GO utilizes flashbacks or dream sequences to really male viewers uneasy, and just the psychological head games the film plays with viewers helps to continuously blur the lines of reality. I also loved the setting and thought the set design was amazing, making for a very immersive post-apocalyptic feel.

THE VERDICT

A well-crafted post-apocalyptic horror thriller featuring The Hills Have Eyes director Alexandre Aja’s signature terrifying visuals, NEVER LET GO keeps viewers invested thanks to stellar acting and an engaging premise. I wasn’t quite sure what to expect going in but this was well worth a trip to the theater.

TED TAKES RATING - 7.1/10

NEVER LET GO is now playing only in theaters. Check out the latest trailer below.

Beetlejuice Beetlejuice

BEETLEJUICE BEETLEJUICE is a 2024 fantasy comedy horror film directed by Oscar-nominated visionary Tim Burton, from a screenplay by Alfred Gough and Miles Millar (Wednesday), story by Gough and Millar and Seth Grahame-Smith (The LEGO® Batman Movie), based on characters created by Michael McDowell and Larry Wilson. The film is the follow-up to Burton’s 1988 cult classic film, Beetlejuice.

Beetlejuice is back! After an unexpected family tragedy, three generations of the Deetz family return home to Winter River. Still haunted by Beetlejuice, Lydia's life is turned upside down when her rebellious teenage daughter, Astrid, discovers the mysterious model of the town in the attic and the portal to the Afterlife is accidentally opened. With trouble brewing in both realms, it's only a matter of time until someone says Beetlejuice's name three times and the mischievous demon returns to unleash his very own brand of mayhem.

The cast includes Michael Keaton returning to his iconic role alongside Winona Ryder, Catherine O’Hara, Justin Theroux, Monica Bellucci, Arthur Conti, Jenna Ortega, and Willem Dafoe.

BEETLEJUICE BEETLEJUICE made its debut in theaters and IMAX on September 6th, 2024, courtesy of Warner Bros. Pictures.

The original Beetlejuice film arrived in theaters back in 1988 which is seriously hard to believe. I was just four-years-old at the time but over the years I have seen the movie more times than I can count. Movies were always a big part of my youth and some just had more of an impact on me than others and I would say Beetlejuice is for sure in that category.

Tim Burton is a strange guy, that is simply undeniable, but the former Disney animator is incredibly creative and has directed some gems over the years including the very unique Edward Scissorhands (1990), starring Johnny Depp. He has a certain style which you either love or hate, and although I can’t say that I have enjoyed all of his work, I appreciate his talent and can undoubtedly say that he has been behind the camera for some of my favorite movies. When I learned that a sequel for Beetlejuice was in the works with most of the original cast members and Burton returning to direct, I was pumped. September couldn’t come fast enough.

I was so excited for BEETLEJUICE BEETLEJUICE that I attended a special midnight screening at my local theater, and I am pleased to say it did not disappoint. First and foremost the film does a fantastic job bringing back the essence of the original film as far as the overall feel, style, and just lasting effect. The opening even includes the same flying camera through the town opening shot which was a great touch, and it was just obvious from the start that this was a movie determined to satisfy fans of the original while also entertaining newcomers.

BEETLEJUICE BEETLEJUICE is very funny thanks to legendary actor Michael Keaton making his return as the fast-talking sleaze ball who would sell his own grandmother on the street corner if it benefited him in some way. It was honestly mind-blowing how seamless it was for Keaton to take on this role yet again, and to say he didn’t miss a step would be an understatement. The entire cast in general was great, with triumphant returns from other original cast members including Catherine O’Hara and Winona Ryder, and welcomed additions to the cast including Jenna Ortega, Willem Defoe in a very unique and awesome role, and Justin Theroux. The cast was one of the biggest strengths of the original and that was the case yet again.

I was genuinely impressed with the screenplay, mainly because it tied into the original while still adding a fresh edge to the film. Fans of the original mostly remember the strange and unique elements of the film, but the story still mattered. I loved how the sequel found a way to build on the original by digging deeper into the backstory of Beetlejuice with hilarious results. In the original film Beetlejuice is sort of a hybrid protagonist/antagonist character, mainly because he simply wasn’t trustworthy. In BEETLEJUICE BEETLEJUICE the writers find a way to make Beetlejuice more of a sympathetic character as we learn more about how he came to be, and it is a joy to experience. Also we get more of the shrunken head guy from the original film which was really great to see.

The film pays homage to the original at every turn, finding ways to integrate so much of what made the first film such a classic. Now if I was going to attempt to pick the film apart or at the very least point out something that may disappoint some of the more hardcore fans, it is much more of a goofy comedy compared to the original film. The original never really felt like as much of a goofy comedy to me because it always had this gothic undertone to it, but BEETLEJUICE BEETLEJUICE leans more to the comedy side of the street. I’m not saying this is a bad thing necessarily, but it is worth noting. With that being said, the screenplay does allow for a new antagonist as Beetlejuice finds himself in the awkward position as more of a good guy, just don’t tell him I said that.

From a technical standpoint obviously a film that came out 35 years later looks much better, but Tim Burton was sure to maintain the same style which was more over-the-top strange visuals and I’m glad he did. The film just looks like a Beetlejuice movie, complete with the cartoony sandworms and iconic model town, and even better than that it sounded like one. The soundtrack and score was amazing, including a few really great musical scenes with Beetlejuice that had me laughing my ass off.

Plus Burton goes deeper into the “afterlife” or whatever it is you want to call it which I thought was very cool, sort of going that much further to immerse viewers in the world of Beetlejuice. Plus I won’t spoil anything as usual, but let me just say that my favorite part of the film on the technical side of things involves a CGI baby. So good.

THE VERDICT

A nostalgic and hilarious trip down memory lane featuring a fun and immersive screenplay and the unique feel of the original film, BEETLEJUICE BEETLEJUICE doesn’t miss a step reminding us why Michael Keaton is one of the best to ever do it. I honestly applaud everyone that worked on this film, Tim Burton in particular of course, for delivering a quality experience for hardcore fans like myself that simply does not disappoint.

If you enjoyed the original film do yourself a favor and see BEETLEJUICE BEETLEJUICE in theaters as soon as you can.

TED TAKES RATING - 8.3/10

BEETLEJUICE BEETLEJUICE is now playing only in theaters. Check out the latest trailer below.

AfrAId

AFRAID is a 2024 horror thriller film written and directed by Chris Weitz (The Creator). Jason Blum and Weitz produce through their Blumhouse Productions and Depth of Field banners, alongside Andrew Miano.

Curtis (John Cho) and his family are selected to test a revolutionary new home device: a digital family assistant called AIA. Taking smart home to the next level, once the unit and all its sensors and cameras are installed in their home, AIA seems able to do it all. She learns the family's behaviors and begins to anticipate their needs. And she can make sure nothing – and no one – gets in her family’s way.

The cast includes John Cho, Katherine Waterston, Havana Rose Liu, Lukita Maxwell, David Dastmalchian, and Keith Carradine.

AFRAID made its debut in theaters August 30th, courtesy of Sony Pictures Releasing.

AFRAID is yet another PG-13 horror film from Blumhouse Productions, a company that is very well known to horror movie fans these days. Now they have produced some absolute gems for the genre like Get Out and The Black Phone, but they have also dropped quite a few duds like Truth or Dare and Fantasy Island, which I suppose is par for the course.

Now when AFRAID dropped the first trailer it immediately drew comparisons to another technology based PG-13 horror release M3GAN from a couple years ago. M3GAN was a very pleasant surprise as I really enjoyed it, so the comparison sort of set some high expectations for people. I personally kept my expectations in check solely because I have been let down before, but I am happy to say that I was impressed with AFRAID.

I’m not going to sit here and act like it was an instant horror classic or anything ridiculous like that, but AFRAID was an enjoyable horror film with an intriguing premise, very solid acting, good production value, as well as some well-timed jump scares for good measure. What really sucked me in was just how the overall premise of the film resonated on a personal level as a parent with multiple very needy children under the age of 6.

John Cho, best known as Harold from the Harold and Kumar comedy films, stars as Curtis, a very driven husband and father that has built a successful career in marketing. Curtis is tasked with trying to land a new account involving a technology company that has developed a form of AI called AIA, which is essentially an AI-driven “super Alexa” designed to to help simplify the hectic lives of busy families.

Anyone with young children are well aware of the never-ending to-do lists, so when AIA started to complete things for the wife and mother of three, Meredith, played by Katherine Waterston, that she had been dealing with for weeks in a matter of seconds, I had chills. I mean sure not the sort of chills I normally get from horror films, but I was 100% engaged in what was going on and that matters.

For the remainder of the film I remained engaged and was never bored, and although the story did get a bit wacky at times and felt rushed towards the end, it never strayed from the scary reality that as a society we are dangerously close to AI taking over in some form or fashion. We are ultra-reliant on technology to the point where most of us couldn’t survive a few hours without WiFi, and our entire lives are stored in the cloud. It is terrifying when you really stop and think about it, and although I don’t expect us to be overrun by a robot race or anything anytime soon, our reliance on technology has made us incredibly vulnerable.

Bottom line, AFRAID does a really nice job setting the stage with a thought-provoking premise and although it can be very over-the-top it remains grounded enough to keep your interest. I found myself invested in the story and actually grew attached to this family as I was able to relate to John Cho’s character. Although it is technically a horror film, AFRAID does have heart as it really takes the time to establish the importance of family and just how hard it is to raise children in a world where many parents are forced to rely on screens to keep their children entertained.

I felt a sense of compassion towards the family portrayed in the film which I think greatly contributed to how much I enjoyed the overall experience. The film also does enough to scratch the itch for horror fans as well with some tense moments and creepy visuals. Quality acting tends to get overlooked with horror films which is unfortunate, but I was impressed with the performances here. AFRAID is not perfect, and you could certainly poke holes in what ultimately felt like a rushed screenplay specifically the final act, but the overall product is something I can easily recommend.

THE VERDICT

An effective and thought-provoking horror film tapping into our reliance on technology and underlying fear of artificial intelligence, AFRAID is far from perfect but rewards open-minded viewers with an enjoyable theater experience. As I mentioned early in the review, my expectations were in check with another PG-13 horror film from Blumhouse but I was pleasantly surprised.

If you intend to pick apart the screenplay, which is full of holes at every turn, just stay home because this movie isn’t for you. But for the rest of you I can confidently recommend checking AFRAID out in theaters.

TED TAKES RATING - 6.2/10

AFRAID is now playing only in theaters. Check out the latest trailer below.

Blink Twice

BLINK TWICE is a 2024 psychological black comedy thriller film directed by Zoë Kravitz, in her directorial debut, from a screenplay she co-wrote with E.T. Feigenbaum. Kravitz began writing the screenplay under the original working title Pussy Island in 2017.

When tech billionaire Slater King meets Frida, he invites her to join him and his friends for a dream vacation on his private island. However, as strange things start to happen, she'll have to uncover the truth if she wants to make it out alive.

The cast includes Naomi Ackie, Channing Tatum, Simon Rex, Adria Arjona, Haley Joel Osment, Kyle MacLachlan, Alia Shawkat, Christian Slater, and Geena Davis.

BLINK TWICE made its debut in theaters August 23rd, courtesy of MGM Studios.

It honestly didn’t matter what I thought about the trailer for BLINK TWICE because I love me some Channing Tatum and I was going to see this movie no matter what, but the fact that his partner-in-crime Zoë Kravitz was also making her debut behind the camera really sealed it. I won’t say I had high expectations necessarily but I went in with an open mind and understanding that Kravitz would likely try to find a way to be unique with this project, and boy did she set the benchmark for a directing debut.

I don’t know if the key is to be dating a handsome and incredibly talented guy like Tatum that you can put in the lead role or not but BLINK TWICE was a fantastic film and an experience that I thoroughly enjoyed. I watch a ton of movies, and I am starting to feel like the easiest way to gauge how much I like something is by how much I want to tell people about it after I leave the theater. If I am forcing myself to hold back from giving anything away because I so badly want to talk about what I just experienced but also don’t want to spoilt anything, I know that it was a damn good movie. BLINK TWICE is unique, hilarious, thrilling, through-provoking, and just so much fun.

The original story is the heart and soul of BLINK TWICE as it was interesting, mysterious, off-putting, and hilarious. The tone of the film was probably my favorite part as at times characters would just laugh at just how fucked up things were. I won’t spoil anything as per usual but BLINK TWICE does a great job keeping viewers guessing right until the very end.

The film actually has a very powerful message as it relates to trauma and our ability to break free from our past. As human beings we tend to be our own worst enemies with our non-stop worrying and never-ending anxieties which tend to eat away at us every minute of every day, and the film really does a great job touching on that. BLINK TWICE explores themes that will resonate with viewers in a unique way adding a ton of weight to the films overall message, and the way it is delivered was simply perfection.

I’m a Channing Tatum guy through and through and I am not ashamed to admit it, but more than anything else his acting chops are simply undeniable. The Alabama native has been working his tail off in the acting business for nearly 25 years, and at this point his name alone is enough to draw an audience. To be honest I actually didn’t realize he was dating Zoë Kravitz until a few months ago, who I absolutely love by the way. What a talented couple. Back to the movie, Tatum was the perfect choice for this role as he just has an ability to always seem sincere and grounded even if you know that something just isn’t right. He is just so handsome, charismatic, and charming to the point where he can disguise sinister ulterior motives and that basically sums up his character ,tech billionaire Slater King.

Starring alongside Tatum is Naomi Ackie who plays Frida, a struggling waitress who is invited along with her friend and roommate to the billionaires private island for an unforgettable getaway. I’m not all that familiar with Ackie as an actress and to be honest I was a bit confused with the casting choice at first, but she won me over and proved why she was right for this role. Although desperate to fit in and feel seen Ackie’s character has a certain strength and resilience that stands out as her strongest qualities. She was great here and I thought her chemistry with Tatum was top notch as well.

The supporting cast was just fantastic, from Alia Shawkat, to Christian Slater, right on to Simon Rex and Haley Joel Osment, better known as the kid from The Sixth Sense. Osment and Rex were both hilarious in ways that only they are capable of. Adria Arjona, fresh off killing it in the Netflix film The Hitman (preview and trailer here) alongside Glen Powell, is awesome yet again. She is gorgeous but also has this don’t fuck with me vibe to her that I can’t get enough of. I expect her to have a very high demand as an actress going forward.

The ageless Geena Davis of A League of Their Own fame plays a small but pivotal role and crushes it as usual, and I really enjoyed the supporting role played by Levon Hawke, the son of Ethan Hawke and Uma Thurman. Hawke is a very inexperienced actor but he came across as a veteran and played a super fun character. I actually had no idea he was Hawke and Thurman’s son until prepping this review but it made me like him even more. Cris Costa plays one of the smaller roles as Slater King’s security detail but he was still a great character. BLINK TWICE really knocked it out of the park with a fantastic and diverse cast.

I was blown away by the technical elements from BLINK TWICE, not because it was over the top or super reliant on them but because of smooth and well executed it was, particularly the cinematography, editing, and the score/soundtrack. In many ways the film has a bit of an indie feel as it successfully utilizes close-up shots and quite a few unique camera angles adding to the films big personality.

The feel and tone is a big part of BLINK TWICE and the score/soundtrack really helps to keep that going strong. This genre can be tricky to master mainly because the feel has to be right in order to keep audiences invested and I really don’t think it could have been better here. The film jumps from terrifying to hilarious so seamlessly I couldn’t help but nod in admiration. The editing team deserves a ton of credit as well because I don’t think the film had any wasted scenes.

THE VERDICT

An unflinching dark comedy psychological thriller hybrid that plays out like a deeply unsettling yet somehow hilarious fever dream, BLINK TWICE is a wild ride and a stellar debut for director and co-writer Zoë Kravitz. The film is packed full of tense moments and laugh-out-loud humor which is a rare balance. Allow yourself to become immersed in the original screenplay and this is an experience well worth the price of admission. Plus, we may be witnessing the emergence of a new Hollywood power couple in Kravitz and Tatum, and I am here for it.

TED TAKES RATING - 8.9/10

BLINK TWICE is now playing only in theaters. Check out the latest trailer below.

Alien: Romulus

ALIEN ROMULUS is a 2024 science fiction horror film directed by Fede Álvarez, who co-wrote it with Rodo Sayagues. The film is produced by Scott Free Productions and Brandywine Productions. The seventh installment in the Alien franchise, the film takes place between the events of Alien (1979) and Aliens (1986).

While scavenging the deep ends of a derelict space station, a group of young space colonizers come face to face with the most terrifying life form in the universe.

The cast includes Cailee Spaeny, David Jonsson, Archie Renaux, Isabela Merced, Spike Fearn, and Aileen Wu.

ALIEN ROMULUS made its debut in theaters August 16th, courtesy of 20th Century Studios.

Even though I wouldn’t consider the film to be one of my all-time favorites necessarily, I have had a great respect for the Alien franchise since the OG film way back in 1979 when the Alien made its debut in theaters, starring a young Sigourney Weaver and Tom Skerritt. That film, which was directed by the legend Ridley Scott, set the stage for one of the most impressive franchises in film history. 45 years after the original film we have the latest film in the franchise, ALIEN: ROMULUS, which is said to take place between the events of the first and second film.

I was excited for ALIEN: ROMULUS and I am pleased to say it lived up to my expectations. As far as the sci-fi horror/thriller genre this is one of the better movies I have seen in quite some time. The film is genuinely terrifying from start to finish with amazing visuals, a terrific score, and some really great jump scares. I found the story to be interesting and easy to follow with layered characters that feel very real and are easy to root for.

The film feels incredibly claustrophobic which is a testament to the set design and the great cinematography. I also really liked that I was able to jump right in to seeing ALIEN: ROMULUS without putting in the effort to get a refresher on the franchise and I never felt confused or lost. I mean don’t get me wrong, you will benefit from revisiting the other films in the franchise before seeing this but it is not a necessity.

Honestly I’m not even a huge sci-fi fan as far as the genre in general, but I am a diehard horror fan and the Alien franchise has always done a fantastic job blending the two genres and that is the case yet again with ALIEN: ROMULUS.

The film serves up plenty for longtime fans of the franchise but also finds a way to appeal to a wider audience with a film that can easily stand alone. My blood pressure was through the roof for the majority of the film, and my biggest takeaway was that this gem needs to be experienced in theaters.

As as as the performances are concerned I was very impressed. I really liked Cailee Spaeny in the lead role of Rain. She played a strong yet sympathetic character and I was drawn to her from the start. Spaeny has been on a heck of a run as of late as she also starred in Civil War (our full review here) earlier this year. I thought she displayed a ton of emotion and really poured her heart into this role, so kudos to her for a performance she should be very proud of.

Starring along Spaeny was David Jonsson who played a “synthetic” known as Andy. This was a unique role for Jonsson as he was unable to display any real emotion because he wasn’t human but his chemistry with Spaeny and his ability to really maximize the potential of his character was a big reason why the story worked so well. The supporting cast was solid as well with no real complaints.

As expected ALIEN: ROMULUS absolutely shines from a technical standpoint. This movie looks looks incredible, and the impressive visuals are aided by a fantastic score that really kept me locked in. The production value for the film was just on another level, and each shot just felt so gritty and unpredictable as it was impossible to know what might be hiding around the next corner. The film is very dark in general so it has a very bleak post-apocalyptic feel throughout and a very clear identity which I appreciated.

The story was very solid and kept me engaged but the visuals and the score stole the show for me. ALIEN: ROLUMUS is a very intense movie and I definitely said “oh shit” under my breath more than a few times. Director Fede Alvarez deserves a ton of credit, this guy has proven himself a master when it comes to intense thriller films and he leaves his mark yet again. This is a franchise that really has things figured out, and as long as they continue to churn out movies you can bet on the fact that I will be showing up to the theater.

THE VERDICT

A visual powerhouse that also delivers top-tier acting and a massively intense score, ALIEN: ROMULUS is a truly terrifying sci-fi horror thriller that demands the big-screen experience. This movie really just hits on everything it needs to making for an experience that I thoroughly enjoyed. If you are a fan of this franchise or just love this genre do yourself a favor and get over to the theater and see ALIEN: ROMULUS, you’ll be glad you did.

TED TAKES RATING - 8.7/10

ALIEN: ROMULUS is now playing only in theaters. Check out the latest trailer below.

Trap

TRAP is a 2024 mystery thriller film written and directed by M. Night Shyamalan. The film is produced by Ashwin Rajan, Marc Bienstock, and M. Night Shyamalan. The executive producer is Steven Schneider. The film features performances by rising music star Saleka Shyamalan, M. Night Shyamalan’s oldest daughter.

A father and teen daughter attend a pop concert, where they realize they’re at the center of a dark and sinister event.

The cast includes Josh Hartnett, Ariel Donoghue, Saleka Shyamalan, Hayley Mills, and Allison Pill.

TRAP made its debut in theaters August 2nd, courtesy of Warner Bros. Pictures.

The reality is that M. Night Shyamalan is one of those love him or hate him sort of writer/directors, but at the end of the day you really can’t deny his talent or just sheer willingness to craft something original that he feels will leave a lasting impact. Now as we have learned it is impossible to please everyone, but that hasn’t stopped Shyamalan from sticking to what he feels will have the most lasting impact on viewers. Although he has been busy over the years, I would argue that his best film is the 1999 horror thriller The Sixth Sense. The Unbreakable trilogy hits hard as well, and I actually enjoyed his 2021 film Old, as well as his most recent feature-film Knock at the Cabin. Neither film was perfect of course, but you really have to take the good with the bad when it comes to a M. Night Shyamalan film. So, how does TRAP hold up? Keep reading to find out!

M. Night Shyamalan’s TRAP is a testament to the director’s enduring ability to craft atmospheric suspense and intriguing plotlines. The film stars Josh Hartnett, who delivers a remarkable performance that injects the narrative with palpable intensity and emotional depth. Hartnett’s portrayal of a man caught in a perplexing and dangerous situation is nothing short of captivating, serving as the film’s beating heart and primary draw.

The story unfolds with Shyamalan’s signature style, intertwining psychological tension with unexpected twists. From the outset, viewers are pulled into a labyrinthine plot that promises much. Shyamalan masterfully builds suspense, employing his usual bag of tricks: eerie settings, enigmatic characters, and a slow-burn approach that keeps you guessing. Hartnett’s character, deeply troubled yet resilient, navigates this treacherous terrain, and his journey is both gripping and empathetic.

However, despite the compelling buildup, TRAP falters when it comes to its conclusion. The expectations for a Shyamalan film are invariably high, particularly when it comes to the ending, which many anticipate to be a mind-bending twist. Unfortunately, TRAP’s resolution feels disappointingly flat and conventional. It lacks the imaginative punch and the revelatory surprise that one hopes for from Shyamalan. The intricately woven narrative, which had so much potential, unravels in a manner that is too straightforward and predictable.

This letdown is particularly disheartening given the strength of the film’s other elements. The cinematography is hauntingly beautiful, capturing the claustrophobic essence of the protagonist’s plight. The supporting cast, though largely overshadowed by Hartnett, delivers solid performances that bolster the film’s tense atmosphere. The sound design and score are meticulously crafted, enhancing the overall mood and providing an auditory undercurrent of unease.

THE VERDICT

In the end, TRAP is a mixed bag. It showcases Shyamalan’s directorial prowess and Hartnett’s stellar acting, yet it ultimately stumbles due to a lackluster ending. It’s a film that promises much but delivers less, leaving the audience with a sense of what could have been. For those who appreciate Shyamalan’s work, TRAP is worth watching for its atmosphere and performances, but it may not leave a lasting impression.

TED TAKES RATING - 6.2/10

TRAP is now playing only in theaters. Check out the latest trailer below.

Deadpool & Wolverine

By: Andrew & Ted

DEADPOOL & WOLVERINE is a 2024 R-rated superhero action film directed by Shawn Levy (Date Night, Free Guy). The film serves as the 3rd entry in the Deadpool film franchise.

Deadpool is offered a place in the Marvel Cinematic Universe by the Time Variance Authority, but instead recruits a variant of Wolverine to save his universe from extinction.

The cast includes Ryan Reynolds, Hugh Jackman, Morena Baccarin, Matthew Macfadyen, Emma Corrin, Rob Delaney, and Jennifer Garner.

DEADPOOL & WOLVERINE made its debut in theaters July 26th, courtesy of Marvel Studios.

Andrew’s thoughts…

In the ever-expanding tapestry of the Marvel Cinematic Universe, DEADPOOL & WOLVERINE stands out as a gloriously irreverent superhero comedy that manages to be both fun and deeply engaging. Directed by Shawn Levy, this film brings together two iconic characters in a way that feels fresh and exhilarating, yet surprisingly heartfelt.

Ryan Reynolds reprises his role as Deadpool with his signature blend of snarky humor and fourth-wall-breaking antics. From the very first scene, it’s clear that we’re in for a wild ride. The film’s humor is relentless, packed with meta-references and rapid-fire jokes that will leave audiences in stitches. However, it’s Hugh Jackman’s return as Wolverine that truly elevates this film. Jackman, who has embodied Wolverine for over two decades, delivers a performance that is nothing short of spectacular. His portrayal is so nuanced and compelling that one might argue he is almost too good for the zany world of Deadpool.

There’s a moment in the film where Deadpool jokes about Jackman playing Wolverine until he’s 90, and honestly, it’s not hard to imagine. Jackman has an innate understanding of this character, infusing Logan with a gruff charm and emotional depth that few actors could achieve. He moves through the action with a grace and intensity that reminds us why he became synonymous with the role in the first place.

One of the film’s most impressive achievements is its ability to balance humor with emotional weight. Against a lot of critics’ expectations, DEADPOOL & WOLVERINE isn’t just a series of gags strung together by explosive action sequences. There’s a genuine story at its core, exploring themes of redemption, friendship, and what it means to be a hero. The chemistry between Reynolds and Jackman is electric, and their banter is not only hilarious but also grounded in a believable camaraderie that adds a surprising layer of depth.

The film’s action sequences are as thrilling as one would expect from an MCU production, but it’s the quieter moments that leave a lasting impression. There are scenes where Jackman, in particular, brings a raw vulnerability to Wolverine that anchors the film in reality, even amidst the chaos and comedy. It’s a testament to his skill as an actor and his deep connection to the character.

Ted’s thoughts…

Back in 2016 when the first Deadpool movie hit theaters I was legit knocked on my ass blown away. The opening sequence was just another level of glorious and it really didn’t slow down from there. Ryan Reynolds had been my guy for some time. So, a perfect marriage between him and this Marvel character Deadpool was something I didn’t even realize I desperately needed in my life. This was the beginning of something special and the birth of one of the most unique and purely entertaining characters in the Marvel Cinematic Universe.

Is DEADPOOL & WOLVERINE able to continue the reign of success achieved by the Deadpool film franchise thus far? I’m glad you asked! And the answer is: absolutely! In my opinion, one of the most unique elements of these films is the fact that even though they are push-the-envelope raunchy and hilarious, they also include a very real emotional element to the story that was introduced in the first film as it relates to Deadpool’s backstory.

DEADPOOL & WOLVERINE continues this trend, solidifying Deadpool as one of my favorite Marvel characters. The screenplay was straightforward yet very effective, and although I have yet to see the Loki series I am told you will understand things better if you have. DEADPOOL & WOLVERINE revolves around dialogue, cameos, and endless surprises, and the team behind the film really went all out.

As far as the cast is concerned Ryan Reynolds is magical as expected, Rob Delaney making his return as Peter was great, but arguably the biggest name attached to the film was the return of Hugh Jackman as Wolverine. Jackman made his debut as the MCU character back in 2000 in X-Men, making several appearances since up until the 2017 film Logan.

Jackman is just an incredible actor in general, and his portrayal of Wolverine/Logan is really in the upper-echelon when it comes to superheroes. To say he was exceptional in DEADPOOL & WOLVERINE really is an understatement, and you just need to experience it for yourself to fully appreciate what he was able to accomplish.

This was easily the best soundtrack since the Guardians of the Galaxy films, which have an obvious advantage considering the music is tied to the story. The film opens with an iconic pop song from my childhood, and that entire sequence was absolutely amazing in every way. I desperately want to talk about it in detail but I refuse to spoil anything, so just take my word for it that from the opening sequence on your jaw will be on the floor. The soundtrack just gets better as the film continues with a unique mix of genres and hits that offers up a little bit for everyone. Plus I’m not ashamed to admit that I have been jamming out hard to Madonna since seeing the movie.

I could spoil DEADPOOL & WOLVERINE six ways to Sunday and the movie is so much fun that I desperately want to talk about it, but we don’t do spoilers and I’m not an asshole. You’re welcome by the way. But seriously, this movie is jam packed with surprises that deserve to be experienced in the right way by viewers.

So many great cameos, one-liners, references, and just overall amazing dialogue that I really need to see the movie again to make sure I didn’t miss anything. The entire experience is just something I find incredibly easy to recommend and it is well worth seeing in theaters. So, grab some friends and go see DEADPOOL & WOLVERINE as soon as humanely possible because you will have a blast talking about it for days I can promise you that.

THE VERDICT

Andrew’s final thoughts…

Overall, DEADPOOL & WOLVERINE is a triumphant blend of humor and heart. It’s a film that doesn’t take itself too seriously, yet still delivers an emotionally resonant story. While it might be easy to dismiss it as just another superhero flick, those willing to look deeper will find a rich and rewarding experience. With outstanding performances, especially from Hugh Jackman, and a script that deftly balances comedy and drama, this film is a worthy addition to the MCU. It’s a wild, hilarious, and ultimately touching ride.

TED TAKES RATING - 8.2/10

DEADPOOL & WOLVERINE is now playing only in theaters. Check out the latest trailer below.

Twisters

Twisters is a 2024 action thriller disaster film directed by Lee Isaac Chung (Minari) from a screenplay by Mark L. Smith (The Revenant). Produced by Frank Marshall and Patrick Crowley, the producers of the Jurassic, Bourne, and Indiana Jones series of films. It is a standalone sequel to the 1996 film Twister, written by the late Michael Crichton.

Daisy Edgar-Jones (Where the Crawdads Sing) stars as Kate Cooper, a former storm chaser haunted by a devastating encounter with a tornado during her college years who now studies storm patterns on screens safely in New York City. She is lured back to the open plains by her friend, Javi (Golden Globe nominee Anthony Ramos, In the Heights) to test a groundbreaking new tracking system. There, she crosses paths with Tyler Owens (Glen Powell, Top Gun: Maverick and Anyone But You), the charming and reckless social-media superstar who thrives on posting his storm-chasing adventures with his raucous crew, the more dangerous the better.

As storm season intensifies, terrifying phenomena never seen before are unleashed, and Kate, Tyler and their competing teams find themselves squarely in the paths of multiple storm systems converging over central Oklahoma in the fight of their lives.

Additional cast members include Brandon Perea (Nope), Sasha Lane (American Honey), Daryl McCormack (Peaky Blinders), Kiernan Shipka (Chilling Adventures of Sabrina), Nik Dodani (Atypical). and Golden Globe winner Maura Tierney (Beautiful Boy).

Twisters made its debut in theaters July 19th, courtesy of Universal Pictures.

Back in 1996 notable actors Helen Hunt and Bill Paxton starred in the disaster thriller Twister, and it became an instant classic. I still remember seeing the movie in theaters and just thinking how absolutely crazy it was. I’ve seen it a number of times since then of course and it has always stood out to me as one of the better realistic disaster films. Plus all these years later it still holds up as an action-packed film that requires a big bucket of delicious popcorn. I always felt like Twister was in a league of its own so I never really expected another movie, but when Twisters was announced I was very much intrigued.

So, was my excitement for Twisters warranted? Let me just give you a resounding hell yes!! This movie was amazing in so many ways, from the impressively engaging story, great character development, and massively impressive visuals, this is what going to the movie theater is all about. I really loved the screenplay, I thought the characters were very well developed, and I just had so much damn fun while absolutely laughing my ass off. The technical elements are top-notch in every way imaginable, and you really should see this movie in a theater with the biggest screen and best sound possible, even if you have to drive an hour. It is worth it. Twisters is just one of those movies that I simply could not wait to recommend to people, and trust me when I say that of you have an appreciation for movies, you will fall in love with Twisters right away.

I knew Twisters would be a heck of an experience as far as visuals etc but I did not expect the story to hit as hard as it did. Mark L. Smith really accomplished something with this screenplay as he somehow found a way to make the story stand out amongst the mind-blowing action sequences that most viewers came to see. Smith put together a story that resonated with me immediately as he was able to construct a strong emotional element thanks to a life-altering opening sequence. The film centers around the character of Kate, played by Daisy Edgar-Jones, and the ability to get audiences invested in her character right from the jump really is the backbone of the film.

I genuinely cared for Kate and I really wanted to see where life was going to take her next, and it is not easy developing a character to that extent so quickly. She just felt familiar to me, and this allowed the supporting cast the opportunity to make their mark as viewers were already sold on the films primary protagonist. I also loved how perception is tested in Twisters as well, and even though you feel like you know the type when you meet the charismatic and good-looking Tyler, played by Glen Powell, he is not as easy to read as you would initially think. Ultimately the film has an amazing message and as a viewer I felt fulfilled emotionally which was just the cherry on top after the incredible action sequences.

Glen Powell is a man on a damn mission I swear, ever since he took the world by surprise in Top Gun: Maverick he has been in damn near everything and has been nothing short of fantastic each time. This guy has enough on-screen charisma and personality to fill 10 movie theaters, and I am just loving the fact that he is doing so well and genuinely seems to enjoy his work as an actor.

I am a heterosexual male with a wife and kids but I am comfortable enough to admit that Powell is a damn good looking dude. As far as acting talent, charisma, and good looks are concerned he has found himself in the same conversation as Ryan Reynolds and Ryan Gosling, and that is no easy feat. Twisters was great from the start, but when Powell is introduced it just gets that much better. Powell plays Tyler, a self-proclaimed “tornado wrangler” with a thriving YouTube channel that features his daring adventures as a storm chaser.

Starring alongside Powell is the absolutely gorgeous Daisy Edgar-Jones who I also thought was amazing in this film. Edgar-Jones plays the films primary protagonist named Kate, a massively talented storm chaser who is struggling after a traumatic incident involving close friends of hers. Although Twisters is clearly built around the amazing action sequences and incredible special effects, screenwriter Mark L. Smith crafted a really strong and dramatic story that works perfectly thanks to a very believable performance from Edgar-Jones.

Anthony Ramos is fantastic as Javi, a former friend and colleague from Kate’s past who convinces her to resume her calling as a storm chaser. I really like Ramos as an actor and I thought he was perfectly cast here and added a ton of value to the film thanks to his overall performance and chemistry with Edgar-Jones. Notable supporting cast members include Brandon Perea as Tyler’s sidekick who helps in providing the comic relief, Maura Tierney as Kate’s mom, Harry Hadden-Paton as a journalist from London tagging along with Tyler and his team, as well as great performances from Tyler’s other team members including Sasha Lane and Tunde Adebimpe.

From a technical standpoint Twisters is out-of-this-world as expected. The opening sequence had me pretty much holding my breath, and trust me when I say things barely slow down the rest of the film. The tornados look amazing and I was so mesmerized by what was happening on-screen that I swear I forgot I was watching a movie. Seriously, I was just so immersed in Twisters that the experience itself took over and that really is the exact reason why I go to the movies in the first place. Not once was I checking the time or wondering how close we were to the third act, Twisters just had me glued to the screen and I honestly didn’t want the movie to end.

The special effects really are as advertised, and I’m pretty sure my mouth was wide open for most of the film. The cowboy mentality that Tyler and his team bring to the film is just so much fun and just adds that adrenaline-junkie vibe so many people will be fascinated by. I mean I lived in Florida for a good chunk of my life so I have seen some pretty crazy storms, and people that have experienced them in person just understand that unique feeling of being there and feeling the mixture of fear and excitement. But literally driving into a massive tornado, that is another level of crazy. Twisters is just a blast and an experience you won’t soon forget. Also the score and soundtrack blew me away and compliments the action so perfectly. I have since added the soundtrack to my Prime Music playlist.

THE VERDICT

A perfect blend of intense edge-of-your-seat action and laugh-out-loud humor thanks to a fantastic cast led by charismatic actor Glen Powell, Twisters is an adrenaline fueled cinematic experience that reminds us why we go to the movie theater in the first place. The term white-knuckle comes to mind because I swear this movie took a few years off my life. Director Lee Isaac Chung’s vision matched with a powerful screenplay from Mark L. Smith made for an experience I won’t soon forget. I can’t wait to see Twisters in theaters again and I highly recommend you see it as soon as possible.

TED TAKES RATING - 8.7/10

Twisters is now playing only in theaters. Check out the latest trailer below.

Longlegs

Longlegs is a 2024 horror thriller film written and directed by Osgood Perkins (The Blackcoat’s Daughter, Gretel & Hansel).

Lee Harker, a talented new FBI agent, has been assigned to an unsolved case of a serial killer. As the investigation becomes more complicated with occult evidence uncovered, Harker realizes a personal link to the ruthless killer and must act quickly to prevent another family murder.

The cast includes Maika Monroe, Nicolas Cage, Alicia Witt, and Blair Underwood.

Longlegs made its debut in theaters July 12th, courtesy of Neon.

First and foremost, lets take a moment to applaud this historic run Neon has been on as of late with films like Pig, The Lodge, Parasite, It Lives Inside, Infinity Pool, and Anatomy of a Fall, just to name a few. Bottom line, they are out here giving A24 a run for their money and that is no easy feat. When Longlegs was first announced I was immediately intrigued, but when the first teaser trailer dropped all I could say was holy fucking shit. I mean honestly, a part of me thought this movie was made just for me.

I was already fairly familiar with director Osgood Perkins after his incredibly underrated horror film The Blackcoat’s Daughter (our full review here), which is a fantastic slow-burn that hits hard. Now here he is back with this movie that was seriously giving me vibes of the ultimate cult classic serial killer film Se7en, and the icing on the cake is that he has my guy Nicolas Cage playing the serial killer. Again, is it Christmas or my birthday because I am feeling pretty damn special. Now with the through the roof expectations out of the way, was Longlegs able to deliver?! Keep reading to find out!

I’m not going to beat around the bush like an asshole, this movie was absolutely fantastic and messed up in all the best ways. Not only did it meet my expectations but dare I say it exceeded them. Now after watching trailers we go into these movies with certain preconceived notions about what the movie is going to be like, and when expectations are high things tend to get extra messy for obvious reasons. But to be honest, I had so much faith in Osgood Perkins as a director in terms of his original style and knack for keeping you guessing right until the very end that I just knew I was in for a treat, and boy did he deliver.

Now as per usual this review will be spoiler-free, but Longlegs is a wild ride. Right from the start viewers are given a taste of the unique and very indie style of filmmaking that Perkins tends to gravitate to, and in my opinion his style makes for a much more intimate viewer experience. It just looks so good. This film is just loaded with everything fanatics like myself are begging for; incredible cinematography, a chilling score, a wildly unsettling and original screenplay, and performances that will literally blow your mind. Bottom line, Longlegs is that movie and Osgood Perkins is that dude. Soooooo good.

I have to start with the story for Longlegs because I feel like in many ways that is the beating heart of the film. I mean, do you even have these incredible performances without a story that fuels them? Probably not. Now Osgood Perkins has proven himself as a director, but his real greatness starts with his ability to craft a story that will equally intrigue and terrify viewers, a very unique and effective balance for sure. His films tend to keep you on edge from start to finish, but my favorite thing about his screenplays are the holy shit moments at the end. The gratifying full circle feeling when it all comes together in the grand finale and has you damn near standing up to clap. Perkins is just on another level as a storyteller.

I was honestly all over the place during the entire film trying to piece it all together to get an idea of where things were headed, but I was not prepared. Not even close. Now Perkins is the master of making it obvious that something is just not right from the start in terms of the characters and the overall feel, and this keeps viewers on the edge-of-their seats for pretty much the entire film. Everything about Longlegs is just so wild and unpredictable that eventually you give up trying to figure it out and just wait to see where the dominos fall, and trust me I mean that in a good way. Not single shot is wasted and the story just has so many layers to it. I am sure that I will pick up on things I missed with a second and third viewing. Perkins very clearly takes pride in keeping things an absolute mystery right until the final act, and as long as he keeps making movies I will be there opening night.

As far as the performances are concerned, I have three words for you, Nicolas FUCKING Cage. I feel like I am swearing a lot but trust me when I say it is warranted. Cage is seriously otherworldly as the serial killer known only as Longlegs. We are introduced to him right away but he is unrecognizable to the point where I wasn’t sure if it was him at first. Everything about him will make the hairs on the back of your neck stand up straight and that is a big reason why this movie works so well. I do wish we got to see more of him, but how he was utilized did make sense in terms of the story and the overall mystery surrounding the killings.

Getting the majority of the screen time was actress Maika Monroe as FBI agent Lee Harker. I would argue that Monroe is underrated as an actress, but she definitely helped change the game as far as the horror genre with the start of the “elevated horror” subgenre when she starred in the 2014 horror film It Follows. Monroe is great here as this socially awkward but very talented agent who very clearly has a few demons of her own. She truly became this character which helped to build the suspense for the film. I hope she continues to get more opportunities because she always seems to deliver especially when it comes to the horror genre.

Alicia Witt, a veteran actress who has been in a little bit of everything dating back almost 40 years, takes on a prominent supporting role as Lee’s mother Ruth. Monroe and Witt have fantastic chemistry and I was honestly lowkey blown away by Witt’s performance especially during the films third act. Actor Blair Underwood plays the higher ranking detective that Lee teams up with to try and track down Longlegs. I thought his character was great as it offered a nice balance between your typical straight-laced detective and Harker who was a bit more unorthodox in her methods. In general you really couldn’t have asked for a better cast especially for a horror movie.

Now I talked about Osgood Perkins and his skills as a storyteller, but the man knows his way around a camera let me just say that. Perkins has a very intimate style where many of his shots are up close, over the shoulder, or he will have a character offset making viewers question whether or not something is going to happen in the background. I love his style and as I mentioned earlier in the review it really helps make for such a unique and intimate viewing experience.

For Longlegs Perkins teamed up with cinematographer Andres Arochi, his first feature film, and he took full advantage of the opportunity. Throughout the film the cinematography is incredible as it helps to build this world of absolute dread and despair. I would dare to say that Perkins and Arochi will work together again in the future. Also a huge shoutout to the editing team and make-up department for what they contributed to the film. Also the original score put together by composer Zilgi is nightmare fuel as it takes viewers into the underbelly of pure evil.

THE VERDICT

A wildly unsettling horror thriller that gets under your skin thanks to a masterful original story and a chilling performance from Nicolas Cage, Longlegs is truly a genre-defining film solidifying Osgood Perkins as a supremely talented filmmaker. The marketing alone for this film blew me away, and the fact that the final product delivered is damn impressive in itself.

Now I don’t expect everyone to fall in love with Longlegs, mainly because even though it seems to draw inspiration from classic films like Se7en and The Silence of the Lambs, it definitely falls more in the elevated horror subgenre which to me means some people just won’t truly appreciate how incredible it is. At the end of the day filmmaking is an art form, and what Osgood Perkins delivers here is a work of pure art for film fanatics like myself with a true appreciation for the horror genre. This movie really is that good, and I simply cannot wait to see it again.

TED TAKES RATING - 9.4/10

Longlegs is now playing only in theaters. Check out the latest trailer below.

MaXXXine

MaXXXine is a 2024 crime thriller horror film written and directed by Ti West. The film is the 3rd in the trilogy and the sequel to X (our full review here), as it follows Mia goth’s character after the events of that film.

In 1980s Hollywood, adult film star and aspiring actress Maxine Minx finally gets her big break. However, as a mysterious killer stalks the starlets of Los Angeles, a trail of blood threatens to reveal her sinister past.

The cast includes Mia Goth, Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Bobby Cannavale, Halsey, Lily Collins, Giancarlo Esposito, and Kevin Bacon.

MaXXXine made its debut in theaters July 5th, courtesy of A24.

When the first trailer for X released back in late 2021 I remember thinking to myself who is this TI West guy and why does it seem like he made this movie just for me. Like seriously, I am a horror fanatic but I also grew up obsessed with the slasher genre so this film checked all the boxes for me. I had such a unique experience in the theater with this film as I was absolutely immersed from start to finish, it really was that good. I left the theater smiling ear to ear and thinking I cannot wait to see that again, but I had no idea this was the beginning of a highly successful film trilogy.

News broke fairly early on that a prequel film was not only already in the works, but was actually being worked on during the filming for X. Given the title Pearl (our full review here), writer/director Ti West envisioned building on the intriguing backstory of one of the films terrifying antagonists, while also teaming up again with star Mia Goth who played two roles in X, Maxine and Pearl. Well let me just say that as film lovers we are very lucky that West is such an ambitious man because it was very clear early on that these films were not to be missed. So, did MaXXXine live up to the hype as the final film in this trilogy? Keep reading to find out!

First and foremost, MaXXXine was a fantastic film and I enjoyed every minute of it. The collaboration between Ti West and Mia Goth is really just on another level, and experiencing what these two are able to dream up artistically has been such a treat. With X you had much more of a horror slasher vibe, Pearl was more of a psychological horror that sort of had Alfred Hitchcock vibes, but MaXXXine was different as it was very much a noir style film that in many ways paid homage to some of the more defining years of the film industry.

I loved watching the development of Mia Goth’s character as she went from lone survivor of a horrific tragedy in X to a strong career-oriented woman who refused to let anyone, or anything, get in the way of her dreams. The film ties directly back to X and also goes even deeper into some of her earlier years which becomes a significant element of the story for MaXXXine.

The film has a unique feel and a very clear identity from the start, and I was absolutely obsessed with the gritty 80’s Hollywood feel. Plus the film had some great Easter eggs for fans of 80’s films, including Moses Sumney’s character reading a throwback issue of Fangoria magazine featuring articles on Friday the 13th and the Nightmare on Elm Street franchise. You also get some great Once Upon a Time… in Hollywood vibes during the film which is always fine by me. Man Ti West is good.

The story also takes the extra time to really understand Maxine’s mental state as it ties back to the traumatic events of the first film. She is a badass without question so it is easy to view her as basically unbreakable, but during certain parts of the film we get to see that she is still dealing with some of that trauma. It is pretty clear from the start that she has this feeling that she can’t escape her past which is why she works so hard to distance herself from the person she once was. Seeing the vulnerabilities with her character added a much needed emotional element to the film which also left the door open if Ti West decides to keep this franchise going.

The cast was on fire in MaXXXine, starting with the main attraction Mia Goth. To be honest before X I didn’t even know her name, not after teaming up with Ti West I can’t get her out of my head. Goth is the entire package, she has the looks and the raw acting talent, all she needs is the right writer/director to work with and Ti West was a match made in heaven for her. This film trilogy has really allowed her to shine as the brightest star in all 3 films, and she absolutely crushed it as Maxine Minx. If you are intrigued by Goth she also plays a complete psychopath in Brandon Cronenberg’s unique sci-fi thriller/body horror film Infinity Pool (our full review here), now streaming on Hulu and Disney+.

Starring alongside Goth is iconic actor Kevin Bacon, who has been around literally forever getting his start in National Lampoon’s Animal House (1978), and the original Friday the 13th (1980). Bacon is just one of those actors that can do it all, and he was so good here as he took on the role of this super sleazy private investigator named John Labat with no moral compass whatsoever. Labat is a pretty confident guy but he learns pretty quickly that getting on a collision course with seemingly sweet but incredibly vengeful Maxine was a very bad idea. Bacon’s performance was a big reason why the film worked so well and I thought he had amazing chemistry with Goth.

Giancarlo Esposito, widely known as Gus Fring in the hit series Breaking Bad, takes on the role of Maxine’s agent/entertainment lawyer Teddy Night, Esq.. I loved this character right from the start as Esposito brought this great mix of confidence and tenacity to the role. His character quickly becomes one of Maxine’s biggest allies and it was so much fun watching the relationship develop. I mean seriously, what can’t this guy do? His character is incredibly charismatic and just brings a unique element to the dynamic of the film.

The cast is honestly pretty stacked to the point where you have Elizabeth Debicki, Michelle Monaghan, Bobby Cannavale, and Moses Sumney all in supporting roles. I thought they were all incredible in each of their respective roles, but more than anything the characters they played really felt true to the 80’s era of the film. Also a worthy shoutout to Halsey, Chloe Farnworth, Sophie Thatcher, and Simon Prast, all taking on strong supporting roles.

THE VERDICT

Dynamic filmmaker Ti West and the uber-talented Mia Goth dive head first into the noir genre of film while paying homage to vintage 80’s Hollywood, MaXXXine is top-tier cinema and a worthy final chapter in the X trilogy. While X remains my favorite film of the three, this without a doubt meets the standard when it comes to the high bar set by this franchise as it peers into the psyche of the Maxine character.

One of the greatest things about these films is the fact that they get even better each time you watch them which is a testament to West and his unique vision and incredible attention to detail. If you enjoyed the other films you absolutely need to check out MaXXXine in theaters as soon as possible.

TED TAKES RATING - 7.6/10

MaXXXine is now playing only in theaters. Check out the latest trailer below.

Horizon: An American Saga - Chapter 1

Horizon: An American Saga is a 2024 two-part American epic Western film co-written, produced, directed by, and starring Kevin Costner.

Families, friends and foes discover the lure of the Old West as the Civil War divides the country.

The cast includes Kevin Costner, Sienna Miller, Sam Worthington, Jena Malone, Abbey Lee, Michael Rooker, Danny Huston, Luke Wilson, Isabelle Fuhrman, Jeff Fahey, Will Patton, Tatanka Means, Owen Crow Shoe, Ella Hunt, and Jamie Campbell Bower.

Horizon: An American Saga - Chapter 1 made its debut in theaters on June 28th, courtesy of Warner Bros. Pictures.

Kevin Costner is back on the big-screen in a huge way! Horizon: An American Saga - Chapter 1 is a massive film taking viewers back to one of the most defining moments in American history. The film sets the stage perfectly right from the start as it tugs on the heart strings and quickly gets viewers invested in the story as it begins to introduce several different characters across various locations.

Horizon: An American Saga - Chapter 1 is clearly built around the story, and to say there is a lot of meat on the bone here would be a big understatement. The film clocks in at around 3-hours, but rest assured it flies by. The story hinges on the age old allure of the American Dream which promised a better life for people seeking land to make their own and raise a family. I really liked how the film made sure to offer perspective from all sides allowing viewers the opportunity to feel something for all involved.

The cast for Horizon: An American Saga - Chapter 1 was pretty stacked for sure, but I will try and focus on the actors who stood out most to me. The film bounces around quite a bit as it introduces different characters but each segment tends to have at least one actor that stands out more than the others. For obvious reasons I have to start with the man himself, Kevin Costner, who I thought was fantastic in this.

Costner is introduced a bit later in the film which I was fine with, and more than anything I just liked his character a lot. He struck me as a man of principles who was willing to stick his neck out for what was right, and viewers will without a doubt appreciate what he brought to the film as an actor. I am looking forward to the trajectory of his character.

I’m not necessarily going in an particular order but next in line is lowkey a great actor in Sam Worthington, who previously starred in the Avatar films, as well as Everest and The Shack. Worthington takes on the role of Trent Gephart, a man trying desperately to stop more bloodshed without much success. I felt like he played a strong character and I am looking forward to where his moral compass leads him in Chapter 2. Actress Sienna Miller is absolutely gorgeous and irresistible in her role as Frances Kittredge. She is a big part of the initial events of the film and I loved how her character continued to make a significant impact throughout the remainder of the film.

I personally loved how Horizon: An American Saga - Chapter 1 was able to show a unique perspective from all sides and actor Tatanka Means does an amazing job representing the Native American side. I loved him in Killers of the Flower Moon and he continued to absolutely crush it here. I was surprised at how intrigued I was by Luke Wilson in his role as Matthew Van Weyden. Weyden was in charge of leading a convoy of people to the new land in search of a better life. Wilson, widely known for his comedic roles including the all-time comedy classic Old School (2003), was just different here. I thought he really commanded this role well and I was pleased that he was given the opportunity. All things considered the entire supporting cast was great as well.

If you’re anything like me and one of the reasons you enjoy Yellowstone so much is because of the scenery, well Horizon: An American Saga - Chapter 1 is an absolute treat in much the same way. The film serves up some of the most incredible sights I have seen in film in quite some time as it gives viewers a look at just how incredibly beautiful this country once was. The film takes full advantage of wide shots and panoramic viewing angles making it clear that you need to experience everything it has to offer on the biggest screen possible.

I was constantly in awe of the scenic beauty which helped to keep me immersed in the film. Costner deserves a ton of credit for his work behind the camera because I don’t think a single shot was wasted. Talented cinematographer J. Michael Muro, who previously worked on Crash (2004) and the series Longmire, really makes his mark on this film. I also have to shout out composer John Debney for serving up what I felt was a flawless score as it really brought this film to life. Horizon: An American Saga - Chapter 1 includes so many special moments that are able to reach another level thanks to the films score.

Now I’m not going to sit here and act like Horizon: An American Saga - Chapter 1 is a perfect film, but the majority of the criticisms are just ridiculous. Firstly people seem to be annoyed by the fact that the film lacks a true “ending”, yet it is very clearly advertised as Part 1 of 2, and from what I have read it may even expand from there. For the life of me I can’t wrap my brain around how you can watch a movie that is just the first part and be surprised at how it ends. And to be honest I thought the film wrapped things up much better than it really needed to in what I felt was an attempt to appease the people who still complained.

Throughout the film a ton of different characters are introduced so it can be a lot to take in that I will admit, but the end of the film includes a sort of montage which includes all of these characters setting the stage what will surely be an action packed and emotional Part 2. Because the film introduces so many different characters it can be hard to keep track of what is going on, but I’m not sure how that could have been avoided.

By the end I felt like I had a pretty good idea what was going on and I thought the editing team did a masterful job as the film jumped from different character perspectives. My suggestion is really simple, when you go see Horizon: An American Saga - Chapter 1 allow it to immerse and entertain you without focusing too much on expectations knowing that more is coming with Part 2.

THE VERDICT

Kevin Costner’s massive Western epic features an all-star cast as it carefully crafts a powerful true story of a pivotal moment in American history, Horizon: An American Saga - Chapter 1 can be a lot to digest but still sets the stage perfectly for Chapter 2. I thought the film delivered on the promise of the old-school Western feel and it kept me entertained from start to finish. I’m genuinely excited for Chapter 2 in August, and looking forward to finding out whether or not Costner will keep this saga going. Be sure to see Horizon: An American Saga - Chapter 1 in theaters.

TED TAKES RATING - 7.2/10

Horizon: An American Saga - Chapter 1 is now playing only in theaters. Check out the latest trailer below.

Thelma

Thelma is a 2024 comedy film written and directed by Josh Margolin. The film, which premiered at the 2024 Sundance Film Festival on January 18, 2024, is inspired by a real-life experience involving Margolin’s own grandmother.

When 93-year-old Thelma Post gets duped by a phone scammer pretending to be her grandson, she sets out on a treacherous quest across the city to reclaim what was taken from her.

The cast includes June Squibb, Fred Hechinger, Richard Roundtree, Parker Posey, Clark Gregg, and Malcolm McDowell.

Thelma made its debut in theaters June 21st, courtesy of Magnolia Pictures.

When I first heard about Thelma my first thought was 94-year-olf June Squibb was finally getting her chance to play the elderly version of John Wick and I was all in for that. I’m only half-kidding because the original teaser trailer included an explosion and Squibb putting the petal to the metal on a motorized scooter. I thought the film looked fun but expected something over-the-top and mostly goofy, and I was as surprised as anyone when the film was much different than I expected it to be.

Thelma was fantastic right from the opening scene, serving up a very grounded coming-of-age style comedy film with a great story and a terrific cast. I loved the character of Thelma, played by June Squibb, right from the beginning as I was completely wrapped up in her no BS nature and sense of confidence. The relationship she had with her grandson Daniel played by Fred Hechinger felt genuine as their on-screen chemistry yielded tons of laughs while also getting viewers in the feels. I could honestly watch these two together for hours. The story is of course primarily focused on Thelma and her undeniable determination to get back what was taken from her, but the side story is about her grandsons attempt to find his way in the world. Overall just two great characters that helped to bring the screenplay to life.

As far as the screenplay is concerned Thelma is a tale of revenge on the surface, but it really is so much more than that. Right away it is clear that although the comedic element is there, this is actually a much more serious movie compared to how it was marketed. As I touched on briefly in the intro Thelma is based on a true story and the film does feel much more realistic compared to the elderly Jon Wick some people may have been expecting. The film is more about our ability to be self-sufficient whether it be in our early 20’s or early 90’s. I loved the films message and felt like the identity of the film was intact throughout, and even though I laughed a ton the film resonated with me so much more than just a standard comedy would.

The film is absolutely packed with great one-liners especially from June Squibb, and each one had me laughing out loud. Everything just feels so natural and seamless for Squibb which seems to rub off on the rest of the cast. She is just amazing, simple as that. As I talked about briefly she had great chemistry with actor Fred Hechinger as her grandson Daniel, and I personally loved him in this film. Certainly not an actor you would consider to be a household name, but Hechinger has played his fair share of roles in TV and film, and may be most recognizable for his role in the first season of the hit HBO dark comedy drama series White Lotus.

He seems to really know his way around the aimless 20-something characters, but there is no denying his talent as an actor. Aside from Squibb’s Thelma, Hechinger is my favorite character in the film. I just loved how he was super sweet with his grandmother but was also struggling to find his way in the world. I really enjoyed Richard Roundtree’s role as well and he definitely contributed to quite a few laughs. Parker Posey, Clark Gregg, and Malcolm McDowell all played small roles but were equally great.

THE VERDICT

A heartwarming coming-of-age story about family and the struggle for independence, Thelma is engaging, hilarious, and genuinely moving, but more than anything else it reminds us that 94-year-old actress June Squibb is a national treasure. You will simply fall in love with Thelma and will likely find yourself wishing she was your grandmother, I know I did. Check this movie out in theaters, you’ll be glad you did.

TED TAKES RATING - 9.5/10

Thelma is now playing only in theaters. Check out the latest trailer below.

A Quiet Place: Day One

A Quiet Place: Day One is a 2024 post-apocalyptic sci-fi thriller film written and directed by Michael Sarnoski, based on an original story by John Krasinski and Sarnoski. It is intended to be a spin-off prequel, and the third overall installment of the A Quiet Place film series.

When New York City comes under attack from an alien invasion, a woman and other survivors try to find a way to safety. They soon learn that they must remain absolutely silent as the mysterious creatures are drawn to the slightest sound.

The cast includes Lupita Nyong'o, Joseph Quinn, Alex Wolff, Djimon Hounsou, and Denis O'Hare.

A Quiet Place: Day One made its debut in theaters June 28th, courtesy of Paramount Pictures.

I still vividly remember seeing the original A Quiet Place (our full review here) movie in theaters back in 2018, and wow what an experience that turned out to be. Now the premise of the films is unique obviously, but you don’t quite realize how unique until you’re sitting in a dark movie theater scared to chew your popcorn. Seriously, you could hear a pin drop in the theater and that in itself speaks volumes (pun intended) about this franchise and the original film in particular in terms of just how hard it hit viewers.

I was no joke anxious the entire film, and part of the genius of A Quiet Place was the fact that it felt so personal because viewers were experiencing the film through the eyes of this family as they attempted to survive this incredibly relentless threat. I genuinely cared for the family portrayed in the first film, and that part of it all proved to be an integral part of the success for this franchise.

Fast forward 6 years or so and here we are with A Quiet Place: Day One, ironically a film that came out years later but actually tells the origin story of the terrifying creatures wreaking havoc for the characters in this franchise. Now first a simple question, did we need a prequel film? My answer, an emphatic HELL YES!! Seriously, A Quiet Place: Day One is just so damn good on so many levels, whether it be as a standalone film or a film that improves the franchise as a whole. This really was THAT good, simple as that.

Now as I talked about the seemingly simple yet effective recipe for success as it relates to this franchise is focusing on just a few characters as they do whatever they can to survive this never-before-seen threat is alive and well here. A Quiet Place: Day One has it all, a heartfelt story, tense action, next-level visuals and technical elements including an amazing score and ridiculous camera work, which all come together to create one of the better sci-fi thrillers I have experienced in quite some time.

The story blew me away as it was so much more emotional than I expected it to be. It is no easy feat creating a prequel film with characters that have no connection to the characters in the other films, and the direction they decided to take with this screenplay was without a doubt the way to go. The films primary antagonist is incredibly sympathetic yet strong-willed and I felt connected to her immediately. The circumstances surrounding this character are unique in the sense that she is already navigating significant life challenges before she is thrust into an alien attack that threatens the future of mankind. The story resonated with me in a way that I did not expect as it stuck with me well after the end-credits.

I just loved everything A Quiet Place: Day One brought to the table, but the cast absolutely crushed it. Lupita Nyong'o is in a league of her own as always, playing the pivotal role of the films primary antagonist, Samira. Nyong'o is an incredibly talented actress, and one of her many strengths is the fact that her acting talents go well beyond the dialogue and that really shines here. She is so strong yet so sympathetic at the same time, and boy oh boy is that amazing final scene just seared into my brain for all of eternity. Give this woman all the roles because she really is that good.

My guy Djimon Hounsou plays a small role but he shows up and makes a big impact as he always does. He is just one of those actors that always exudes a certain level of pure confidence when he is on-screen. Alex Wolff, who has been killing it over the last several years with Hereditary, Jumanji: The Next Level, and Pig, was really good here as well.

To be honest I didn’t even recognize Wolff with his beard and long hair, but something about him felt familiar and comforting. His chemistry with Nyong’o was very important for the success of the film and he was a big part of that. Feline lovers are in for a treat as well thanks to a sweet and tough as nails emotional support cat that is along for the ride. Just brace yourself because the idea that cats have 9 lives is put to the test.

I need to talk about actor Joseph Quinn, someone who is fairly unknown at least to me. When he first showed up in the film I expected him to be more of a passerby type character but his role became pivotal to the film and I was genuinely impressed with his performance. Quinn plays Eric, a man that Samira comes across as she is making her way through the city.

She makes it clear to him she prefers to travel solo, but he is simply too terrified to be alone and follows her anyway. The bond that forms between Samira and Eric is nothing short of amazing, and their relationship is the beating heart of the films amazing story. A Quiet Place: Part One is an intense sci-fi thriller but it is also a story of courage, resilience, and the power of human connection.

On the technical side of things A Quiet Place: Day One is nothing short of incredible. I really liked the feel of the film right from the start as it felt more like a meaningful drama film than it did a sci-fi thriller just trying to set the stage for an alien attack. The film really just has so many layers that, by the end of it, make for much more of an emotional rollercoaster than I was expecting.

The story was great as I talked about already, but many of you want to hear about the alien threat that overtakes the city; rest assured because they are absolutely terrifying. The actual attack happens very fast so everything is a bit of a blur at first as Samira attempts to navigate her way to safety. She is knocked out briefly and wakes up with the realization that the enemy preys on sound and absolute silence is the only way to survive.

The creatures look incredible, and I loved how they moved with such ferocity throughout the city leaving disaster in their wake. I admit I was holding my breath during the majority of this movie as the tension was no joke. One thing that has helped set this franchise apart is the ability to be vast in terms of overall scale while still maintaining that intimate feel which is crucial for helping to make sure viewers genuinely care for the characters. Huge shoutout to the entire team working behind the scenes for delivering top-notch visuals, amazing sound, excellent cinematography, and just the overall production value you expect from a big-budget film.

THE VERDICT

An edge-of-your-seat sci-fi thriller featuring terrific performances and a raw and heartfelt story, A Quiet Place: Day One is a unique experience and the rare prequel that puts the franchise on another level. I simply loved this movie from start to finish, and as I talked about during the review the fact that the story got to me the way it did was absolutely a surprise. Hats off to writer and director Michael Sarnoski for one hell of a film that without a doubt cements A Quiet Place as a top-tier sci-fi thriller franchise.

Bottom line, I already loved these movies and I love them even more now, and I will be re-watching the first two films immediately. I don’t care if you see A Quiet Place: Day One in a standard theater or go big with the IMAX, but you absolutely need to see this movie on the big-screen as soon as possible.

TED TAKES RATING - 9.1/10

A Quiet Place: Day One is now playing only in theaters. Check out the latest trailer below.

The Bikeriders

The Bikeriders is a 2023 drama film written and directed by Jeff Nichols (Take Shelter, Mud). It tells a fictional story inspired by the 1968 photo book of the same name by Danny Lyon and stars an ensemble cast that includes Jodie Comer (Killing Eve, The Last Duel), Austin Butler (Elvis), Tom Hardy (Inception, Mad Max: Fury Road), Michael Shannon (Man of Steel, Knives Out), Mike Faist (West Side Story), and Norman Reedus (The Walking Dead). The film premiered at the 50th Telluride Film Festival on August 31, 2023.

Kathy (Comer), a strong-willed member of the Vandals who's married to a wild, reckless bike rider named Benny (Butler), recounts the Vandals' evolution over the course of a decade, beginning as a local club of outsiders united by good times, rumbling bikes, and respect for their strong, steady leader Johnny (Hardy). Over the years, Kathy tries her best to navigate her husband's untamed nature and his allegiance to Johnny, with whom she feels she must compete for Benny's attention. As life in the Vandals gets more dangerous, and the club threatens to become a more sinister gang, Kathy, Benny, and Johnny are forced to make choices about their loyalty to the club and to each other.

The Bikeriders made its debut in theaters on June 21st, courtesy of Focus Features.

I absolutely loved this movie. I loved the story, I loved the characters, I loved the time period, and I just loved how it all came together in such a way that made everything feel so real. The story in itself just felt authentic and captivated me in such a way that only top-tier cinema is capable of. I get that most people view movies as a way to be entertained, and sure that is part of it, but for me the definition of quality filmmaking is exemplified when the experience goes home with you. Instead of feeling like you just watched a movie, you feel like you were there somehow experiencing the events of the film right alongside the characters. By the end I felt a genuine connection to these people to the point where I really cared about them and I desperately wanted to know what came of them after the events of the film.

The story is told from the perspective of Jodie Comer’s character Kathy, a young woman who inadvertently catches the eye of the volatile but fiercely loyal club member Benny, played by Austin Butler. Kathy and Benny become inseparable ensuring Kathy is intertwined with the club indefinitely. Because Benny is a favorite of club president and founder Johnny, played by Tom Hardy, Kathy proves to be a valuable resource for club member Danny Lyon, an aspiring photographer who begins capturing defining moments during his time with the club with the intention of writing a book someday.

Danny starts off taking pictures but ends up recording conversations with members as he attempts to learn more about the Chicago Vandals motorcycle club. The film jumps back in time quite a bit as Danny slowly unravels the story, allowing viewers the opportunity to get to know the members of the club and how Johnny came to create it. I really liked how they went about telling the story as in some ways it felt like a documentary, but also allowed viewers a chance to experience some of the more pivotal and defining moments for the club. I was glued to my seat from start to finish, and it was crazy how anxious I was during the final act of the film. The core of the story centers on the vision Johnny had for this motorcycle club, and ultimately the harsh reality he faces when the realization sets in that it has become too big and ultimately impossible for him to control. This is cinema in its purest form.

The cast for this film was nothing short of incredible. The majority of the screen time goes to Jodie Comer, Austin Butler, and Tom Hardy, but the film includes a stellar supporting cast that helped to make this film the special experience that it is. Of the primary three mentioned I would have to say that Tom Hardy was my favorite, but I am also a bit biased as he is one of my favorite actors altogether. The guy is not only extremely talented, but there is also something to be said about an actor who plays the role of a badass when he is also a badass in real-life.

You may not know this but Hardy is a blue belt in jiu-jitsu and actually competed in and won several tournaments back in 2022. Crazy right?! Also if you haven’t seen him in the 2011 MMA inspired film Warrior, get on it because it is fantastic. As an actor Hardy just has a certain energy about him, and his ability to actually become a character is uncanny. He was just so damn believable in this movie, and it was instantly obvious why the men in his club would follow him to the ends of the Earth. He demanded respect from his guys, but he also loved and protected each and every person that stood by him.

Austin Butler has become a bit of a heartthrob since playing legendary musician Elvis, and The Bikeriders gives him yet another opportunity to show off just how good he looks in black. I thought Butler was very believable as the carefree and fearless pretty boy that would do anything for the Vandals. Early on in the film Kathy’s character tells Danny that in many ways Johnny loves Benny so much because he envies the fact that he has the ability to not allow anything to bother him, a trait difficult to fathom for a man like Johnny who outside of the club has a family and a regular job. Hardy and Butler had a unique chemistry that helped to form what was very clearly a unbreakable bond, one that really hits hard during the films final act.

Jodie Comer who as I said is really at the center of the story, was just awesome. First and foremost Comer is gorgeous, that is simply undeniable. Plus she has proven she can hold her own with the guys in films like Free Guy (our full review here) and The Last Duel (our full review here). Comer nails her accent and is very believable as this strong-willed but sort of all over the place young woman still clearly trying to find her place in the world. She is seemingly just going through the motions when she meets Benny, a life-changing encounter that if nothing else adds unlimited excitement to her life. I enjoyed Comer’s character and felt like her chemistry with Butler’s character was genuine, and she was clearly the best person to tell this story.

As far as the ridiculous supporting cast I mentioned, where do I even start?! I mean seriously, this film is just stacked with talent. I really enjoyed Boyd Holbrook as Cal, easily one of the more likable characters in the film with his laid back demeanor and infectious smile. I am a huge fan of veteran actor Michael Shannon and was very pleased to see him take on the role of Zipco, a surprisingly complex character who opens up as the story progresses. Zipco helps to paint the picture of the struggle for young men as it related to the pressures of the Vietnam War. Shannon is an incredible actor and he was just perfect for this role.

I really liked Damon Herriman’s portrayal of Brucie, one of the more even-keeled members of the club who was loved and respected by everyone. I wouldn’t necessarily consider Herriman to be a household name although he has 118 acting credits according to his IMDb filmography. His most notable role for me was the FX series Justified where he played Dewey Crowe, but he was really good here and another one of my favorite characters who helps add to the emotional element of the film.

I can’t talk about how great the entire supporting cast was in this because we would be here all day, but I do need to mention Emory Cohen in his role as Cockroach, and The Walking Dead’s Norman Reedus as Funny Sonny. Both actors are nearly unrecognizable in their roles, especially Reedus, and both added a ton of value to the film. I also saw a very interesting interview with Reedus about how he came upon this project and the fact that he personally owns several prints from the Danny Lyon book the film is based on.

On the technical side of things The Bikeriders transports audiences back to a different and in many ways simpler time. A film like this needs to feel authentic to the time period in order to effectively tell the story, and everyone that worked on this project took that mission to heart. The cinematography, the score, the set design, wardrobe, and the overall production value all came together in such a way that made it feel like we were watching a documentary. The film just has a very clear identity right from the start, and talented writer/director Jeff Nichols clearly took a great deal of pride in ensuring he did right by the memory of this legendary motorcycle club.

THE VERDICT

An experience so full of life that in many ways it transcends cinema, The Bikeriders is equally inspiring, thought-provoking, and tragic thanks to an incredible cast and a truly captivating screenplay.

This film was just on another level for me, and I honestly can’t stop thinking about it. I feel like it is rare that we get films like this these days so I highly recommend getting out to the theater and experiencing it for yourself sooner than later. I am already making plans for a second viewing - it really is that good.

TED TAKES RATING - 9.3/10

The Bikeriders is now playing only in theaters. Check out the latest trailer below.

Bad Boys: Ride or Die

Bad Boys: Ride or Die is a 2024 action comedy directed by Adil & Bilall (Bad Boys for Life), from a screenplay by Chris Bremner and based on characters created by George Gallo. The film is produced by Columbia Pictures in association with 2.0 Entertainment, Don Simpson/Jerry Bruckheimer Films, Westbrook Studios, and distributed by Sony Pictures Releasing. It is the sequel to Bad Boys for Life (2020) and the fourth installment in the Bad Boys franchise.

When their late police captain gets linked to drug cartels, wisecracking Miami cops Mike Lowrey and Marcus Burnett embark on a dangerous mission to clear his name.

The cast includes Will Smith, Martin Lawrence, Vanessa Hudgens, Alexander Ludwig, Paola Nuñez, Eric Dane, Ioan Gruffudd, Jacob Scipio, Melanie Liburd, Tasha Smith, Tiffany Haddish, and Joe Pantoliano. 

Bad Boys: Ride or Die made its debut in theaters June 7th, courtesy of Sony Pictures Entertainment.

I have been a big fan of the Bad Boys films from the beginning, and to be honest it is hard to believe that the original film first hit theaters way back in 1995. Now that is one hell of a run considering that the franchise is not only still going, but it still has a full head of steam and the same appeal it had back then.

Martin Lawrence and Will Smith, now 59 and 55 respectively, were in their mid-to-late 20’s when the first movie came out, and most people were blaring Coolio’s Gangsta’s Paradise from their car speakers. Just stop and reminiscent about that for a moment, feels like a different world right? That’s because it was, the good old days before the obsession with cell phones and social media. So here we are almost 30 years later and the Bad Boys are back, was it worth the wait?

Bad Boys: Ride or Die was absolutely fantastic and precisely the movie that fans of this long running franchise were hoping for. The Bad Boys films have always had a certain style and feel to them as they were able to blend top-tier action sequences with laugh-out-loud humor, and they have done it yet again. Martin Lawrence and Will Smith don’t miss a beat reprising their roles as Marcus Burnett and Mike Lowery.

The detectives version of the odd couple have incredible on-screen chemistry, which is one of the main reasons why this franchise has been so successful. Bad Boys: Ride or Die had me laughing out loud more times than I can count, but more than that it transported me back to the good old days of cinema. Nothing makes me happier than when a film can fill me with nostalgia while putting a permanent smile on my face, and this movie accomplished that and then some. From the opening scene this just felt like a Bad Boys movie, and boy was it a fun ride.

In my opinion the Bad Boys films super power is the talented and charismatic cast, but the writing and the world they have been able to create over the years is what helps to bring these films to life. These movies are without a doubt action comedies at their core, but they also have a feel-good element to them which is built on the relationship between Will Smith and Martin Lawrence.

These two actors have been able to bring a certain level of authenticity to their characters allowing them the ability to stand the test of time, and I have genuinely enjoyed watching their relationship blossom into something meaningful with a ton of laughs along the way. Although Smith and Lawrence undoubtedly steal the show, the supporting cast was fantastic as well. Eric Dane deserves a ton of credit for playing a very badass and easy to hate villain. He was a formidable foe adding a ton of value to the film in terms of intensity and thrill factor.

Lowkey one of my favorite characters is Reggie, played by actor Dennis Greene. Reggie is introduced in Bad Boys II, just a teenager at the time, as the love interest for the daughter of Marcus Burnett. He returned in Bad Boys for Life in a minimal role, but he finally gets his due in Bad Boys: Ride or Die as his character is involved in a few of my favorite scenes, including the closing scene which had me smiling ear-to-ear. According to Greene’s filmography his only roles have come in the three Bad Boys films, but I hope that this performance puts gets his name out there.

Other notable performances in supporting roles were delivered by Alexander Ludwig, Vanessa Hudgens, Rhea Seehorn, Tiffany Haddish, Tasha Smith, DJ Khaled, Joe Pantoliano, and Ioan Gruffudd. Each character brought a unique element to the film making for a very well rounded cast that took full advantage of every opportunity..

What also impressed me was how the writers were able to really make Bad Boys: Ride or Die a culmination of the first three films as everything Lowery and Burnett knew to be true came into question. I did not re-watch the first three films prior to making my way to the theater, but I wish I had because the story does a fantastic job of going as far back as the original film in terms of the layers of the overall story.

I’m not saying you absolutely have to do that but it will surely help to make the experience that much better. I thought the story was great with plenty of intrigue and lots of great action, and although they could easily end things with this movie they did leave the door open for the possibility of a 5th film.

The Bad Boys franchise is known for the chemistry and charisma of the leading men, but it is also known for a stylish and unique approach to the action sequences and Bad Boys: Ride or Die keeps that trend going. The film includes several great action sequences, each with a very cool twist to them, including some awesome slow-motion sequences.

At one point it is raining candy and juice as Marcus ducks for cover thanks to a barrage of gunfire and he decides it is a good idea to try and catch some in his mouth because well, he has a problem with sweets. This particular scene was edge-of-your-seat action but was also hilarious and great example of the identity of the Bad Boys films. They give you plenty of intense action and engaging story but at the end of the day entertainment value is the top priority.

THE VERDICT

A fast-paced and laugh-out-loud hilarious action comedy bursting with nearly 30 years of nostalgia, Bad Boys: Ride or Die continues the tried-and-true formula making for a theater experience well worth the price of admission. I swear these movies just never get old, and even the original 1995 film holds up today surprisingly well. I don’t know if we will get another movie or not, but if the Bad Boys decide to grace the big-screen again I will be there.

TED TAKES RATING - 7.8/10

Bad Boys: Ride or Die is now playing only in theaters. Check out the latest trailer below.

Furiosa: A Mad Max Saga

Furiosa: A Mad Max Saga is a 2024 post-apocalyptic action adventure film co-produced and directed by George Miller, who co-wrote it with Nico Lathouris. It serves as both a spin-off and a prequel to Mad Max: Fury Road (2015), as well as the fifth film in the Mad Max franchise. Several crew members from Fury Road returned for the film, including screenwriter Lathouris, film editor Margaret Sixel, costume designer Jenny Beavan, and composer Tom Holkenborg.

As the world falls, young Furiosa is snatched from the Green Place of Many Mothers and into the hands of a Biker Horde led by the Warlord Dementus. While two Tyrants war for dominance over the Citadel, Furiosa survives many trials as she plots a way back home through the Wasteland.

The cast includes Anya Taylor-Joy as the title character Imperator Furiosa, with Chris Hemsworth, Alyla Browne, and Tom Burke in supporting roles.

Furiosa: A Mad Max Saga made its debut in theaters May 24th, 2024, courtesy of Warner Bros Pictures.

It is hard to believe that it has been nearly 10 years since Mad Max: Fury Road released back in 2015, which in retrospect is nothing compared to the 30-year hiatus after Mad Max Beyond Thunderdome, the last of the films to feature Mel Gibson. Director George Miller’s brilliance is simply undeniable, so it was really only a matter of time before he visited The Wasteland yet again. I was already excited when Furiosa: A Mad Max Saga was first officially announced, but when it was confirmed that Anya Taylor-Joy and Chris Hemsworth would take on the leading roles my excitement was through the roof and I couldn’t wait to plant my ass in that comfy movie theater seat.

Furiosa: A Mad Max Saga was absolutely fantastic from start to finish. I honestly wasn’t sure what to expect in terms of a prequel to Mad Max: Fury Road, but man did they crush it. George Miller is just special when it comes to this post-apocalyptic films and the world that he has been able to create with the Mad Max films is just unmatched. Similar to previous films the opening sets the stage seamlessly as audiences are reintroduced to the edge of civilization known as The Wasteland. Just like Mad Max: Fury Road this film wastes no time putting viewers right in the middle of the action as it provides top-tier entertainment for the entire 2-hours and 30 minutes. The visuals, the story, and the adrenaline-fueled pace of the film, Furiosa: A Mad Max Saga comes out with guns blazing as it offers up a heavy dose of everything fans of the franchise have been begging for.

The cast was a huge selling point for me and it was even better than I could have hoped for. I will start by talking about Chris Hemsworth because even though I knew I would love him in this no matter what I wasn’t quite sure what to expect from his character, and he was on another level. He was the villain you loved to hate, and I was not ready for how hilarious he was going to be. In some ways he was like the Mad Max bad guy version of Thor, and it was amazing. He was just so damn funny and had me and the entire theater laughing out loud on several occasions, but he was also incredibly serious when the tone of the film took a turn. He was just perfect for this role and a huge reason for why it all worked so well.

Starring alongside Hemsworth is Anya Taylor-Joy, the actress who has absolutely blown up since she starred in Robert Eggers’ 2016 horror film The Witch (our full review here). Taylor-Joy is a legit actress and very deserving of her success, so I was not surprised to see her cast in the leading role for Furiosa: A Mad Max Saga. She made this role her own, and I can’t picture anyone delivering a better portrayal of a young Furiosa, a character that was played by the great Charlize Theron in Mad Max: Fury Road. Taylor-Joy kept me on the edge-of-my-seat, and although Hemsworth was providing the comic relief throughout the film, she played a much more serious and very gritty role and was incredibly convincing.

By the end it was very clear that Furiosa was not to be messed with, and this was all thanks to Taylor-Joy and what was easily one of her best performances to date. Young actress Alyla Browne deserves a ton of credit as well for her portrayal of Furiosa during the earlier years. Gaining some popularity as of late as she also recently starred in the horror film Sting (preview and trailer here), I feel confident in saying she is a young actress to keep an eye on. The supporting cast was awesome from top to bottom, and I especially liked Tom Burke because of the chemistry he shared with Taylor-Joy in the role of Praetorian Jack.

As a prequel/spin-off film I really liked what they did with the story for Furiosa: A Mad Max Saga. The screenplay isn’t what I would call elaborate or super complex or anything like that, but what it does is build on the story for Furiosa, the character played by Charlize Theron in Mad Max: Fury Road. I loved what Alyla Browne (young Furiosa) and Anya Taylor-Joy was able to do with this character, setting the stage for the wild ride that is Fury Road.

The film also builds on the backstory of the aptly named “place of abundance”, otherwise known as the Green Place of Many Mothers. The Wasteland and the struggle for limited resources is the result of humanities many missteps leaving the Earth barely inhabitable, creating a free-for all with survival as the top priority. More than anything else Furiosa: A Mad Max Saga feels like a pure addition to the franchise and I don’t think we could have asked for a better prequel film.

From a technical standpoint Furiosa: A Mad Max Saga is incredible as expected. At 79-years-young Australian filmmaker George Miller has got to be one of the more detail oriented directors working today, creating one of the most immersive cinematic experiences imaginable. What I loved most about Mad Max: Fury Road was just the unique style it had which is once again front and center with Furiosa: A Mad Max Saga. Everything just feels so true to George Miller’s vision for Mad Max, and I for one love getting sucked into what that guy dreams up. The action sequences are absolutely crazy as expected, and the score/soundtrack was straight fire as well. As I talked about in the intro several people from previous Mad Max films returned for Furiosa: A Mad Max Saga which made for an experience that felt authentic and true to the core of the franchise. Because of the creativity involved from the set design to the make-up and costumes, you can’t help but get sucked into The Wasteland yet again.

THE VERDICT

The genius of George Miller is on full display yet again with one of the most incredibly immersive post-apocalyptic cinematic experiences to date, Furiosa: A Mad Max Saga is a gritty and stylish revenge tale showcasing epic performances from Anya Taylor-Joy and Chris Hemsworth. Right down to the final touches consisting of clips from Mad Max: Fury Road during the end credits, this was such an awesome experience and just such a fun time at the movie theater. In my opinion this is an exceptionally unique franchise considering the fact that it has been going for 45-years and is showing no signs of slowing down.

Will we get more Mad Max films in the future? In an interview Miller himself alluded to the possibility as he referenced the story of what transpired between Furiosa: A Mad Max Saga and Mad Max: Fury Road as it relates to the Mad Max character, played by Tom Hardy in Fury Road. Miller envisions some sort of ‘Max in the Wasteland’ film if everything works out. Fingers crossed. Be sure to get your tickets now because Furiosa: A Mad Max Saga needs to be experienced in theaters on the biggest screen possible.

TED TAKES RATING - 9.2/10

Furiosa: A Mad Max Saga is now playing only in theaters. Check out the latest trailer below.

The Strangers: Chapter 1

The Strangers: Chapter 1 is a 2024 horror thriller film directed by Renny Harlin, with a screenplay by Alan R. Cohen and Alan Freeland, from a story by Bryan Bertino. Serving as the third film in The Strangers film series created by Bertino, it is the first installment of a new trilogy of standalone sequel films, where Chapter 1 will follow a similar premise to the the first film and takes place in the same continuity as the first two installments.

After their car breaks down in an eerie small town, a young couple are forced to spend the night in a remote cabin. Panic ensues as they are terrorized by three masked strangers who strike with no mercy and seemingly no motive.

The cast includes Madelaine Petsch, Froy Gutierrez, Gabriel Basso, Rachel Shenton, Richard Brake, Ella Bruccoleri, Ema Horvath, George Young, and Rebecka Johnston.

The Strangers: Chapter 1 made its debut in theaters on May 17th, courtesy of Lionsgate.

Back in 2008 The Strangers hit theaters and became a cult classic pretty much instantly. The film, which was said to be based on true events, brought to the forefront the idea of random acts of violence which is a problem in our country. The idea of complete strangers terrorizing innocent people for no apparent reason whatsoever is a terrifying proposition, especially when the victims are at their mist vulnerable. I personally loved The Strangers and was 100% on board with building out a franchise, although for one reason or another it took 10 years before the release of the sequel, The Strangers: Prey at Night (our full review here). Considering my love for the original film and the long wait for the sequel, this movie was a big time disappointment for me which was definitely a bummer. I wasn’t sure if we would see this franchise again or not, but here we are with what is designed to be the resurgence for a new trilogy, and it all starts with The Strangers: Chapter 1.

I hate to be the one to say this but when it comes to this movie the bad far outweighs the good, but it still has redeeming qualities. It is essentially the same exact premise as the original film so I knew what to expect, and this had me focusing more on the characters and the overall build-up to the final act. I thought the opening was pretty solid overall as it set the tone with this sketchy and very unwelcoming small town where this couple ends up stranded while on a road trip. The film did a nice job making viewers feel uneasy as they awaited what was sure to be a very long night for this couple. I thought the score/soundtrack was very effective thanks to composer Justin Caine Burnett, who made the most of his biggest project to date. I liked the use of music throughout the film which gave viewers this sort of false sense of security, and I loved how the score went up to a 10 during the more tense scenes. Burnett really helped to make this feel like a The Strangers film and you can’t ask for much more than that.

I also want to give credit to cinematographer José David Montero for ensuring the film had a ton of really great shots of our favorite trio of murderous psychopaths. I really liked the look of the three intruders this time around, and the Jason Voorhees pre-hockey mask vibe I was getting from the male character had me pretty excited. He was much bigger this time around, and I also preferred the masks on the two female characters as well. To be honest I liked everything about the three killers, the way they carried themselves, the fact that they barely spoke which is true to the original, and the vibe that you get making it clear that they want to make these people suffer as they fully intended to drag things out as long as possible. I also really liked that they stuck with the iconic old Ford truck as well.

As I mentioned earlier the premise for The Strangers: Chapter 1 is very simple and basically a direct remake of the original film, or I suppose a remake/prequel depending on where they take things with the next film. With that being said I was surprised by the fact that the most glaring weaknesses for the film were tied to the story and the characters. The film was made on a shoestring budget of $8.5 million which is just barely below the budget of the original film, so I didn’t expect any real star power or really anything like that but to say the ball was dropped when it came to casting and the screenplay would be an understatement. Brian Bertino set the groundwork for the story so all screenwriters Alan R. Cohen and Alan Freeland had to do was not mess with the formula too much which was apparently easier said than done. At times the story was just painful, and the majority of the dialogue was cringeworthy.

I blame poor writing for the most part because at the end of the day the actors are doing what they are told, especially lower-tier actors just trying to make a name for themselves, and it is up to the director to ensure the vision for the film translates to the screen. Unfortunately director Renny Harlin seemed ill-equipped to deliver what fans needed from this film, which to be honest wasn’t really asking a lot. I absolutely hated the lead male character of Ryan, played by Froy Gutierrez, right from the start. I didn’t need a lot from him but to me he was just unlikable, and the fact that he wasn’t supposed to be unlikable just made it worse. A few of his earlier interactions in the film with the local townspeople soured him for me, but it continued on throughout the film as the way he reacted to stressful situations just annoyed me.

It wasn’t the usual overexaggerated reactions you sort of expect from these films or just the “why would you do that?!” moments, but more so these odd and just unnatural reactions. As I said I don’t think the blame should fall solely on Gutierrez as I do believe he put forth his best effort, just the writing and the dialogue was so bad at times that he was fighting a losing battle. Thankfully they kept things simple with the character of Maya played by Madelaine Petsch, and all things considered she looked the part and kept things moving well enough. I mean she didn’t really move the needle for me but she was fine. The marketing team did a heck of a job promoting the film leading up to the release, its just too bad those in charge of the actual film failed to deliver. Plus I would love for someone to explain to me why this movie received the R-rating because I am getting sick of this rating getting attached to films when it feels incredibly unwarranted.

THE VERDICT

A lackluster attempt to reinvigorate the franchise plagued by lazy writing and a lack of creativity, The Strangers: Chapter 1 trips all over itself when it matters most yet still somehow retains a glimmer of hope for the next film in the new trilogy. As I talked about during the review the film has redeemable qualities and does some things well, but unfortunately the good is overshadowed by the bad.

I’m really not asking for a lot with these films, and to be honest I don’t even expect them to be scary. I just want a commitment to the formula, simple as that. Hopefully the next film gets this bad taste out of my mouth especially after The Strangers: Prey at Night, otherwise this franchise will forever be remembered as all bark and no bite.

TED TAKES RATING - 5.2/10

The Strangers: Chapter 1 is now playing only in theaters. Check out the latest trailer below.

Kingdom of the Planet of the Apes

Kingdom of the Planet of the Apes is a 2024 science fiction action film directed by Wes Ball (Maze Runner film trilogy) from a screenplay by Josh Friedman, Rick Jaffa, Amanda Silver, and Patrick Aison, and produced by Joe Hartwick Jr., Jaffa, Silver, and Jason Reed. It is intended to be the sequel to War for the Planet of the Apes (2017) and the fourth installment in the Planet of the Apes reboot franchise. The film stars Owen Teague (It, It Chapter Two) in the lead role alongside Freya Allan (The Witcher), Peter Macon (The Orville), Eka Darville (The Defenders, Her Smell), and Kevin Durand (The Butterfly Effect, X-Men Origins: Wolverine).

Development on a new Planet of the Apes film began in April 2019, following Disney's acquisition of Fox, with Ball attached as writer and director that December. Much of the script was written during the COVID-19 pandemic in 2020, with casting commencing in June 2022, following the script's completion. Teague was cast in the lead role that August, with the film's title and additional casting revealed in the following months. Principal photography began in October 2022 in Sydney and wrapped in February 2023.

Kingdom of the Planet of the Apes made its debut in theaters May 10th, courtesy of 20th Century Studios.

In anticipation of the release of Kingdom of the Planet of the Apes I went back and re-watched the trilogy of the reboot films including Rise of the Planet of the Apes (2011), Dawn of the Planet of the Apes (2014), and War for the Planet of the Apes (2017). I did this in the span of two days and it was absolutely glorious. This franchise is incredibly popular for good reason, and I was counting the days until I could finally see Kingdom of the Planet of the Apes. I made sure I was at the theater opening day and my expectations were through the roof. So, did it live up to my crazy high expectations? Keep reading to find out!

Kingdom of the Planet of the Apes was absolutely awesome and it definitely lived up to my expectations. I couldn’t wait to see where they took the story after War for the Planet of the Apes, and I really liked the decisions that were made with the screenplay. The final act in that film hit so damn hard, so it was important that this film found a way to match that emotion. Kingdom of the Planet of the Apes actually opens where the previous film leaves off which makes for as smooth of a transition as you could hope for. I actually finished my re-watch right before heading to the theater and it felt seamless so I highly recommend a similar approach.

Plus instead of taking place right after the events of the previous film or maybe even a few years later, Kingdom of the Planet of the Apes takes place generations later allowing for unlimited possibilities in terms of where they wanted to take things. In many ways this film feels like a resurgence for the franchise, and it made sense to try and take things in a different direction considering Caesar was the primary focus of the first 3 films. It definitely caught me off guard when Caesar died, but I loved how his legacy and everything he stood for lived on in Kingdom of the Planet of the Apes. I couldn’t have asked for a better follow-up to one of my favorite films in the franchise, and as icing on the cake it perfectly sets thing up for more movies and I am here for it.

I loved how the story of Caesar was such a centerpiece for Kingdom of the Planet of the Apes, and it was just so satisfying watching these new characters talk about how much he meant to the ape population. He was the true definition of a leader that made every decision with the best interests of his kind in mind. Caesar has been my favorite character throughout the franchise, but I really loved Maurice and the relationship the two shared. I was sad that these two characters would not be involved with Kingdom of the Planet of the Apes, but the introduction of Noa as the new generation version of Caesar and Raka in more of the Maurice role eased my concerns very early on. The film has more of a coming-of-age feel to it as Noa is forced into adulthood after a tragic chain of events leaves him terrified and alone. He embarks on a journey to find his family and learns a great deal about how strong he is along the way. Although Kingdom of the Planet of the Apes does feel like the build-up to more films in the franchise it is never boring and had me on the edge of my seat right until the very end. This is another sequel that earns its rightful place in the franchise.

I am truly in awe of the fact that the Planet of the Apes films include some of the best character development in recent memory considering the main characters are apes. Each film picks up where the previous film left off making it that much more important for viewers to have a pretty good grasp of what took place in the first three films. In my opinion the overall story is fairly straightforward but the events unfold in such a way that makes everything feel that much bigger.

The Planet of the Apes franchise is known for offering a great cast of voice actors and Kingdom of the Planet of the Apes continues the trend. Now admittedly this cast includes many lesser known voice actors, trust me when I saw they are up for the challenge. I thought Owen Teague (Bloodline, Montana Story) was awesome as Noa as he embodied a character struggling to live in his fathers shadow. Peter Macon (The Orville) was fantastic as Raka, easily one of my favorite characters and by far the most likable.

Kevin Durand (Abigail), not to be confused with NBA superstar Kevin Durant, really set the tone as Proximus Caesar, the films primary antagonist. The two primary non-CGI roles are played by Freya Allan as Mae, and William H. Macy as Trevathan. Allan was giving me an Alicia Vikander in Tomb Raider vibe if you get my drift, and she was beautiful even as a woman who likely hadn’t showered in years. Macy is always incredible and he once again brought his powerful presence to an important role here. I won’t touch on everyone but I felt like the entire supporting cast of voice actors deserve a ton of credit.

In many ways this franchise is driven by special effects and CGI, which should be obvious considering what the movie is about, but Kingdom of the Planet of the Apes really takes it to another level from a technical standpoint. This movie looks incredible, and just like with the other films in the franchise I found myself in awe of how good the visuals were. But what continues to impress me most is the focus on the other technical elements like cinematography, score, and the ability to tie everything together perfectly. In my opinion the impact of the score became bigger and bigger with each film and that trend continues with Kingdom of the Planet of the Apes. This franchise has a powerful emotional element and having a score that can really maximize how the story impacts viewers is invaluable. Director Wes Ball, a graphic artist turned director best known for the Maze Runner franchise, really impressed me here. He has a great eye for top-tier visuals and knows how to ensure all of the important elements of filmmaking come together to make for a great viewing experience.

THE VERDICT

Yet another stellar entry in the massively successful dystopian war drama franchise, Kingdom of the Planet of the Apes is a powerful coming-of-age story featuring intense action sequences and unmatched visuals as it sets the stage for a new trilogy. Heading to the theater with high expectations can be a dangerous thing, but when a movie is able to meet those expectations all is right in the world. Kingdom of the Planet of the Apes is the culmination of a film series that just gets it, and is a reminder that the theater is still undoubtedly the best way to see movies.

TED TAKES RATING - 8.7/10

Kingdom of the Planet of the Apes is now playing only in theaters. Check out the latest trailer below.