Mafia Mamma

Mafia Mamma is a 2023 action comedy film directed by Catherine Hardwicke (Lords of Dogtown, Twilight, Miss Bala), from a screenplay by Michael J. Feldman and Debbie Jhoon. Is is based on an original story by Amanda Sthers.

While seeing to her long estranged (and now deceased) grandfather’s affairs in Italy, a mild mannered suburban mom unexpectedly inherits his mafia empire and finds herself stuck in the middle of a deadly mob war. Guided by the firm’s trusted consigliere, she hilariously defies everyone’s expectations, including her own, as the new head of the family business.

The cast includes Toni Collette, Monica Bellucci, Giulio Corso, Eduardo Scarpetta, Rob Huebel, and Livia De Paolis.

Mafia Mamma made its debut in theaters April 14th, courtesy of Bleecker Street.

THE GOOD

Needless to say, Mafia Mamma wasn’t exactly circled on my calendar, but I love Toni Collette and the premise intrigued me. If you are a regular reader of my reviews, you’d know that I try and approach a movie with an open mind and with the understanding of what the movie is trying to accomplish. In no way shape or form is a movie like this trying to gain awards consideration or resonate with viewers on a deeper level, it has one goal and that is to entertain. Nothing more, nothing less. So I made my way to the theater with tempered expectations, hoping for a fun hour and a half with lots of laughs. So, was it worth my time? Keep reading to find out!

For the most part Mafia Mamma is as advertised, an easy to enjoy action comedy that has a clear goal from the start. It wasn’t as funny as I hoped it would be and the tone was a little weird, but I will talk more about that later in the review. The premise was simple and well executed, making it feel relatively realistic considering how far-fetched it is and that was certainly a positive in my mind. I thought Collette’s character was fun and relatable, and the goofiness of the film keeps things pretty light although the film can be pretty graphic at times hence the R-rating.

Two things will get people in the seats for Mafia Mamma, Toni Collette, and the overall story. People love a good mafia movie, and the film includes a bunch of references to classics like Goodfellas which I though was pretty cool. The story is simple yet effective in the sense that it is able to quickly set the stage for how Collette’s character finds herself at the head of the table for an Italian Mafia family. I thought they included just enough believable backstory to keep viewers engaged, and I had fun with the comedic twist on the cutthroat mentality of these Mafia families. Mafia Mamma never really takes itself too seriously, which is good and bad which I will talk about more later as well.

Toni Collette is the biggest name attached to the film and I thought she was great in terms of the character she was given. She was believable as this overly emotional pushover suburban mom, which added the much needed level of intrigue in terms of what happens next. I really liked Monica Bellucci in her role, and thought she did a fantastic job alongside Collette. When I envision a woman described as irresistibly sexy in a very intense and exotic way, Bellucci comes to mind, but I will keep my fantasies to myself. The supporting cast was fine, mostly forgettable performances but it was sort of par for the course as far as the screenplay.

Mafia Mamma sort of feels like a satire in the way that is pays tribute to old Mafia films, but not in a negative way. Now it could be perceived as mocking them, but it felt to me like it was paying homage while also adding a comedic spin for its own benefit. I enjoyed all of the references, and by the end I was ready to go home and start binge watching some of my favorites, with a recent classic being The Town, but as Mafia Mamma makes clear from the very beginning, Goodfellas will always be one of the best all-time classics of the genre.

THE BAD

Mafia Mamma is a far cry from perfect, and has several issues. One of the primary draws of the movie is obviously Toni Collette, and although I enjoyed her performance, I felt like her abilities as an actress were wasted or overlooked for the most part. I would have loved to have seen more of a Walter White to Heisenberg transformation for Collette especially considering she is more than capable, but the writers instead decided to play it safe keeping the film from reaching its full potential. They also decided to keep the feel more goofy than serious for the majority of the film, but it was also confusing at times thanks to what I felt was a very uneven tone. The acting was fine in general, but not great.

The technical elements of the film were brutal, especially the action scenes, mainly the gunfight at the end. I mean they were bad, the guns sounded like toy guns, and just the action sequences in general looked like the stunt coordinators decided to take the day off. I won’t knock the team in charge of the blood and gore, although it was minimal, because they did a nice job with it. The pacing was a bit slow at times with a few scenes that felt unnecessary adding very little to the film.

THE VERDICT

A flawed but still fun and easy to enjoy goofy action comedy with a talented leading lady, Mafia Mamma is a nice change of pace but suffers from an inconsistent tone and mediocre writing. Could it have been much better? Sure, I wish they would have settled on the tone they were going for and a few more quality laughs would have been nice, but I enjoyed this movie for what was and have no problem recommending it as long as people go in knowing what to expect. But waiting for a release on VOD in a few months would be fine too.

TED TAKES RATING - 5.7/10

Mafia Mamma is now playing only in theaters. Check out the latest trailer below.

Air

Air is a 2023 biographical comedy-drama film directed by Ben Affleck, and written by Alex Convery. Convery, whose IMDb bio is basically non-existent, had his original script Air Jordan appear on the film industrie’s Black List. Distributed by Amazon Studios, this is the first film produced by Affleck and Damon's new company, Artists Equity.

The film tells the story of the unbelievable game-changing partnership between a then-rookie Michael Jordan and Nike's fledgling basketball division which revolutionized the world of sports and contemporary culture with the Air Jordan brand. This moving story follows the career-defining gamble of an unconventional team with everything on the line, the uncompromising vision of a mother who knows the worth of her son’s immense talent, and the basketball phenom who would become the greatest of all time.

The cast includes Matt Damon, Ben Affleck, Chris Tucker, Viola Davis, Jason Bateman, Marlon Wayans, Chris Messina, and Gustaf Skarsgård.

Air made its debut in theaters on April 5th, 2023, courtesy of Amazon Studios.

THE GOOD

I’ll be honest, somehow Air snuck up on me. I mean had I known about this movie sooner, I would have been looking forward to it for as long as it was in development. The amazing cast is enough to fill the seats, but the story is the big sell here. I was born the year this all unfolded, and we all know the larger-than-life icon that is Michael Jordan. I remember begging my parents for $135 Nike Air Max shoes back in middle school, because well I had to have them. In many ways, it is hard to think about Nike without thinking about Michael Jordan, and that is for a damn good reason. The partnership between Nike and Jordan changed everything, and Air was made just to show us all how it all unfolded. So, does the movie live up to the mystique? Keep reading to find out!

Let me just get this out of the way now, Air is an amazing and damn near flawless movie. From the talented and massively stacked cast, the polarizing true story, and the amazing soundtrack, this movie has it all. We all know the story going in, or at least have a pretty good idea, but the setup is key, and wow do they pull it off. Right away you are rooting for the main characters, primarily Matt Damon’s Sonny Vaccaro and Jason Bateman’s Rob Strasser. These two men feel relatable and from the jump (pun intended) it is clear the magnitude of this make-or-break moment for these two men. At one point Strasser tells Vaccaro a heartbreaking story about how his position at Nike is one of the few things keeping him connected to his young daughter who he rarely sees. In many ways, Vaccaro is searching for purpose and an opportunity to forge a legacy of his own, no matter the risk involved. Part of what is so intriguing about Air is just how intentional and committed Vacarro is to something he believes in, and his refusal to let the doubt of others cast a cloud over what he feels is now his greatest mission in life. The rest of us will be lucky to feel even just a semblance of what he felt back in 1984 because trust me nothing is more exhilarating than a sense of purpose coupled with a fiery passion and put-it-all-on-the-line mentality.

My two favorite elements of Air go hand in hand and you can probably guess that would be the cast and the story. The fact of the matter is this movie does not work without both firing on all cylinders, and just like Dominic Toretto in a street race, failure was never an option. I loved the cast from top to bottom and will watch any movie that stars Damon, Bateman, and Affleck, but their star power is just a piece of why the film works so well. The cast finds a way to harness the energy of the people they are portraying, from the excitement of an opportunity to change the course of history, to the possibility of making a career-ending mistake. Alex Convery’s screenplay is just masterful, and man does this guy who seemingly came out of nowhere deserve a ton of credit. As viewers, we feel connected to these men and even though we know the end result, we still can’t help but experience the full range of emotions and eventual elation. I also really liked how it never seemed like it was all about this amazing achievement for Nike, it really felt like all involved genuinely cared about the mutually beneficial relationship they were seeking, and they truly believed that Michael Jordan was poised to become the greatest basketball player in NBA history, and boy were they right.

I have to talk a bit more about this amazing cast and how they brought new life to the influential people they were portraying. Matt Damon is without question one of the greatest actors of my lifetime, whether you want to talk about Good Will Hunting or his genre-defining Jason Bourne franchise, he really can do it all. So it should come as no surprise that he is off-the-charts good as Sonny Vaccaro, the Nike employee with a slight gambling addition and a very vague job description. As mysterious as Vaccaro’s character appears, one thing is certain from the beginning and that is his willingness to follow his gut no matter the risk. I was rooting for him right away, and being in his corner just felt so damn good.

Next up is Jason Bateman’s Rob Strasser and even though it is hard to not see Bateman as Marty Byrde in the hit series Ozark, I loved his character. The screenplay does such a fantastic job of humanizing these characters, and I immediately felt connected to Strasser and the fact that he was a guy that wanted to succeed in his career but also knew that at the end of the day, nothing mattered more than family, which is a running theme in the film. Ben Affleck is incredible as the enigmatic Nike CEO Phil Knight, Chris Messina was awesome as Jordan’s agent David Falk, Viola Davis was next level as per usual as Jordan’s mom Deloris, Chris Tucker was great as Howard White, Marlon Wayans held it down in a small role as George Raveling, and I really liked Matthew Maher as genius shoe designer Peter Moore. I really liked Julius Tennon in a special and bittersweet performance as the late James Jordan. From Asanté Deshon who is credited only as 7-Eleven Clerk right up the line to Damon, the entire cast was top-notch.

I was born the year this all happened, so needless to say when the movie started and 1984 flashed across the screen followed by an invigorating montage including all of the colorful clothing and incredible music, I was glued to the screen. I love, love, love movies that are set in the 80s, and yes I for sure count the recently released Cocaine Bear (our full review here) which is now streaming on Peacock, and Air has the feel I was hoping for. From the clothes to the cars, right down to the amazing soundtrack, I felt like my adult self was transported back to my birth year and it was so damn satisfying. Although the story and the cast certainly take center stage, the technical elements of the film are still fantastic. The editing was just so good and really helped to bring that 80s feel, and the soundtrack was the icing on the cake for me. Not a single scene felt wasted or unnecessary. I also really liked the creative camera work from Ben Affleck, who was as smooth in the director’s chair as he was on-screen.

THE BAD

The only issue I had with this movie was the fact that eventually, it had to end. Seriously, Air really is THAT good. Even if viewers have zero interest in sports or Nike for that matter, the movie will still resonate and leave a mark on fans of quality cinema.

THE VERDICT

An incredibly immersive and captivating re-telling of a monumental moment in modern history, Air takes full advantage of a stellar cast, a fantastic 80s soundtrack, and a powerful and truly inspiring screenplay. Telling a story that holds so much weight is no easy task, and this was without question one of the most genuinely entertaining experiences I have had at the movie theater in recent memory.

As I made very clear in my review, I loved everything about this movie. I felt energized as soon as the movie ended and I was on Nike.com looking up some fresh new Air Jordans before I even left the theater. Do yourself a favor and get out there and see Air sooner than later, you won’t regret it. I can’t wait to see it again.

TED TAKES RATING - 9.7/10

Air is now playing only in theaters. Check out the latest trailer below.

John Wick: Chapter 4

John Wick: Chapter 4 is a 2023 neo-noir action film directed by Chad Stahelski, and written by Shay Hatten and Michael Finch, based on characters created by Derek Kolstad. It is the direct sequel to 2019's John Wick: Chapter 3 – Parabellum, and the fourth installment in the John Wick film series. Filming took place in Berlin, Paris, Osaka, and New York City from June to October 2021.

With the price on his head ever increasing, legendary hitman John Wick takes his fight against the High Table global as he seeks out the most powerful players in the underworld, from New York to Paris to Japan to Berlin.

Starring Keanu Reeves, Donnie Yen, Bill Skarsgård, Laurence Fishburne, Hiroyuki Sanada, Shamier Anderson, Lance Reddick, Rina Sawayama, Scott Adkins, and Ian McShane.

John Wick: Chapter 4 made its debut in theaters on March 24th, courtesy of Lionsgate.

THE GOOD

Let me just get this out of the way first, I have what many would consider to be an unhealthy obsession with the John Wick franchise. When the first film was released back in 2014, my buddy and I were making John Wick references for months, mostly to the tune of “John Wick would beat your ass for that”. Not very creative I admit, but as a couple of blue-collar guys who enjoy the finer things in life like beers and buffalo wings, we were all in on this magical Keanu Reeves transformation, and the legend of John Wick was born. These movies have it all, a down-to-earth hero that is easy to root for, an immersive and unique world that feels like it could really exist, and just the pure satisfaction of watching bad guys get their asses beat in ways you never thought possible. So yeah, I was pumped for John Wick: Chapter 4 to hit theaters and made sure I was planted firmly in my seat for the very first screening. So, did it match my expectations and do this incredible franchise justice? Keep reading to find out!

I really can’t believe I am saying this, but John Wick: Chapter 4 is the best movie in the franchise to date, simple as that. I am going to do my best to break down and share my experience without writing a novel, which is honestly easier said than done. At the conclusion of John Wick: Chapter 3 - Parabellum (our full review here), we see a battered and bruised John Wick who was the victim of an unfortunate and opportunistic double-crossing. He looks about as bad off as he ever has, which if you have seen the first 3 films, is really saying something.

The latest entry opens with him now back at full strength, and training for what is sure to be his latest revenge tour, this time with members of the High Table in his sights. Living a peaceful life was never really meant to be for the guy they call Baba Yaga, aka the boogeyman. Violence follows him wherever he goes, and for someone who is seemingly indestructible and widely feared across the globe, greedy hitmen can’t help but punch their own ticket to that place six feet under by testing his patience. Some of us like to say we have had a long day, well John Wick has had a long decade, and it isn’t even close to over.

John Wick: Chapter 4 finds the man with the highest bounty on his head yet, and members of the High Table going out of their way to make things extra difficult for John and anyone willing to help him. Chapter 3 was essentially 2-hours of John Wick trying his best to survive, and while they could have taken a similar approach with John Wick: Chapter 4, they instead turned the hunted into the hunter. John is fed up with what he deems to be unfair treatment coming from the High Table, and he intends to make it right. I had a blast with the story, but as fans were hoping, the real star of the show is the action and the seemingly never-ending fight scenes. The John Wick films take the idea of stylistic action thriller to another level, and they ramp things up to a 10 with John Wick: Chapter 4. The more I think about the movie the more blown away I am, and I really just want to see it again immediately. It is that good.

I have heard people say that they bailed on the John Wick franchise during the first movie when his dog was killed, but the entire franchise was built around him seeking revenge for such a heinous act. For those of you who fall in this category, trust me when I say that the John Wick films are very much pro man’s best friend, and John Wick: Chapter 4 actually makes it a point to build on that. A new character known only as the Tracker is introduced, and he has his trusty companion by his side at all times. This dog actually plays a major role in the film, and even partakes in one specific scene during the final act of the film that had the entire theater laughing. The dog may not take out quite as many bad guys as Mr. Wick, but he certainly does his part let me just say that. More about that duo later in the review.

John Wick: Chapter 4 is the equivalent of Disneyland for action movie fans, only better and without the annoying lines. This franchise has been on a tear from the very beginning, but the 4th film finds a way to up the ante in every way that matters. John Wick: Chapter 3 - Parabellum was a nonstop 2-hour thrill ride, so of course Chapter 4 had to add another full hour, for the purposes of building on the story, right? Wrong! Chad Stahelski found a way to add another hour while making the film feel even more action-packed with higher stakes and new characters, and basically refusing to slow down. The stunts and fight scenes in John Wick are simply unmatched, and if I ever have a chance to meet Stahelski in this lifetime, I just want to shake his hand and offer to buy him a beer. This guy gets it. I’d love to be a fly on the wall during one of his creative sessions where he thinks up all of these amazing action sequences.

When you are watching a movie and can’t help but think “wow this scene must have been insane to film”, you know they pulled out all the stops. Considering this movie is 3-hours long, I never once looked at my phone to get an idea of how much longer it was going to be which is pretty damn impressive if you ask me. I was on the edge of my seat from the very beginning, and I am pretty sure I still have marks on my face from the permanent smile I had. Stuntman-turned-director Chad Stahelski is a damn wizard, and anything he touches basically turns to gold. If his name is attached to a project in the future, I will see it without a second thought. Simple as that.

The music and score are pure fire once again thanks to Tyler Bates and Joel J. Richard. An action-packed adrenaline-fueled franchise like this requires a hard-hitting soundtrack, and they are more than up for the challenge. John Wick: Chapter 4 also opens the door for great opportunities with visuals thanks to a number of great filming locations, and cinematographer Dan Laustsen takes full advantage. I can’t even count how many times I found myself just taking in the environment as the camera panned back setting the stage for more excitement.

The cast is phenomenal, which has come to be standard for this franchise. Needless to say, Keanu Reeves is a godsend, a true inspiration, and a reminder that sometimes kindness is the only real legacy we need to leave behind. We have all seen the stories about how he really is just a genuinely good guy who also happens to be one of the best actors of our generation, and I personally refuse to take this guy for granted. Now add all of this together and consider the fact that the well-intentioned stoner from the 1989 cult classic Bill & Ted’s Excellent Adventure has become one of the most badass film icons in recent memory, it really is incredible.

John Wick: Chapter 4 is easily the most grueling and demanding performance from Reeves in the entire franchise, and he is absolutely amazing. I know I have been saying this for almost a decade now, but I could watch John Wick whoop ass for hours and hours and never get bored. Even though he does build up possibly his highest body count in this film, John Wick also gets in touch with the idea of his own mortality, which is a rare thing for a man who takes a lickin’ and just keeps on tickin’. I know some people like to stay busy during retirement, but damn John at least take a vacation or something.

As far as new characters go, the Tracker is easily my favorite addition to the cast and fits so perfectly within the John Wick universe. In many ways, he fills the void left behind by Common’s Cassian character and serves as a complicated balance between friend and foe. Actor Shamier Anderson takes on the role of the Tracker, and man does he make his mark. This role was a massive opportunity for the Canadian-born Anderson, and to say he took full advantage would be an understatement. He hasn’t been involved with too many notable projects, but he did recently star in the Hulu original indie drama film Bruiser, where he was able to show off his potential. Interestingly enough, I knew he looked familiar but I couldn’t quite place him, speaking to his ability to fully immersive himself in this and showing off an on-screen presence he wasn’t able to hone in on in Bruiser. He was a different guy, simple as that.

Anderson has a unique charisma and the ability to make viewers feel like they understand and can relate to him, even though his entire backstory is a mystery in John Wick: Chapter 4. His first interaction with John Wick makes you wonder if he has been lurking in the shadows all this time. He just feels like he belongs, and even though his allegiances are constantly put into question, you can’t help but like his character. A big reason for that is his trusty companion, a dog that never leaves his side.

Any John Wick fan worth their salt knows how much our canine counterparts mean to the films, and the Tracker’s dog may be the most impactful addition yet. He is always in the middle of the action ripping several bad guys to shreds (oftentimes in their no-no parts), and he also plays a pivotal role in the trajectory of the relationship between the Tracker and John Wick. One particular scene during the final act of the film where the camera zooms in on the Tracker and his dog had the entire theater smiling ear to ear.

The story behind Anderson’s involvement in John Wick: Chapter 4 is very interesting. The 31-year-old actor has a background in martial arts, but he didn’t need to audition for this role in order to prove he had what it took to join such a successful franchise. Anderson played a role in the 2020 Halle Berry film Bruised, where he caught the eye of director Chad Stahelski, who reached out to his agent saying he had a role in mind for him and asked that he take a look at the script got John Wick: Chapter 4. Anderson was quoted in an interview as saying, “you had me at John Wick 4”. Of course, he did. So no audition was needed and the rest is history. The confidence and charisma that Anderson brings to his character is part of the reason why John Wick: Chapter 4 is the cherry on top of an already incredible franchise.

In so many ways the film plays out like a videogame in the sense of John Wick facing off against several worthy foes or big bosses. Biggest amongst them is the latest thorn in Wick’s side, the Marquis played by the talented and often equally terrifying Bill Skarsgård. Skarsgård is amazing in this role, and his relentless pursuit of eradicating John Wick is a goal he dedicates every possible resource to. I hated his character from the start and so will you, which speaks to how great he is.

The imposing Marko Zaror plays Skarsgård’s right-hand man who has the entire High Table army at his disposal. A Chilean martial arts action star and fight choreographer, Zaror is a beast. I loved him in this role. Another big-time bad guy who stands out for their uniqueness is Scott Adkins, who is absolutely unrecognizable in his role as Killa. The excitement that follows when John Wick decides to pay him a visit is a real treat. Ian McShane is marvelous yet again as Winston, and even though he left things a bit rocky with John after the last film, we knew it was only a matter of time before the two crossed paths again.

Two massive additions to the franchise are Donnie Yen as Caine and Hiroyuki Sanada as Shimazu. Yen has a checkered past with the High Table similar to John Wick, and because of the threat they pose to his family if he fails to honor a formal request, he finds himself on the path of hunting down a man he considers to be a friend. Oh, and did I mention he is blind yet considered to be one of the few men who are a legitimate threat to John Wick, that in itself is wild. The dynamic between Caine and John Wick is very fascinating, as both men live and die by their loyalties but will also protect their families above all else. Caine was easily another one of my favorite characters.

Sanada, who was great in the action thriller Bullet Train (our review here), jumps into the John Wick franchise like he has been here all along, as he takes on the role of Shimazu Koji, the manager of the Osaka Continental Hotel. Koji quickly proves that although Wick has been excommunicado and stripped of all resources and essentially blacklisted with a massive bounty on his head, he is still willing to support the man he considers to be a friend even if it does put him and his family in danger. Koji comes across as the head of the Yakuza, and to that he is fearless would be selling him short. His character is a significant chess piece for John Wick in this film, and they could not have picked a better actor to take on the role.

John Wick: Chapter 4 includes so many scenes that have incredible depth in terms of the characters and their place within the franchise, and that is in large part due to the extremely sad and untimely death of actor Lance Reddick, who passed away unexpectedly just a few days before the red carpet premiere and exactly a week prior to the films theatrical release. The film does include a brief moment of remembrance for Reddick who plays the role of Charon, also known as the Concierge.

John Wick has a unique bond with Charon from the first film, and even though we don’t get quite as much from his character in John Wick: Chapter 4, the weight of his death is felt throughout the film. I have been a fan of Reddick since HBO’s The Wire, and also really enjoyed his role in the Amazon Prime original series Bosch, based on the Michael Connolly books. The outpouring of support over Reddick’s death has been substantial, and the man will be missed as an actor and as a genuinely good person.

THE BAD

Can you have too much of a good thing? Nah. This movie was everything I needed it to be, and then some. Unless you dislike this genre or just hate having fun, John Wick: Chapter 4 is about as good as it gets.

THE VERDICT

An incredibly rare 4th entry in a massively successful franchise that somehow finds a way to raise the bar in every conceivable way, John Wick: Chapter 4 is a guilty pleasure that I hope to indulge in theaters as many times as humanely possible. Director Chad Stahelski and star Keanu Reeves are a match made in heaven, simple as that. This movie is bigger, badder, and well worth the 4-year hiatus. Plus Stahelski and the casting team were masterful as they added new actors and characters to the storied franchise. I just can’t imagine a world without the John Wick films, what a sad and empty place that would be.

If you have any reservations whatsoever about a 3-hour film, you can ignore them because this movie is so exciting and immersive you will feel like it was an hour and 30 minutes max. Do yourself a favor and see John Wick: Chapter 4 in theaters as soon as you can. The film does have a brief post-credits scene so be sure to stick around for that, and keep an eye out for Ballerina, an upcoming John Wick spinoff film starring Ana de Armas.

TED TAKES RATING - 9.7/10

John Wick: Chapter 4 is now playing only in theaters. Check out the latest trailer below.

Scream VI

Scream VI is a 2023 slasher film directed by Matt Bettinelli-Olpin and Tyler Gillett, written by James Vanderbilt and Guy Busick, with original franchise writer and creator Kevin Williamson returning as executive producer. It will be the sixth installment in the Scream film series, and will be a direct sequel to Scream (2022).

Four survivors of the Ghostface murders leave Woodsboro behind for a fresh start in New York City. However, they soon find themselves in a fight for their lives when a new killer embarks on a bloody rampage.

The film stars Melissa Barrera, Jenna Ortega, Jasmin Savoy Brown, Mason Gooding, Hayden Panettiere, Courteney Cox, Dermot Mulroney, Henry Czerny, Samara Weaving, and Tony Revolori. This is the first film in the franchise where Neve Campbell will not appear as Sidney Prescott, reportedly due to a contract disagreement.

Scream VI made its debut in theaters on March 10th, 2023, courtesy of Paramount Pictures.

THE GOOD

It honestly feels like I was just at the theater to see last years Scream (our full review here), also known as Scream 5, and someone in the theater who came alone was in full blown Ghost Face. No joke the mask never came off, it was impressive. We had to wait a decade to get last years movie, and just a short year and a couple months to get the all fresh and new Scream VI. So needless to say it felt a little strange going to see another movie so soon, but as a massive fan of all things slasher and a fan of the Scream franchise since its debut in the mid 90’s, I was pumped.

I’ll admit I was a little concerned in terms of where they were planning to take things with this new film, especially after it was confirmed that Neve Campbell’s Sidney Prescott wouldn’t be involved for the first time. But after I was pleasantly surprised by the fresh approach to the franchise with last years film, I kept an open mind and made my way to the theater at the first chance I got. So, did Scream VI keep the momentum going or send the franchise on another inevitable hiatus? Keep reading to find out!

Let me just say this, they can keep making these movies and I will keep showing up. And if I’m Neve Campbell, I am on the phone trying to work my way back in to the mix. Seriously, Scream VI was everything I hoped it would be and more. Slasher franchises have a fairly simple formula, and more than anything else people want a ton of screen time for the iconic killer, especially if you are on the 6th film. My favorite slasher franchise is Friday the 13th, and when the reboot film came out back in 2009 fans were given a hefty dose of Jason Voorhees in all of his hockey mask wearing glory, and I honestly loved it. I mean sure the acting was subpar and the story was recycled crap, but it didn’t matter because I got to see a ton of the T&A the franchise is known for, as well as some fantastic kills. Back to the film at hand with Scream VI, and we have yet another slasher franchise that sticks to the winning formula, but also brings to the table the other elements that make for a great film.

We get a ton of Ghost Face who is as aggressive and relentless as he has ever been, the cast is on point from top to bottom, the story is full of great twists and turns, and I honestly thought the new big city setting was perfectly fitting within the extended story. Scream VI sticks with the meta approach that was a big focus of last years Scream, which is an absolute treat for slasher fanatics. Listening to the characters grill each other on who is more likely to be the killer is so much fun, especially considering the focus on the key elements of slasher films. My favorite slasher franchise Friday the 13th also gets a few solid shout outs which was the icing on the cake for me. Scream VI is also very funny, and had me laughing out loud several times. The film is also extremely technically sound delivering great cinematography, an immersive score/soundtrack, and more than anything else a clear identity that stays true to the franchise.

The first thing I feel like I need to touch on is the primary element that could make or break the film, which is of course the story. Bottom line, Scream VI gets it right, and essentially picks up right where last years film left off. Before seeing Scream I was expecting more of the same which would have been fine, but the writing team found a way to hit the refresh button for the franchise without alienating fans. The Scream films feel like their own version of a slasher multiverse, mainly because you have this unique layered element with the Stab films, and the intense cult following they have created. Within the Scream franchise you have the Woodsboro murders which rocked a community, but because of our obsession with tragedy and the incessant need to cash in on the pain of others, this fictional Stab franchise was created within the Scream films, first introduced in 1997’s Scream 2.

Now this concept was perfect because it fit within the copycat killer element of the Scream films that has kept us on the edge of our seats for damn near three decades. What makes these films unique is the killers are always somehow intertwined with the primary characters in the film, which adds another level of intrigue as well as a few more great twists that definitely caught me by surprise. I thought the pacing was perfect as the 2-hours absolutely flew by. I also really liked how the movie starts out with an intense and immersive opening, which honestly had my excitement level at about a 10 right from the jump, and it never really slows down. And as usual I won’t give away any spoilers, but the story pays homage to slasher franchises in general, but also serves as the gold standard for the Scream franchise in particular and will have longtime fans giddy. More than anything else, Scream VI is exhilarating, hilarious, fast-paced from start to finish, and undoubtedly sets us up for more movies.

In order for a Scream franchise resurgence to be possible, we needed new foundational characters to build on outside of the core cast from the original films. In steps the next generation. The first person I will talk about is one of the hottest actresses in Hollywood today in Jenna Ortega. The wholesome CA native got her big break in 2016 with the Disney series Stuck in the Middle, after chipping away for several years with one-off roles in various shows. in 2021 she took on a lead role in the HBO original drama film The Fallout (check out Andrew’s review here), where she really showed what she was capable of. A year later she starred in slashers Scream and X (our full review here), and by then it was obvious, a star was born. Ortega is fantastic as Tara Carpenter, the first person to ever have an up close and personal encounter with Ghost Face, and live to tell about it. In Scream VI she picks right up where she left off, and once again serves as a reminder that she is more than capable of carrying this franchise as far as it can possibly go.

Next up is Melissa Barrera, who plays Tara’s sister Sam Carpenter. Apart from being sexy as hell if you don’t mind me saying, Barrera is a straight up badass and sort of reminds me of a young Michelle Rodriguez in terms of her mess with me and see what happens attitude. Her character is a crucial centerpiece of the story with Scream VI after the events in Scream, and she is very much up for the challenge. I liked how throughout the film a certain amount of mystery surrounds her character, and this continued right up to the end credits. Does she have a Dexter-like darkness inside her? Perhaps, only time will tell. For my money Barrera was the perfect addition to the Scream franchise, and I look forward to seeing more from her.

Aside from Ortega and Barrera who are without a doubt the foundation of the film, I was once again very pleased with Mason Gooding and Jasmine Savoy Brown, the other two surviving characters from last years film. Brown is very much the witty character who keeps the fun and immersive meta element of the film alive and well, and Gooding proves to be the protector of the group who will do anything for those closest to him. I also enjoyed the dynamic between Gooding and Ortega’s characters this time around.

The supporting cast was great from top to bottom, with Samara Weaving making a brief but irresistible appearance (she previously starred in Ready or Not), Hayden Panettiere returns like she never left, Dermot Mulroney is awesome in his role as a NYC detective and father of one of the roommates, Tony Revolori (Spider-Man: No Way Home, Servant) plays a small but important role, and I knew Josh Segarra, who played the neighbor and Sam’s love interest, looked familiar and realized it was because of his role in the FBI series. He was a nice addition as well. Oh and I loved Courteney Cox in her return as as the hated Gale Weathers, and she was as tough as ever.

I touched on it briefly already, but I was genuinely impressed with the technical elements of Scream VI. Of course with this latest entry taking place in the Big Apple cinematographer Brett Jutkiewicz had a ton to work with, and he took full advantage. The film was immersive and just the right amount of gritty. Plus with slasher films the score and soundtrack tends to be a big part of what makes the franchise so iconic, and they keep the ball rolling here. The music kept me energized from the opening scene to the end credits. Shoutout to composer Sven Faulconer, who worked in collaboration with uber-talented composer Brian Tyler, who has an absolutely insane resume including last years Scream, Yellowstone, F9: The Fast Saga, Ready or Not, Power Rangers (2017), and Avengers: Age of Ultron, just to name a few.

Of course I have to talk about the kills in Scream VI, and they are just so damn good. Ghost Face was out there murdering people like they owed him money, and even picks up a shotgun at one point - a shotgun! Something about the big city brings out the beast in these slasher icons, I mean look at Jason in Friday the 13th Part VIII: Jason Takes Manhattan when he legit punches that dudes head off of a rooftop. Like damn. In all seriousness, the creativity and intensity of the kills was evident from the first 5-minutes of the film, and you could feel each brutal attack with Ghost Face coming in like Adonis Creed throwing haymakers in Creed III (our full review here).

Kills are supposed to be satisfying in slashers, and satisfying they are. I have to give a ton of credit to directing duo Matt Bettinelli-Olpin and Tyler Gillett, who are still relatively new in the industry. The duo had their feature film debut with the indie anthology horror V/H/S (2012), and also directed two segments of the anthology horror Southbound (our full review here), which Bettinelli-Olpin also played a role in. They turned heads with the 2019 horror thriller Ready or Not, which likely landed them the opportunity to also direct last years Scream. Remember their names because these two have a very bright future in the industry. Oh and I personally cannot get enough of the “what is your favorite scary movie?” line, absolutely legendary. Keep it coming!

THE BAD

It should come as no surprise after reading this review that my issues with Scream VI were few and far between, with the good far outweighing the bad. Now if you’re familiar with the Scream franchise, you understand the overall tone and feel of the films which is at times brutal slasher, with a mix of quirky humor. In order to fully appreciate the films, it is important you buy into that trademark approach. With that being said, as I pointed out in the review Scream VI is one of the more brutal and intense films in the franchise, and for that reason I do feel like it should have a wider reach as far as fans and newcomers unfamiliar with the franchise. As with all slasher films, the writing often feels infuriating in terms of the “why would you do that!!” or “are you trying to get killed!”, but that is part of the allure of slasher films and something you have to accept. If the characters always made smart decisions and knew how to effectively survive, that would make for a pretty boring movie with Ghost Face roaming the streets. I do wish I would have re-watched Scream, which is now streaming on Paramount+, prior to seeing this just so the story was fresh in my mind.

THE VERDICT

A fast-paced and innovative slasher that is easily one of the more brutally violent entries in the storied franchise, Scream VI continues the impressive resurgence of Ghost Face and is pure gold for longtime fans. Even though I genuinely enjoyed last years Scream, how much fun I had with this movie still caught me off guard. I just love the feeling I get when an iconic franchise like Scream gets the royal treatment it deserves. I mentioned in the opening that if they keep making these movies I will keep showing up, and I meant that. To say that they have re-energized this franchise between last years film and this entry would be an understatement, and if they play their cards right they could make another 4 movies easily, especially considering the new foundation as far as the next generation of characters.

Scream VI is an absolute treat for fans of the franchise and slasher fans in general, and a movie that is very easy to recommend seeing on the big-screen. I can’t wait to see it again. Also, can we accept the fact that slasher films still make bank and get another Friday the 13th movie already, PLEASE!!

TED TAKES RATING - 9.1/10

Scream VI is now playing only in theaters. Check out the latest trailer below.

Creed III

Creed III is a 2023 sports drama film directed by Michael B. Jordan in his feature directorial debut, based on a screenplay by Keenan Coogler and Zach Baylin from a story they co-wrote with Ryan Coogler. It is the sequel to Creed II (2018), and the ninth installment in the Rocky franchise. This will be the first film in the franchise without Sylvester Stallone as Rocky Balboa, though he still serves as a producer.

After dominating the boxing world, Adonis has been thriving in his career and family life. When a childhood friend and former boxing prodigy resurfaces, the face off between former friends is more than just a fight.

The cast includes Michael B. Jordan, Tessa Thompson, Jonathan Majors, Wood Harris, Florian Munteanu, Phylicia Rashad, Mila Davis-Kent, Jacob “Stitch” Duran, Jose Benavidez, Selenis Leyva, Thaddeus J. Mixson, and Spencer Moore II.

Creed III made its debut in theaters and IMAX on March 3rd, 2023, courtesy of MGM Studios and United Artists Releasing.

THE GOOD

Back in 2013 I was absolutely blown away by the intense biographical drama film Fruitvale Station, which starred Michael B. Jordan and was the feature film directorial debut for Oakland, CA native, Ryan Coogler. It was clear from the jump, Jordan was on his way to becoming a big name in the industry, and Coogler was a master behind the camera. Fast forward two years, and Coogler teamed up with Jordan yet again, this time with the sports drama extension of the famed Rocky franchise, Creed. Like what?! I was pumped! First of all, who doesn’t love the Rocky movies? Easily one of the most iconic film franchises ever.

Needless to say, Creed was incredible, and the relationship between Coogler and Jordan was for real. They worked together again on Black Panther (2018), but because of that project and how much was required of Coogler, Jordan had to do Creed II with a different director. Luckily, Coogler left his mark and the sequel was great as well. Four years have passed and the third Creed movie is finally here, this time an opportunity for Michael B. Jordan to not only star, but to also make his own debut in the director’s chair. So, did Creed III do the franchise proud or fall flat on its face? Keep reading to find out!

Ding ding ding, Creed III was an absolute knockout!! This movie was just so good for so many reasons, but I am still giddy about that fact that I got to watch Michael B. Jordan and Jonathan Majors together. I mean what an incredible decision to bring Majors in to star alongside Jordan’s Adonis Creed. These two together turned the heat of the theater up 20 degrees, at least. Seriously though, as great as Jordan has been and continues to be in these films, I can’t even begin to imagine an actor coming in and matching the energy and intensity of his character like Majors was able to. As the poster says, you can’t run from your past, and the screenplay from Keenan Coogler, Zach Baylin, and Ryan Coogler, was incredible. I don’t know how else to explain it but to say that I was intoxicated by this new layer to the story of Adonis Creed, and how he came to be. Creed III looks amazing and has such a unique and immersive style which is a testament to the directorial debut for Michael B. Jordan, and of course the soundtrack was just pure fire.

I touched on the cast first for a reason, it really is THAT good. Michael B. Jordan has been incredible ever since he took on the role of Adonis Creed, the son of the late and great Apollo Creed. Jordan has transformed ever since the day he took on the role, and in many ways it feels like the Creed films have helped to propel him as an actor and a serious player in the film industry. Granted rubbing shoulders with the legendary Sylvester Stallone, aka Rocky Balboa, doesn’t hurt either. I mentioned how much of an impact he had on me in Fruitvale Station, but you’ll be surprised to know he became a favorite of mine after his role in the underrated but just so damn good coming-of-age comedy That Awkward Moment (2014), where he stars alongside Zac Efron and Miles Teller.

The first Creed film would release a year later so I was all in on the Michael B. Jordan train at this point. In Creed III, he has built a family and a legacy of his own, and because he has done such an amazing job becoming this character throughout the first two films it all feels very genuine and real. I had zero issue buying into where Adonis Creed was at in this point of his life, and that for me made a big difference in terms of how invested I was in the film from the start. I couldn’t imagine anyone else playing this role, and it without a doubt was a career-defining decision for Jordan to join this franchise.

As the saying goes, behind every strong man is an even stronger woman, and that is without a doubt the case with Creed III. Tessa Thompson is an incredible actress who just happens to share a birthday with me, and although she has been slightly more successful in her career endeavors, we will be forever linked. Thompson has been hustling in Hollywood since 2003, but her role as the strong independent musician, Bianca in the original Creed film without a doubt opened doors for her. A few short years later she would be given the role of Valkyrie in Thor: Ragnarok (2017), thanks to another visionary director in Taika Waititi, and the rest is history. Thompson is the whole package; she is beautiful, sexy, extremely talented, and a legit badass.

She also starred in the underrated indie drama Little Woods (2018, which is now streaming on HBO Max and worth checking out). Thompson of course returned in 2018’s Creed II, and by then was a fixture in the Creed films and had developed incredible chemistry with Jordan’s character. I am confident that Adonis Creed wouldn’t have become the man he became by Creed III without Bianca. Even though Adonis is a proven boxer and one of the best to ever enter the ring, in the Creed household Bianca wears the belt. I loved her character in Creed III, and even though she kept it real with her husband and challenged him to make the difficult life decisions he needed to make, she was also a supportive wife and mother who stood by him no matter what. Bottom line, she is amazing in this movie.

Now, it is time to talk about the newest addition to the Creed films, Jonathan Majors. I am still in awe that the decision was made to cast Majors in Creed III, and I honestly had chills when I watched the first trailer. It was hard to envision a new character making a big enough impact after the first two films, but bringing back an influential figure from Creed’s past was without question the right decision. Majors plays Damian ‘Dame’ Anderson, and he and Adonis were inseparable as kids when they were both struggling and in and out of foster care. I won’t talk too much about his backstory as to avoid spoilers, but the writing team deserves a ton of praise for giving Majors an opportunity to become a big part of such a successful film franchise. What I found to be unique about Majors’ character was the fact that he toed the line of antagonist and protagonist, making it difficult for viewers to decide how they should perceive him.

The balance of love and animosity between Anderson and Creed is incredibly complex and makes for an engaging narrative, and I enjoyed watching how things played out and the tug-of-war I experienced in terms of how I felt about these characters. Majors is incredibly talented and has proven that time and time again, but add in the fact that he is just a physical specimen, the sky really is the limit for him. In many ways Majors’ character reminded me of Tom Hardy in Warrior (2011), just an absolute beast and a bruiser of a fighter with a win at all costs mentality. If they decide to continue with the Creed films, and they really, really, really should, keeping Majors involved would be the right decision. He is quickly becoming one of my favorite actors working today and I will continue to support him no matter what he does. I hope they gave Paul Rudd a raise considering he had to go toe-to-toe with Majors in Ant-Man and the Wasp: Quantumania (our review here).

I have to also touch on the incredible young actress, Mila Davis-Kent, who is deaf in real-life, as the cute as can be little Amara Creed. She was awesome in this, and after reading a few interviews from star and director Michael B. Jordan, it was clear that the connection between his character and his daughter was intended to be a big big part of the story, which was a great decision in my opinion. The supporting cast was incredible as well, from Wood Harris as trainer Tony “Little Duke Burton, Phylicia Rashad as Momma Creed, Florian Munteanu returning as Viktor Drago, Jacob “Stitch” Duran as Stitch, Jose Benavidez as Felix Chavez, Selenis Leyva as Laura Chaves, and last but certainly not least, Thaddeus J. Mixson (Safety) as young Adonis, and All-American and A.P. Bio star, Spencer Moore II as young Damian.

I thought the story was amazing and I really liked the route they decided to go with this third film. The people I talked to made it very clear they were bummed that Stallone wouldn’t be a part of Creed III, but I felt like the direction they went with the story made that pill a bit easier to swallow as the core of the story pre-dates Stallone’s Rocky character. Because the Creed films are built on such intense themes of love and family, they needed to find a way to come up with something that cut deep enough to threaten everything Adonis Creed was able to build in his life and his career, and they were able to do that perfectly. We don’t do spoilers here of course, but Keenan Coogler, Zach Baylin, and Ryan Coogler deserve the credit for a great story.

How about Michael B. Jordan stepping into the director’s chair for the first time with such a massive project, and boy did he deliver the goods. The fact that he was trusted enough to take on Creed III speaks volumes about his commitment to his craft, and I feel like he deserves all of the credit in the world for what he was able to do. It was clear that his style was influenced by his mentor Ryan Coogler, but Jordan also made sure Creed III felt different and was able to leave his mark. I loved how he stuck with the intimate feel as far as the camera work and the individual shots that do a great job capturing raw emotion, and I won’t give anything away but I LOVED the unique cinematic sequence that was worked in to the final act of the film making the finale feel that much more epic. Bottom line, Michael B. Jordan is a damn swiss army knife, simple as that.

The technical elements of Creed III were on point. I really liked the use of slow-mo during some of the more intense fight scenes as I thought they added another layer of depth for viewers. I felt some of those brutal body blows in my ribcage. I thought the feel of the film stayed true to the franchise even though the family has made California their home. Shoutout to cinematographer Kramer Morgenthau for helping to create such an immersive experience. The fight entrances were incredible and brought me back to my childhood watching the glory days of Iron Mike Tyson. A big reason why the fight entrances were so amazing were thanks to a crazy good soundtrack which included music from Joseph Shirley, as well as a bunch of great tracks. The Creed franchise has always put a premium on the music and how much it means to the overall feel of the films, and that continues to be the case here. Just amazing all around.

THE BAD

Creed III is a fantastic film regardless of whether or not you are a fan of boxing or sports in general. Just like the Rocky films, the Creed franchise is built around family and legacy that extends well beyond the ring. The characters matter, the story matters, and viewers will have several reasons to be invested in what is happening on-screen. I think I made it very clear during the review that I loved this movie, but if I had to point out one thing I would personally have changed, it would be the runtime. I just think they could have easily added 30-45 minutes to the film and expanded on the story, and I would have been more than okay with that. But the fact of the matter is average moviegoers prefer films that aren’t quite as long. I was on the edge of my seat during the entire 2-hours, and I did not want to leave the theater. I also wish I had re-watched the first two films prior to seeing Creed III (all currently streaming on HBO Max), but that is a me problem. But rest assured, I am doing that this weekend before seeing this movie again.

THE VERDICT

A hard-hitting and emotionally charged cinematic journey elevated by powerhouse performances from Michael B. Jordan and Jonathan Majors, Creed III is an intense edge-of-your-seat experience that will leave viewers begging for more. This movie was just awesome and I enjoyed every minute of it, from the cast, to the story, right down to the music and the cinematography. And what a directorial debut for Jordan, who will without a doubt get more opportunities to direct in the future. Quality films are supposed to leave a mark on you, and that is undoubtedly the case here.

If you consider yourself to be a fan of the Creed films or the Rocky franchise dating back to 1976 (wow!!), you need to see this in theaters as soon as possible. I don’t know if we will get another Creed movie or not, but Jordan seems to have left the possibility open, and the inevitable success of Creed III should be a big determining factor. So get out there and support this movie! Plus, if you need motivation to start working out and preparing for beach season, just watch the Creed movies and you will have all the motivation you need. Creed and Creed II are currently streaming on HBO Max and Prime Video, you can thank me later.

TED TAKES RATING - 9.4/10

Creed III is now playing only in theaters. Check out the latest trailer below.

Giants Being Lonely

Giants Being Lonely is a 2019 indie coming-of-age drama directed by Grear Patterson in his directorial debut, and written by Patterson and Sam Stillman. The film premiered at the 76th Venice International Film Festival and was part of the 2020 Official Selection at the Tribeca Film Festival.

In Hillsborough, North Carolina, high school seniors Adam, Bobby, and Caroline experience the ups and downs of sex, loneliness, murder, and baseball during the final year of high school. Star pitcher Bobby is beloved for his athletic talents, but is unmoored from life and neglected by his alcoholic father. Adam, the less skilled player, has a crush on their classmate Caroline but must deal with his abusive father and his closed off mother.[

The cast includes Jack Irving, Ben Irving, Lily Gavin, Amalia Culp, and Gabe Fazio.

Giants Being Lonely made its limited release on September 1st, 2019, courtesy of Gravitas Ventures, prior to a streaming release on Prime Video.

THE GOOD

Every now and then a movie flies completely under my radar until I either come across the poster or the trailer and it happens to catch my eye, and that is exactly what happened with Giants Being Lonely. I pride myself on giving the world of indie filmmaking the respect it deserves so I will always try and give anything that looks a bit indie a second look, and the poster for this definitely looked the part. After a quick look, I confirmed not only was this an indie film, it was a coming-of-age story which if you know me or have kept up on my reviews, you would know that is without question one of my favorite genres. Plus, add in the fact that the story is centered around a high school baseball team from the south, and I knew I needed to check this out immediately. So, was it worth my time, or did I miss it for good reason? Keep reading to find out!

One of the reasons I love indie films so much, especially indie dramas or coming-of-age stories, they don’t feel the need to fill every second with dialogue. In my opinion, it’s part of what is wrong with the world today, like people are afraid to be alone with their own thoughts. Films like Ain’t Them Bodies Saints, Drive, or even The Place Beyond the Pines, all sacrifice dialogue for the ability to feel something and live in the moment. To just watch the look in the eyes of a character and try to figure out what they might be feeling, really is the ultimate way to connect viewers to the experience which at the end of the day is what filmmaking is all about.

Giants Being Lonely takes this approach to heart and slowly gives viewers an intimate look at the film’s characters while leaving breadcrumbs of backstory as the film progresses. It may not always work the way it is intended to and some may find this approach frustrating, but for me and for most fans of indie film, this style is my happy place in so many ways. My advice, strive to be someone who can go to a movie alone, or maybe even to breakfast alone with a good book. At the risk of sounding like a self-help book, the first step towards self-actualization is the ability to be alone with your thoughts and just live in that moment.

Okay so back to talking about the movie, Giants Being Lonely is far from perfect but it did give me plenty to appreciate. I really loved how even though the film was essentially present day, it still felt much older as the teenagers portrayed didn’t have their faces buried in cell phones, and families still at least attempted to sit at a dinner table for a meal together. This added a certain layer of rare authenticity I surely appreciated. From a purely technical standpoint, this is a fantastic film. I mean sure it is still flawed, but as a debut film, it has a ton going for it. I loved the raw and gritty indie feel the film had throughout, making you feel as though you were right there in this small town in North Carolina.

My favorite thing about this film was the overall approach as far as the camera work and the score, making for a true indie feel that often relied on pure emotion and tone to deliver its message. This approach can be risky and doesn’t always work here, but all things considered, I felt like the identity of the film from a technical perspective was without question a big bright spot for the film and worth experiencing. Ben Morsberger serves up the perfect music to match the emotional tone of each and every scene. A perfect example is the film’s closing sequence which is equally chilling and thought-provoking thanks to the score/music and camera work.

THE BAD

The acting and the writing, more specifically a good portion of the dialogue, are the most glaring issues keeping Giants Being Lonely from reaching its full potential. The screenplay from Grear Patterson and Sam Stillman has a clear goal in mind but seems to lose focus somewhere along the way. I’m trying my best to avoid being overly critical of the cast because we are dealing with what is primarily a group of no-name actors. My issue is with the inability to play to your strengths and mask your weaknesses, and I just felt like the cast was left on an island with a script that felt nonsensical at times. The idea was to try and have an abundance of the awkward teenage moments that come along with high school and I get that, I just felt like the execution left a lot to be desired. What we are left with is a bunch of uncomfortable moments with characters that feel like a shell of their true selves. I had a hard time really relating to any of the characters by the end of the film, and just felt like that element of the film lacked substance.

Giants Being Lonely has lofty goals which include the film’s conclusion, and for me, the ending seemingly comes out of nowhere. I really liked how the ending was presented keeping with the stylish element of the film, but it all felt a bit out of left field (pun intended) thanks to the inability to effectively develop characters. The issues I had with how forced and generic the dialogue felt certainly played a part as well. Bottom line, even though the film is very clear in terms of what it is trying to do, the end result is a failure to meet the goal that seemed to be right there for the taking.

THE VERDICT

A coming-of-age indie drama with high aspirations that suffers from poor writing and uninspired dialogue, Giants Being Lonely ultimately squanders its full potential but still serves as a solid debut from director Grear Patterson. There really is a lot to like here and while the broader message is always clear, the film struggles to effectively convey the deeper meaning behind the inner turmoil impacting each character to a varying degree. In my opinion, this has to do with some of the film’s flaws I talked about earlier in the review, which holds the film back, which is unfortunate because it really could have been great.

I still recommend giving Giants Being Lonely a watch even if just for the technical elements alone, and at around an hour and 20 minutes it goes by pretty fast. I plan to give it another viewing to see if it comes together a bit better the second time around.

TED TAKES RATING - 5.9/10

Giants Being Lonely is now streaming on Prime Video. Check out the latest trailer below.

Cocaine Bear

Cocaine Bear is a 2023 black comedy thriller film directed and co-produced by Elizabeth Banks, from a screenplay by Jimmy Warden. Inspired by the 1985 true story of a drug runner's plane crash, missing cocaine, and the black bear that ate it, this wild thriller finds an oddball group of cops, criminals, tourists and teens converging in a Georgia forest where a 500-pound apex predator has ingested a staggering amount of cocaine and gone on a coke-fueled rampage for more blow... and blood.

The film stars Keri Russell, O'Shea Jackson Jr., Alden Ehrenreich, Matthew Rhys, Jesse Tyler Ferguson, Kristofer Hivju, Christian Convery, Brooklynn Prince, Margo Martindale, and the legendary Ray Liotta in his final performance.

Cocaine Bear made its debut in theaters on February 24th, courtesy of Universal Pictures.

THE GOOD

Let’s be honest, when they initially announced Cocaine Bear I was sure it had to be some sort of a spoof. But when the first trailer released it was clear that this was in fact a legit movie, as crazy as it seemed. Add in the fact that it is based on a true story and I was counting the days waiting for the release. Luckily the stars aligned and this movie was given a wide release, and you know damn well my ass was firmly planted in that comfy theater seat on opening day. I held off on reading too much about the true story just to keep the mystery of the story in tact for the sake of my enjoyment. So, was Cocaine Bear the wild and hilarious ride the trailer made it out to be or just another example of a project that bites off more than it can chew? Keep reading to find out!

I’ll cut to the chase, Cocaine Bear was everything I needed it to be. The 80’s feel and the tone of the film was made abundantly clear within the first 5-minutes, and I knew right away I was going to enjoy this movie. Not only does it refuse to take itself too seriously and remain entertaining throughout, but we are also spoiled with a great cast that delivers above average acting. In many ways Cocaine Bear reminds me of the 2010 horror comedy Piranha 3D in terms of how the kills are equally hilarious and gruesome, and often more of the latter.

Not a spoiler but one particular scene during the final act of the film involving an ambulance had me laughing my ass off. The film isn’t shy with the gore, but it never feels like too much which speaks to the balance it has. The movie is hilarious and had me laughing out loud a ton, and I liked all of the characters who all seemed to serve a purpose. Even though Cocaine Bear is just loosely based on true events, just the fact that a bear ingested a ton of cocaine back in the mid 80’s is enough of a reason for viewers to buy into this bonkers story and see this movie. Kudos to writer Jimmy Warden for putting together a great screenplay that fully utilized the talented cast.

Cocaine Bear probably could’ve gotten away with a cast of mostly unknowns, but instead they brought in some legit acting talent. The film does a great job spreading the wealth in terms of screen-time making it so the movie really is a collection of characters without any real leads necessarily. To be honest I thought everyone was great and made sure this movie hit as hard as possible. Veteran actress Keri Russell is great as usual. Modern Family actor Jesse Tyler Ferguson is basically unrecognizable and was hilarious in his role, and it was nice seeing Ice Cube’s son O’Shea Jackson Jr. on the big-screen again as he has been MIA for a bit since the underrated 2018 action thriller Den of Thieves (our review here).

I’m having a hard time choosing but I think Margo Martindale honestly may have been my favorite character in her role as the horned up Ranger Liz who had the hots for Ferguson’s character. Martindale is a ridiculously talented and versatile actress, although some of her best roles were in television including the FX series Justified and the HBO drama The Leftovers. It is certainly bittersweet seeing my guy Ray Liotta in his final farewell as he has since departed this cruel world just last year at the young age of 67, but man can you think of a guy who played a dirty cop better? Seriously, I loved him in every role he played, and one of my favorites in the last decade or so would probably be The Place Beyond the Pines alongside Bradley Cooper. He was also in the recently released Apple TV drama series Black Bird (preview and trailer here), which is absolutely worth a watch. He will be missed. So yeah, as far as the cast everyone delivered the goods.

Aside from having a superbly talented cast who clearly had a blast making this movie, the bread and butter of Cocaine Bear is the VFX and use of CGI. More specifically the creativity by which several unfortunate souls meet their demise during the film. Let’s just say quite a few body parts end up in the lost and found. From the opening scene it is clear that this is going to be a blood-soaked roller coaster packed to the brim with R-rated humor, gore, and drugs for days, and it was glorious. A giant bear that ingested an insane amount of cocaine does exactly what you would expect it to do, a bunch of absolutely ridiculous and bizarre shit.

I personally thought the bear looked fantastic, and come to find out Peter Jackson’s company Weta FX, which was also used in Avatar: The Way of Water (our review here), was the reason why. Needless to say the majority of the films budget was a check cut to Jackson’s company, but it was well worth every penny. I was curious about how they planned to go about making sure the centerpiece of the film kept viewers engaged for the hour and 30 minute runtime, and this bear looked great and was so much fun to watch. Forget what you learned about bear survival because Cocaine Bear is a rare breed. Just try and imagine Usain Bolt and Lawrence Taylor had a baby, and that baby went on a cocaine-fueled rampage.

Now I have to talk about actress-turned-director Elizabeth Banks and the job she did here. The Massachusetts native made her big-screen debut in the directors chair back in 2015 with Pitch Perfect 2, and followed that up with the Charlie’s Angels spinoff film in 2019 which sadly was a disaster. Banks invested a ton in that film and shouldered the majority of the blame for its downfall but she kept her head high waiting for her next opportunity. Cocaine Bear is clearly quite different from her first two films, and in an interview with Variety Banks talks about how much of a risk it was for her to take on this project after Charlie’s Angels.

She bought in to the insanity of the premise, and was determined to ensure this genre film gave audiences what they were hoping to see. I personally thought she did a fantastic job here, crafting a film that could easily have felt like a jumbled mess, but instead each and every scene felt intentional and necessary and I also loved the creative camera work. My hope is that Cocaine Bear dominates the box office, not only for her sake, but also so we continue to get more movies like this. So yeah, head to the theater and support this movie!

THE BAD

Alright listen, the movie is called Cocaine Bear and is based on true events, exaggerated no doubt, but still. Can we really sit here and pick it apart? I mean sure, the CGI can be a little much at times and 90% of what happens in the movie is far-fetched and physically impossible even on a ton of quality cocaine, but so what?! With a movie like this you simply need to embrace the ridiculous premise, turn your brain off, grab a few pitchers of your favorite adult beverage, and enjoy. Movies like Cocaine Bear should honestly have their own rating scale for the simple fact that being ridiculous and campy is a good thing.

The more I think about it the more I am reminded that my list of good and bad is far outweighed by the good. The movie is hilarious, the kills are super creative and just the right amount of gory, and the cast is fantastic. The story plays out exactly how I would imagine someone high as a kite on cocaine would tell the true story of Cocaine Bear, who has since been been stuffed, given the nickname Pablo Escobear, and now resides in a Kentucky mall. I mean, the movie basically wrote itself. With that being said, if you’re looking for an elaborate story or any semblance of substance, you should probably look elsewhere.

THE VERDICT

A delightfully gory and hilariously satisfying over-the-top horror comedy with the intoxicating 80’s vibe I just can’t get enough of, Cocaine Bear is an unapologetic drug-infused adventure that lives up to its name. I had a lot of fun with this movie, and I’m sure it will get even better with repeat viewings. Elizabeth Banks was due for a resurgence after the Charlie’s Angels Box Office blunder, and she deserves all the credit in the world for going all in on such a crazy concept. To say the 80’s were wild would be an understatement, I’m just glad Hollywood is finally willing to share some of these legendary stories with the rest of the world. Dig into those couch cushions and show Cocaine Bear your support because we need more movies like this. Last but certainly not least, RIP Ray Liotta. An absolute legend in the film industry.

TED TAKES RATING - 8.1/10

Cocaine Bear is now playing only in theaters. Check out the latest trailer below.

Magic Mike's Last Dance

Magic Mike's Last Dance is a 2023 comedy-drama film directed by Steven Soderbergh, written by Reid Carolin, and produced by Channing Tatum. It is the third installment in the Magic Mike trilogy, following Magic Mike (2012) and Magic Mike XXL (2015). Originally intended to be digitally released onto HBO Max, Warner Bros. Pictures opted to give the film a theatrical release following strong test screenings.

Mike takes to the stage again, following a business deal that went bust, leaving him broke and taking bartender gigs in Florida. Mike heads to London with a wealthy socialite who lures him with an offer he can't refuse.

The cast includes Channing Tatum, Salma Hayek, Joe Manganiello, Matt Bomer, Caitlin Gerard, Kevin Nash, Adam Rodriguez, and Kylie Shea.

Magic Mike’s Last Dance made its debut in theaters on February 10th, courtesy of Warner Bros. Pictures.

THE GOOD

I feel like the Magic Mike films continue to be misunderstood in terms of what they actually bring to the table. Sure you get the male stripper element which makes it an easy ladies’ night out option, but they are much more than that. Director Steven Soderbergh’s original film hit theaters more than a decade ago, wow that makes me feel old, and I remember being very impressed with it. I told anyone who would listen how good it was and that there was much more than meets the eye as you got a great story, top-tier acting, and lots of great humor. Plus the cast, led by the man himself Channing Tatum, was fantastic. Back in 2015, we got the sequel to the original film in Magic Mike XXL, which even though Soderbergh left the director’s chair was still really good. Now Soderbergh is back with the third and likely final film in the franchise, but does it live up to expectations or pale in comparison to the other films? Keep reading to find out!

Alright, so it turns out that is a bit of a loaded question. Magic Mike's Last Dance does fail to match the expectations put in place by the first two films and I will talk more about that later in the review, but don’t panic because that does not mean all is lost. Even though I can’t stamp this as the perfect sendoff for the franchise, this is still an enjoyable film for several reasons. First and foremost, the cast should and will draw your attention. Channing Tatum is a boss no argument there, and the addition of the tantalizing Salma Hayek is a treat that may or may not send your sugar levels through the roof. The soundtrack and choreography got me fired up, and it was just great to see Tatum as Magic Mike yet again. The film as a whole offers up enough to satisfy audiences on both sides of the aisle, and you surely won’t leave the theater looking for a refund.

It wouldn’t feel right to review Magic Mike’s Last Dance without first talking about the cast. Now first and foremost, we all know that Channing Tatum has earned his place amongst the greats ever since his Step Up days. Tatum is not just a pretty face with a toned body, this dude is talented and he works his ass off. Tatum once again shows up and shows out in Magic Mike’s Last Dance, delivering yet another fantastic performance. New to the franchise and taking on the other lead role is the tantalizing and gorgeous Salma Hayek. I have been a fan of Hayek for as long as I can remember, and I have always applauded her versatility as an actress. Although I do feel she was a bit underutilized here, I still enjoyed her character and thought she delivered yet another great performance. I also really enjoyed Ayub Khan-Din as the personal assistant/driver of Hayek’s character, and Jemelia George as Hayek’s daughter. The supporting cast was fine, and as great as all of the dancers were they didn’t really get to do much actual acting which was fine of course.

What should we talk about next? You guessed it!! The dancing in Magic Mike’s Last Dance is amazing as expected. The choreography is top notch and we are treated to a ton of extremely talented people who were given a great opportunity to showcase their skills. We also get to watch Tatum’s Mike properly introduce himself to Hayek’s character during a steamy and powerful strip tease during the film’s first act. The soundtrack was epic as well, and it wouldn’t have been a Magic Mike movie without a little bit of Ginuwine’s Pony that is for damn sure. No joke, during the final dancing sequence my eyeballs were popping out of my head, and it wasn’t just because of Channing Tatum. Seriously, it was such a cool way to close out the film and send viewers home feeling satisfied with the overall experience. Actress Kylie Shea was incredible, end of discussion.

THE BAD

I enjoyed Magic Mike’s Last Dance but it absolutely left me wanting more, and my biggest issue was the story and the overall direction of the film. The first film is built around Channing Tatum’s character Mike Lane, better known as Magic Mike, and his coming-of-age journey as he struggled to make something of himself. Mike was a relatable character and I enjoyed embarking on his journey of self-discovery. I loved all of the other characters he met along the way as well, and thought they did a fantastic job with casting. The second film felt like a homecoming of sorts, bringing back all of the original characters for another hoorah, and it worked well.

With Magic Mike’s Last Dance Steven Soderbergh and writer Reid Carolin decide to change things up a bit which does work in some aspects, but also makes for an overall anti-climactic experience in my opinion. Carolin has a ton of experience working with Tatum as he wrote the screenplay for all three Magic Mike films, as well as last year’s gem Dog, so he knew what he was working with. Although it was clear that the goal for Magic Mike’s Last Dance was to bring the sole focus back to Tatum’s character and serve as a bit of a full-circle finale, it just felt less inspired and ultimately forgettable in terms of his character. More than anything else I just really just wanted to see the boys, Joe Manganiello, Matt Bomer, Adam Rodriguez, and Kevin Nash, back together again and they had the perfect opportunity to do it, but it just wasn’t meant to be and it really bummed me out.

THE VERDICT

While Steven Soderbergh fails to capture the magic and energy of the original film, Magic Mike's Last Dance is still an enjoyable addition to the franchise with fantastic choreography and a jaw-dropping final act. By no means is this a bad movie, I just found the overall story to be underwhelming and felt like leaving out the original cast was a mistake. The stellar dancing sequences alone are still worth a trip to the theater, and I’m sure wine sales will be up for the foreseeable future.

TED TAKES RATING - 6.9/10

Magic Mike’s Last Dance is now playing only in theaters. Check out the latest trailer below.

Ant-Man and the Wasp: Quantumania

Ant-Man and the Wasp: Quantumania is a 2022 superhero film directed by Peyton Reed, from a screenplay by Jack Kirby and Jeff Loveness. It is based on Marvel Comics featuring the characters Scott Lang / Ant-Man and Hope Pym / Wasp. Produced by Marvel Studios and distributed by Walt Disney Studios Motion Pictures, it is the sequel to Ant-Man and the Wasp (2018), and the 31st film of the Marvel Cinematic Universe (MCU).

Scott Lang and Hope Van Dyne, along with Hank Pym and Janet Van Dyne, explore the Quantum Realm, where they interact with strange creatures and embark on an adventure that goes beyond the limits of what they thought was possible.

The cast includes Paul Rudd, Evangeline Lilly, Michael Douglas, Michelle Pfeiffer, Kathryn Newton, Jonathan Majors, and Randall Park.

Ant-Man and the Wasp: Quantumania made its debut in theaters on February 17th, as the first film of Phase Five of the MCU.

THE GOOD

I’m a big fan of the Ant-Man movies, and a big reason which should be obvious is my guy Paul Rudd. Yet another home run as far as casting for Marvel when they brought him in. He brings a unique comedic element that has blended seamlessly within the MCU and is so charismatic as an actor that he seems to make it easier on everyone else. Seriously, find me someone who dislikes Paul Rudd, I’ll wait. I really enjoyed the first two Ant-Man films, and what has stood out to me most with those films is the fact that more than anything else they were fun and always hilarious, with great energy. So after a long and eventful four years, the sequel to Ant-Man and the Wasp (2018) is finally here, but is it the Phase 5 debut we were all hoping for or a rare miss for Marvel? Keep reading to find out!

Ant-Man and the Wasp: Quantumania was so much fun, and absolutely met my expectations. The visuals were fantastic as they had this blend of Star Wars meets Strange World, and I was really digging it. The movie is laugh-out-loud hilarious as expected, and the cast, which is loaded with talent, was great. I liked the story as well and it definitely felt like a springboard for Phase 5 which got my juices flowing.

I’ll be honest, I was slightly concerned prior to seeing Ant-Man and the Wasp: Quantumania just because of the early screening feedback from critics, but I made it a point not to read any of the reviews before I could escape parenthood for two hours and see the movie for myself to form my own opinion. What a trendsetter I am! But in all seriousness, it really is such a satisfying feeling when a movie defies all of the criticism, plus full disclosure, I would have been super bummed if this movie was bad. Now it wasn’t perfect and I will talk more about that later, but the good far outweighs the bad and I had a smile on my face from start to finish.

For my money the best part of Ant-Man and the Wasp: Quantumania in my humble opinion is the characters and how great they are together. The cast is stacked, from national treasure Paul Rudd to Michael Douglas, Michelle Pfeiffer, Evangeline Lilly, Kathryn Newton, Randall Park, and quite possibly the hottest actor working today in Jonathan Majors, and it really seemed like everyone genuinely had a blast making this movie. The tone of the film is kept fairly light for the most part, making for some opportunities for the writing team to have some fun with the cast and they take full advantage. I personally laughed out loud more times than I can count and thought the film had a ton of great one-liners you will want to share with your friends as soon as you leave the theater. I also thought the chemistry between the characters seemed genuine making it easy for viewers to become immersed in the overall experience.

I’ve heard some criticism in terms of the special effects/CGI for Ant-Man and the Wasp: Quantumania, but I honestly did not have an issue with it. Because the film takes place pretty much entirely in the Quantum Realm, the visuals are pretty wacky from the beginning. As I mentioned earlier in the review right away the vibe I was getting was Star Wars meets Strange World in terms of the environments and the characters. I thought the creativity of both was great, and I really liked how these ridiculous characters were able to add so much to the comedic element of the film. I won’t spoil anything, but my favorite antagonist who happens to be a surprise returning character is the epitome of the whacky visuals, and he cracked me up from the start because he was just so damn ridiculous. If you can’t have fun with these characters, you may need to re-evaluate your willingness to just let go and just enjoy the simple things in life. Just saying.

THE BAD

As I said Ant-Man and the Wasp: Quantumania isn’t perfect, and certainly could have been better. First, it felt a bit light on story compared to the first two films, but as the first movie in Phase 5, it is a tricky balance. It just didn’t hit quite as hard as far as the emotional element as it did rely that much more on humor. This is personal preference but I would have liked to have seen more of the movie take place outside of the Quantum Realm, but it is called Quantumania after all. Mainly because it was a bummer not seeing Michael Peña and T.I. who are hilarious in the first two films.

As far as the CGI and the visuals in general, I thought they were great and fit the vibe of the film. For me, they never felt too over the top because they set the tone early on and sort of made it clear that anything goes in the Quantum Realm. I’m not going to talk about the hits or misses as it relates to the comics because well, I have zero familiarity with them, so in no way shape, or form does the movie rub me the wrong way. Some people may have an issue with the fact that Ant-Man and the Wasp: Quantumania definitely relies on humor and lacks any sort of gritty feel, but for me, it worked and made for a very entertaining experience.

THE VERDICT

Visuals that deliver a Star Wars meets Strange World vibe with a hefty dose of laugh-out-loud humor thanks to several great one-liners from the talented cast, Ant-Man and the Wasp: Quantumania was just so much fun and absolutely met my expectations. Trashing this movie feels less about the actual film and more about issues surrounding the film and the industry as a whole. As regular guys who just happen to review movies, we strive to remain impartial and do what we can to give our unbiased opinions, and more than anything else we review movies based on what they are trying to accomplish, and whether or not they were successful. Our own personal enjoyment matters too, of course.

Bottom line, after seeing Ant-Man and the Wasp: Quantumania I left the theater smiling and I can’t wait to see it again, so for me, this one is easy to recommend and is well worth the price of admission. Be sure to stick around for BOTH post-credit scenes, one of which is after the conclusion of the credits.

TED TAKES RATING - 8.4/10

Ant-Man and the Wasp: Quantumania is now playing only in theaters. Check out the latest trailer below.

Infinity Pool

Infinity Pool is a 2022 science fiction thriller film written and directed by Brandon Cronenberg, who previously wrote and directed Possessor (2020). The son of famed director David Cronenberg, the man who brought us Scanners (1981), The Fly (1986), A History of Violence (2005), and most recently Crimes of the Future (Andrew’s full review here), Brandon intends to pave his own way in the industry. The film is an international co-production between Canada, Hungary, and France, and had its world premiere at the 2023 Sundance Film Festival on January 22, 2023.

While staying at an isolated island resort, James (Alexander Skarsgård) and Em (Cleopatra Coleman) are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. But guided by the seductive and mysterious Gabi (Mia Goth), they venture outside the resort grounds and find themselves in a culture filled with violence, hedonism, and untold horror. A tragic accident leaves them facing a zero-tolerance policy for crime: either you’ll be executed, or, if you’re rich enough to afford it, you can watch yourself die instead.

Infinity Pool made its debut in select theaters on January 27th, courtesy of Neon.

THE GOOD

Alright so when I first heard about Infinity Pool I was first intrigued by the cast because I am a huge fan of Alexander Skarsgård, and Mia Goth has also been a favorite of mine as of late. Add in the fact that Brandon Cronenberg wrote and directed the film, I knew that at the very least it was going to be a crazy experience, for better or for worse. And admittedly the trailer actually increased my excitement level, mainly because I thought the premise had a chance to be very interesting depending on where they decided to go with it. So as soon as Infinity Pool hit theaters near me I made my way right over. So, was it worth my time or too off the reservation to even be enjoyable? Keep reading to find out!

Wow, what an experience. I just loved this movie for so many different reasons which I will touch on in my review, but for starters, Infinity Pool is easily one of the most immersive films in recent memory. I mean my eyes were glued to the screen, and I was feeling what the characters were feeling within the first 20 minutes of the film, which is no easy task. The acting was incredible, the story is just wild and shocking, yet it somehow feels relatable if that makes any sense at all, and the technical elements were top-notch from start to finish. I feel like writer/director Brandon Cronenberg was incredibly intentional with this original story, and the weight of it hit me like a ton of bricks. I don’t know if my background and general interest in psychology played a part or not, but for me, Infinity Pool felt like a hard look at the dark side of humanity, essentially what we are capable of becoming without judgment or fear of consequences. The story itself is fairly straight forward as crazy as it is, but being able to connect with the characters and the emotions they are feeling takes this film to the next level.

The story in Infinity Pool is everything. It is crucial that viewers are able to connect with Alexander Skarsgård’s character James Foster, which should be easy enough as in the beginning he resembles most of us at some point in our lives. James is a failing writer who is struggling to find his place in the world so he takes this trip with his wife in the hope that he can find inspiration. Not only is he in a bad place in his career, but he is losing touch with who he is as a man, and more importantly as a human being. Bottom line, James is having an identity crisis, and just when he feels like he is destined to live the rest of his life as a failure with a glazed-over look on his face he meets Gabi, an energetic and intriguing woman played by Mia Goth. Needless to say, his world is soon turned upside down.

Now I won’t give anything away of course, but the relationship that develops between James and Gabi is the beating heart of the film. The story gets crazier and crazier with each passing minute, and Cronenberg also utilized some very effective psychedelic sequences which seem to help viewers tap into the intense confusion James must be feeling. He loses himself over and over again, and so much of the story grows with the subtle yet extreme fascination James and Gabi feel for each other. Gabi is often seen observing James and relishing in the chaos she is causing. Bottom line, this story is wild right up until the final scene.

The cast was nothing short of amazing, but the standing ovation should be reserved for Alexander Skarsgård and Mia Goth. I will start with Skarsgård, who has been on an absolute tear since his days on HBO’s True Blood. The 6’4 stud of an actor has been dominating Hollywood along with his brother Bill aka Pennywise, but you have never seen him like this. Infinity Pool feels like an opportunity for Skarsgård to shed his skin a bit and become something entirely different on-screen, and man did he crush it. It feels like it may be a reach saying this is his best performance to date considering his illustrious career, but it is surely one of his best and easily his most unique and captivating.

Alongside Skarsgård is Mia Goth, and all I can hear is Ludacris rapping “move, bitch, get out the way!”. Like seriously, Goth has been in some great films, but she landed on my radar officially with last year’s surprise horror film X (our review here), where she did double duty. She followed that up with an Oscar-worthy performance in the prequel Pearl (our review here) and proved that she is an absolute force. She does seem to really shine when playing absolutely psychotic characters, but hey to each their own, right? She is sooooooo good in Infinity Pool as Gabi, a character that has many, many layers, and seems to be about as crazy as Jeffrey Dahmer after a night at the club, Too much? Perhaps. Her chemistry with Skarsgård jumps off the screen, and even though I thought the entire cast was fantastic, the film does not hit as hard as it does without the performances of these two. Simple as that. Cleopatra Coleman delivered a heck of a performance as well, along with the rest of the supporting cast.

Now to talk about the man behind the camera, Brandon Cronenberg. And boy oh boy, all I can say is like father like son. This dude is super talented and has clearly been paying attention to the storied career his father has put together over the years. From the unique camera work during the opening sequence of the film right up until the end credits, Infinity Pool just feels like a film that mattered to each and every person who worked on it, and I have zero doubt that Cronenberg is beyond pleased with this piece of art he was able to put out into the world. A film like this desperately needs a mesmerizing score and jaw-dropping cinematography, and that is just what we get thanks to Tim Hecker who provided the music for the film, and talented cinematographer Karim Hussain, who also worked with Cronenberg on Possessor. Also a well-deserved shoutout to James Vandewater for his incredible editing.

THE BAD

Infinity Pool is amazing, and you will be doing yourself a disservice if you don’t check it out, at least in my opinion. But, to say it is not for everyone would be an extreme understatement. If you are easily offended by graphic content, you may want to sit this one out. Your willingness to connect fully with and immerse yourself in the film will make all the difference, because if you sit back and just watch it scene by scene checking your phone periodically you will find yourself saying what the fuck, a lot. Brutal violence, check. Lots and lots of blood, check. Sexual depravity and endless orgies, check. Enough emotional and physical abuse to ruin anyone for life, check, check, and check. Similar to the senior Cronenberg, Brandon does not hold back with Infinity Pool. But what makes this film unique in my opinion is that it’s not so much the wild sci-fi element as it usually is with his father’s films, but this experience is much more rooted in reality even if most of us refuse to admit it. It all comes down to a raw and unadulterated look at the human condition, and I hate to be the one to break the bad news, but that is often not as glamorous as we would like it to be. So yeah, consider this our disclaimer for what is a damn good movie.

THE VERDICT

An immersive and harrowing observation of the human condition when cleansed of all inhibitions, Brandon Cronenberg’s Infinity Pool is a powerful and complex viewing experience elevated by incredible performances from Alexander Skarsgård and Mia Goth. I just can’t stop thinking about this movie, and when I try to describe the premise to people they look at me like I have three heads, which is fair of course. It left me with more questions than answers, but that is part of why it is just so damn good. As I said it certainly is not for everyone and is extremely graphic, but if you can appreciate the raw emotion and sheer creativity that goes into making a film like Infinity Pool, it is well worth your time and then some. I’m looking forward to seeing it again.

TED TAKES RATING - 9.3/10

Infinity Pool is now playing only in theaters. Check out the latest trailer below.

Knock at the Cabin

Knock at the Cabin is a 2022 apocalyptic horror film directed and produced by M. Night Shyamalan, from a screenplay he co-wrote with Steve Desmond and Michael Sherman. It is based on the 2018 novel The Cabin at the End of the World by Paul G. Tremblay, making it the first adaptation of one of his works.

While vacationing at a remote cabin, a young girl and her parents are taken hostage by four armed strangers who demand that the family make an unthinkable choice to avert the apocalypse. With limited access to the outside world, the family must decide what they believe before all is lost.

The film stars Dave Bautista, Jonathan Groff, Ben Aldridge, Nikki Amuka-Bird, Kristen Cui, Abby Quinn, and Rupert Grint.

Knock at the Cabin made its debut in theaters on February 3rd, courtesy of Universal Pictures.

THE GOOD

As soon as Knock at the Cabin was announced, I was very intrigued. I thought the premise sounded really cool, and I was excited about the fact that it was yet another film from the talented albeit controversial M. Night Shyamalan. You simply cannot argue the fact that this dude belongs in the industry, but he is also far from bulletproof having attached his name to some duds over the years, most notably the live-action version of The Last Airbender from back in 2010, which had fans up in arms for good reason. But the fact remains, the director of the monster 1999 hit The Sixth Sense is more than capable of delivering the goods, including Unbreakable (2000), The Visit (2015), Split (2016), and more recently Old (our review here), which I actually really liked, and the Apple TV horror thriller series Servant, which is very well done. Knock at the Cabin has Shyamalan returning to the director’s chair and co-writing the screenplay, but as I mentioned in the intro, the film is not an original story of his. So, is this a film he can be proud of or just more ammunition for his haters? Keep reading to find out!

Good news ladies and gentlemen, Knock at the Cabin met my expectations and then some. I thought the cast was nothing short of spectacular, the story was extremely immersive and kept me guessing right until the very end, and the technical elements of the film were top-notch. One of Shyamalan’s calling cards is the unique and more often than not unsettling tone of his films, and that is very much present in Knock at the Cabin. The film utilizes several effective storytelling techniques with a patient approach, which really pays off in the end. As a cinephile, you are looking to check off certain boxes before you can feel good about giving a film the old thumbs up, but in my opinion, that is an easy determination here.

First I have to start with the story, which I loved. Now I know this is not an original story from Shyamalan and I have yet to read the book, but the book and the screenplay came together to provide one heck of a wild ride from where I was sitting, albeit more of a slow burn. Now I wouldn’t consider Knock at the Cabin to be in the horror genre necessarily, but in no way is that a criticism of the film. It is still able to effectively utilize certain horror elements, think The Strangers for example which is pretty obvious. This is a doomsday psychological thriller through and through, and without a doubt, it sinks its teeth in you. Bottom line, the story holds weight and really makes you think.

I found myself imagining what it would feel like if I were put in this position, on either side really, and that is impressive if you ask me. Knock at the Cabin is a complex film in a good way, and just when you think you have an idea of what is going on, another wrinkle in the story is revealed that flips what you thought you knew on its head. Just great misdirection storytelling that maintains an effective tone and never feels corny. I had my concerns about the ending for obvious reasons, but I honestly thought it was the perfect culmination and a satisfying conclusion. I’m looking forward to seeing it again. Kudos to Shyamalan, Steve Desmond, and Michael Sherman for their adaptation of Paul Tremblay’s novel, which I do plan on reading.

The cast is a massive bright spot for Knock at the Cabin and a big reason why the film works so well. I love me some Dave Bautista, the former professional wrestler who has become a legit movie star, and in my mind this is without a doubt his best performance yet. His character is so complex in terms of how he will be perceived by viewers, and I just loved his on-screen presence. Bautista’s commitment to his role brought out the best in the rest of the cast and ensured the story felt relatable and immersive. He was easily my favorite part of the movie. As an actor who has been typecast for the majority of his career, it was really cool seeing him get an opportunity to prove he can do more. The performances were fantastic from top to bottom, and it was great to see Jonathan Groff, the star of the Netflix series Mindhunter, in a feature film. As an actor, Groff has a certain demeanor about him, and I thought his character was equally interesting and intriguing.

Starring alongside Groff is Ben Aldridge, and I thought the two had genuine chemistry together which was crucial to the success of the film and the overall story. Harry Potter fans will recognize Ruper Grint, who also played a very impactful role. He plays the wildcard character who still manages to come across as sympathetic as you learn more about him. The performance of a young actor or actress can be the difference in a film like Knock at the Cabin in terms of ensuring the tone and feel remain throughout, and I was very impressed with young Kristen Cui. Cui and Bautista are the first characters viewers are introduced to, and the chemistry between them helps to build this story to its shocking conclusion. Shoutout to Nikki Amuka-Bird and Abby Quinn who were both great in their roles as well.

THE BAD

I do have a few criticisms for Knock at the Cabin but they are relatively minimal in terms of what they take away from the overall viewing experience. First, the pacing is a little slow so you do have to be patient. It is by design in terms of the buildup for the story and it honestly wasn’t an issue for me because I was so blown away by the quality of the acting, but it is something viewers expecting this non-stop crazy experience might have an issue with.

I also felt like the editing choices as it relates to the flashbacks felt a bit out of place, almost like I was supposed to get something from the flashbacks that I didn’t necessarily get. Now, this may be a me problem and could be fixed with a 2nd viewing, but it’s worth mentioning. This also may have been an attempt to involve more from the book. I also wanted to point out the fact that this film is timid in comparison to what we are used to getting from Shyamalan, but I do feel like that was a good thing because viewers tend to either love or hate the crazy twists in his movies. Not to say that we don’t get lots of twists and turns with Knock at the Cabin because we do, they just don’t feel quite as out of left field if that makes sense.

THE VERDICT

A thought-provoking doomsday thriller featuring an incredibly impactful performance from actor Dave Bautista, M. Night Shyamalan’s Knock at the Cabin will keep you guessing right up until its satisfying conclusion. As I mentioned in the review, this is easily one of Shyamalan’s best films in recent memory, and once again reinforces why this guy continues to get studio backing on a variety of projects. He has had some duds over the years, but he works his ass off and is deserving of some praise. Oh and keep an eye out for a great cameo from Shyamalan right around the start of the 2nd act of the film.

TED TAKES RATING - 8.1/10

Knock at the Cabin is now playing only in theaters. Check out the latest trailer below.

Plane

Plane is a 2023 action-thriller film directed by Jean-François Richet, written by Charles Cumming and J. P. Davis. The film was announced in 2016, acquired by Lionsgate Films in 2019, sold to Solstice Studios in 2020, and re-acquired by Lionsgate in 2021. It was shot in Puerto Rico.

Pilot Brodie Torrance saves passengers from a lightning strike by making a risky landing on a war-torn island -- only to find that surviving the landing was just the beginning. When dangerous rebels take most of the passengers hostage, the only person Torrance can count on for help is Louis Gaspare, an accused murderer who was being transported by the FBI.

The main cast includes Gerard Butler, Mike Colter, Yoson An, Daniella Pineda, and Tony Goldwyn.

Plane made its debut in theaters on January 13th, courtesy of Lionsgate.

THE GOOD

I love me some Gerard Butler, end of story. The guy is great, and has been in some of my favorite action thrillers in the last decade or so, including the highly underrated Law Abiding Citizen (2009) which is a favorite of mine, Den of Thieves (our full review here), and most recently the stylish crime thriller Copshop (our full review here). The guy is just one of those actors who has an amazing on-screen presence. Getting back on track, this Plane movie came out of nowhere and I honestly expected it to be a straight to VOD movie but it actually made its way to theaters. Add in Luke Cage himself Mike Colter starring alongside Butler and I was sold. I made my way to the theater genuinely excited even though I had relatively moderate expectations. Was it worth my time? Keep reading to find out!

Well folks, Gerard Butler has done it again! Plane was a ton of fun to experience, and just a good old fashioned action thriller with the always welcome shoot-em-up element making sure it appeals to viewers who can appreciate the throwback 90’s action movie feel. The story is simple enough but still feels grounded in reality which helped to keep me engaged, the character development is fantastic making sure you care about the characters, and I thought it was just entertaining throughout.

I really enjoyed the story for Plane, and as I mentioned it seemed surprisingly realistic instead of over-the-top as you might assume especially considering the premise. From the beginning as we meet Gerard Butler’s character Brodie Torrance, an awesome name by the way, it all felt true to life in terms of my experience flying commercial airlines. I also liked how great the character development was in terms of how each character was introduced with their own unique element of intrigue that progressed throughout the film. Plane also added a strong emotional element to the story that paid dividends by the end, giving viewers a few different characters to root for. I felt like each character had a place in the story, and I also thought the primary antagonists were fantastic and almost had that Captain Phillips ruthlessness to them. The best part though was the private military contractors who show up to provide help, they were so damn badass. It had that 13 Hours: The Secret Soldiers of Benghazi (our review here) feel to it, and man these dudes meant business. They contributed to so many of those satisfying scenes that make action thrillers so appealing. It damn near had me on my feet shouting “U.S.A!! U.S.A!!”.

The cast was without a doubt a big draw for Plane, and as I mentioned early Gerard Butler was awesome as per usual. Instead of being some ex-military badass, Butler played a pilot who finds himself drawing crap duty due to a situation where he let his temper get the best of him. By all accounts he is a family man who takes his job very seriously, and it was also believable when he was forced to pick up a rifle and fight bad guys because well, he is Gerard Butler after all. Next up is of course Mike Colter, who I thought was great as well. Colter has the most intriguing character who is pretty mysterious, but he becomes a fan favorite pretty quickly. Colter has the military background so he is able to serve as an important albeit unsuspecting piece of the puzzle when it comes to the rescue mission at hand. Colter had genuine chemistry with Butler as well which was huge. As far as the supporting cast, I have to give shoutouts to Daniella Pineda, Yoson An who I really liked as the co-pilot, Tony Goldwyn in a small but impactful role, Paul Ben-Victor, Evan Dane Taylor, Remi Adeleki, and Joey Slotnick.

THE BAD

I honestly have very little to complain about when it comes to Plane in terms of what it offers as a cinematic experience, but it’s not exactly going to win any awards, and that’s okay. This is a real simple example of an easy to appreciate action film that isn’t trying to bite off more than it can chew. It also balances the action nicely allowing for plenty of character development ensuring the film has an impact on its viewers. The hardcore action fans may complain about pacing because it does take a bit before the real fun begins, but as I said I liked the balance. Plane does what it sets out to do, and for me that is more than enough.

THE VERDICT

An action-packed thriller with a satisfying story that somehow feels realistic considering the fairly outlandish premise, Plane is a fun movie that offers up a little something for everyone. The film kept me engaged from start to finish, and is yet another Gerard Butler gem with a ton of replay value. After seeing the chemistry he had with Mike Colter, I hope to see them together on another project in the new future. Sometimes all we need is a few characters that are easy to root for, some bad guys that are easy to hate, and some good old fashioned shoot-em-up action to get the blood flowing. Bottom line, Plane is easy to reccomend and well worth a trip to the theater.

TED TAKES RATING - 8.3/10

Plane is now playing only in theaters. Check out the latest trailer below.

Men

By: Andrew Wing

Men is a 2022 British folk horror film written and directed by Alex Garland (Ex Machina, Annihilation). It stars Jessie Buckley (I’m Thinking of Ending Things, The Lost Daughter) as a widowed woman who travels on holiday to a countryside village but becomes disturbed and tormented by the strange men in the village, all portrayed by Rory Kinnear (James Bond films, The Imitation Game).

The film was released in the United States on May 20, 2022, by A24 and in the United Kingdom on June 1, 2022, by Entertainment Film Distributors.

THE GOOD

News flash, but being the crazy sci-fi enthusiast I am, I absolutely love Alex Garland! Ex Machina is one of my favorite films from the past decade, and Annihilation is one of the most underrated movies from the past five years. Anyways, I still need to watch the FX miniseries Devs which he wrote and directed, but once I heard about Men and saw the trailer, I was freaking amped. However, it did get some pretty mixed reviews once it was released in May of last year, but while that may turn some people off from checking a movie out, a highly divisive movie only makes me more eager to check it out, and check it out I did! So what was Men? Was it another sci-fi classic from Garland? Or was it a step down for him? Keep reading to find out!

I mean, it was honestly both if you’re asking me. While Men was nowhere near the likes of Ex Machina and Annihilation, because well those were some of the best sci-fi movies of the past decade, I do think Men does have a chance to be one of those cult classic movies years from now. Why? For starters, like the rest of his movies, the visual storytelling is really strong here from Garland. A lot of the imagery in the film is really striking, and the rest of his filmmaking here was really good I thought. There are some drawn-out silent sequences where we just see the main character, Harper, walking throughout the forest, and because of how Garland decided to shoot those, we actually come away learning a lot about the character. I am just such a big fan of Garland, and I am really looking forward to his next film, Civil War which should hopefully be coming out later this year.

So I watched the movie with my Mom, and I told her going in that Jessie Buckley might be my favorite current actress, and after having watched the movie, I can say that she is. She was just great in this film throughout and thought she was perfectly cast. She was able to convey so many emotions for her character of Harper when she was feeling refreshed or when she was feeling unsettled, which was a lot to say the least. She was phenomenal when it came to showing Harper’s trauma, but at the same time she was able to show the resiliency of her too. All in all, I love Jessie Buckley so I might be biased, but this was another really good performance from her.

As good as Jessie Buckley was, the best performance might’ve belonged to Rory Kinnear. And I should call it performances because he literally plays like ten different characters in this film. All of his roles were good, but my favorite was hands down Geoffrey, the owner of the holiday house Harper rents, and I would love for him to have his own sequel/prequel movie or miniseries but that’ll never happen. Seriously though, his character was inviting but also jittery and creepy and Kinnear should’ve honestly got an Oscar nomination because he was unbelievable in Men, and he made a fan out of me!

I know I already touched on Garland’s visual storytelling, but to continue with the visuals of Men, the movie just looks incredible. The cinematography from Rob Hardy was thoroughly gorgeous. All of the colors were so vibrant, so much so that I was asking myself if grass can really be that green. But as for some of the other technical elements of Men, I loved the score from Ben Salisbury and Geoff Barrow and I thought it was really cool how they intertwined Jessie Buckley’s own vocals into their unsettling score.

THE BAD

Alright, when it comes to the bad, there is only one thing I want to talk about, and that is the ending. There’s no other way to say it, the ending to this movie was just bonkers. I’m pretty sure my mom gagged about two or three times during the last ten to fifteen minutes of the film because it’s really gross and honestly pretty disgusting so just a heads up, be prepared for some body horror.

To continue with the ending, I was just confused by the film’s message and the narrative approach as a whole. I mean the movie is called “Men”, and while it might just be me oversimplifying things, it felt like Garland just wanted us to know that men are bad. I’m sure there was a broader purpose to the film that I could better understand on a second watch, but I just wanted something more from the film’s conclusion that wasn’t just Alex Garland telling us that he supports women.

THE VERDICT

While it doesn’t reach the same heights as his first two films because of the overall messaging, Alex Garland’s Men is still a very interesting British folk horror film that has undoubtedly the craziest ending of anything 2022 had to offer.

As crazy as it was, I did really like the movie overall. I loved the visuals, the music was awesome, and I was very impressed by the performances of both Jessie Buckley and Rory Kinnear.

TED TAKES RATING - 6.8/10

Men is now available to stream on Showtime. Check out the latest trailer below.

Aftersun

By: Andrew Wing

Aftersun is a 2022 drama film written and directed by Charlotte Wells in her feature directorial debut. The film stars Paul Mescal (The Lost Daughter, Normal People), Frankie Corio, and Celia Rowlson-Hall (Vox Lux).

Set in the early 2000s, the film follows Sophie (Corio), an 11-year-old Scottish girl, as she reflects on the shared joy and private melancholy of a holiday vacation she took with her father, Calum (Mescal), at a Turkish resort twenty years earlier on the eve of her 31st birthday.

Aftersun was released in the United States on October 21, 2022, by A24 and in the United Kingdom on November 18, 2022, by Mubi. Paul Mescal earned a nomination for Academy Award for Best Actor. It was also named one of the best films of 2022 by the National Board of Review and was awarded top place by Sight and Sound on its poll for the best films of the year.

THE GOOD

Ever since the Cannes International Film Festival, Aftersun has been at the very top of my watchlist. It got great reviews there, and last month I saw this being at the top of almost every critic's best films of 2022 list, including the one and only Sight and Sound list too. Well, it hit VOD last week and the other day I finally had the chance to check out the latest drama from my favorite production company A24. But did it live up to the insane amount of hype? Keep reading to find out!

It really freaking did! The film was written and directed by Charlotte Wells in her feature directorial debut, and if there’s one thing I can say to people after having watched this is to remember her name. Seriously though, Aftersun is stunning and it is just a gem of a movie. The film follows Sophie as she reflects on a holiday vacation she took with her father, Calum and we really just follow them throughout that week and witness their bond, their love, and their connection, and we also observe some of the gaps in their communication and it was just amazing to watch this story unfold. It’s funny because the movie was produced by Barry Jenkins, the man behind the Best Picture-winning film Moonlight and also If Beale Street Could Talk, and it’s crazy to say how many similarities there were between this movie and his movies. I mean this movie was so empathetic, poetic, and human, and it truly is one of the most incredible directing debuts I have ever seen. I don’t want to put too much pressure on Wells, but after this, I don’t think I am alone in saying that she has what it takes to become one of the best writer-directors working today.

As good as Wells' direction and the original screenplay was, this movie is absolutely carried by the two lead performances from Frankie Corio as Sophie and Paul Mescal as Calum. First, with Mescal, he is phenomenal in this and I’m so damn happy he got the Academy Award nomination yesterday for Best Actor. I mean he truly deserves it. He was great at carrying the unspoken and darker qualities of his character because of how he feels about being thrown into fatherhood at a young age, and I don’t know if there’s an actor right now who has a brighter future than Mescal. As for Frankie Corio, she was just amazing as this girl who is coming-of-age and asking her father a ton of questions that he is not ready to answer. It was just fascinating to see how comfortable Corio was with the DVR recorder that was being used throughout the movie, and she just felt so real and so mature in this role. More than that, she was also capable of expressing really complex emotions in a subtle way and it was just one of those child performances that will be talked about for years to come.

As for some of the other elements with Aftersun, it just doesn’t miss. The editing in the movie is super unconventional and a little abstract, but it worked so well and I would’ve loved to have seen this get a Best Editing nomination. More than that though, the movie is just so beautiful visually speaking thanks to Gregory Oke’s cinematography, and also just some of Charlotte Wells’ compositions that will just burn themselves in your mind. Oh and last but not least, I won’t spoil it, but the ending is really great.

THE BAD

As for things I will spoil though, I loved this movie! However, if you’re one of those people who doesn’t want the movie to end before you are ready for it to, this might not be for you. As I said, I loved the ending, but there will definitely be some questions that you don’t get answered, but that’s okay because I think at the end of the day you will still get the release you want and I’d be shocked if it didn’t hit you emotionally.

THE VERDICT

Aftersun is without a doubt one of the best films 2022 has to offer. It is a deeply moving, empathetic, and truly human story that is brought to life behind one of the most impressive debuts of honestly all-time from Charlotte Wells, and also some of the best performances of the year from Paul Mescal and Frankie Corio.

TED TAKES RATING - 9.7/10

Aftersun is now available to rent and own on demand. Check out the latest trailer below.

Skinamarink

Skinamarink is a 2022 Canadian experimental horror film written and directed by Kyle Edward Ball in his feature directorial debut. The film was made on a $15,000 budget and after an initial limited theater release it quickly surpassed $1 million in earnings, allowing for a wide theatrical release.

In 1995, four-year-old Kevin injures himself in what his six-year-old sister Kaylee says is a sleepwalking incident. Sometime later, the two wake up in the middle of the night to find that their father has seemingly disappeared and that the windows, doors, and other objects in their house are gradually vanishing as well.

The cast includes Jaime Hill, Dali Rose Tetreault, Ross Paul, and Lucas Paul.

Skinamarink made its debut in theaters on January 13th and will be available to stream on Shudder on February 2nd, courtesy of IFC Midnight.

THE GOOD

When I started hearing rumblings about this Skinamarink horror movie, I’ll admit I was intrigued. I looked for the trailer and my first thought was that this will likely be a very limited release that I will be forced to watch VOD or when it hits a streaming service. To my surprise, it actually arrived at a few of my local theaters prior to its release on the Shudder streaming service in February, so I was pumped! I’m not ashamed to admit that I really didn’t know what the term ‘experimental horror’ actually meant, which forced me to do a bit of research. In a nutshell, the idea behind this subgenre is to unnerve viewers with a focus on atmosphere and visuals, usually with a seemingly straightforward plot. Most have heard the term elevated horror when talking about films like It Follows or The Babadook, but I’d say that experimental is another layer entirely mainly because it’s even less mainstream. So I made my way over to the theater for Skinamarink the first chance I got, but was it worth my time, or was the anticipation all for nothing? Keep reading to find out! 

Okay, so as I write this review I’m still trying to make sense of what I just watched. But as far as going right out and saying was it worth my time, I’d say definitely. Skinamarink was a very, very unique experience and more than anything else I appreciated the creativity. It never really feels like a low-budget film because of the overall style, which reminded me of watching an old crappy VHS tape on an even crappier TV. Now I understand that sounds about as enticing as an uppercut to the eyeball, but hear me out. The film is very grainy for I’d say about 90% of the time, and the majority of the scenes are very dark without any lights on. Every now and then you will see a bit of light and the picture will seem clearer, but these moments are very brief and before you know it you are right back in grainy image quality. For me, the commitment to this specific look added to the overall impact of the film and its ability to keep viewers on the edge of their seats, but it does require patience.

Now Skinamarkink is about as unnerving as you can get when it comes to horror movies for several reasons. I’m talking about a variety of unique shots where you might be staring at a door or a bare wall, eyes just darting from one side of the screen to the other waiting for something to happen. Oftentimes nothing happens, but needless to say, that is not always the case. This brings me to my next focus as it relates to the scare factor of the film, the jump scares. I’m usually not super vulnerable to traditional jump scares, but I no joke peed a little 3 or 4 times during this movie. The style of the film as far as the lack of music or dialogue sets up for a very hard-hitting element of surprise So yeah, consider that a warning.

Skinamarink often feels like a mix between Poltergeist and Paranormal Activity, and by the end, you get the vibe that something evil may be behind all of the weird shit going on in this house. I won’t give anything away but the elements that reminded me of Paranormal Activity really stood out for me personally, and I’m more so referring to the first film. Plus even though the story is as simple as it can get and the character development is nonexistent, you still feel for these kids and their situation even though you aren’t quite sure what is going on. I’m pretty sure we can all think back to times when we were kids and woke up in the middle of the night terrified with our imaginations running wild.

I remember several nights I’d wake up worried that something was going to happen to my parents even though they were in bed, and I wanted nothing more than for morning time to come. Bottom line, it can be terrifying to be a kid and Skinamarink embodies that feeling. A sense of helplessness and confusion only a child can explain. I also really liked how they took the things that children find comfort in, toys and cartoons for example, and made them part of this seemingly never-ending nightmare. After seeing the film and researching a few theories behind the premise, I am now even more intrigued and need to watch it again to try and piece together this puzzle.

So much of Skinamarink feels like an optical illusion, almost like it is purposefully messing with your eyes, because well, it is. I won’t go too in-depth talking about this aspect of the film because it is without a doubt a big part of the experience and I don’t want to spoil anything but trust me when I say you will be questioning whether or not it is time to finally schedule that visit with the eye doctor that you have been pushing off for years. But seriously, this part of the film was awesome in my opinion, and I personally can’t wait for Andrew to see it so we can discuss our thoughts. Assuming he can get through it, because well, horror doesn’t really agree with him. The camera work plays into the unique identity of the film as you never really see any of the characters or environments at eye level, instead either having a view angled towards the ceiling or sort of a view from the floor. It takes some getting used to for sure but seems to help build up the idea of being disoriented. As far as the acting in the film is concerned, I don’t know how I would even begin to evaluate it. You’ll get what I mean once you see the movie.

THE BAD

I know I’ve said this before, but perhaps not as emphatically as I’ll say here. Skinamarink is not for everyone. This film is unique in pretty much every way, and whether or not you will enjoy or appreciate it fully depends on you accepting its overall approach. The film lives and dies through its creativity and willingness to be different, and I commend that. Did I have a wtf is happening look on my face during 85% of the movie? Damn right I did, but that doesn’t make it a bad movie. Case in point, just because you don’t like a movie, does not make it bad.

With that being said, I’m not at all surprised by the high critic score and relatively low user score for Skinamarink because of its unorthodox nature. You absolutely have to go in expecting a very strange and unnerving experience, and just let things progress from there. I honestly did my best to leave all of my expectations at the door so I could just take it all in. If you are hoping for a normal horror film with an interesting story you’ll be disappointed because Skinamarink does not care about your preconceived notions about horror films.

THE VERDICT

A dare-to-be-different experimental horror film with Poltergeist and Paranormal Activity vibes that will undoubtedly captivate some viewers while sending others for a refund, Skinamarink is a unique experience that is as creative as it is terrifying. I honestly found myself thinking how do you even begin to edit a film like this?! It is just so out there and basically impossible to piece together, for better or for worse. I would love to sit down with the crew to find out how they decided on the final edits. I just have so many questions. Love it or hate it, Skinamarink is a film you won’t soon forget, and I feel like I need to see it again so that I can start unraveling this cinematic mystery.

As I mentioned in the introduction the film will debut on Shudder in a few weeks, but if you want the full experience I suggest seeing it in theaters. If you decide to wait and stream at home instead, be sure to eliminate all distractions and turn off the lights to get the full experience.

TED TAKES RATING - 7.6/10

Skinamarink is now playing only in theaters. Check out the latest trailer below.

The Whale

By: Andrew Wing

The Whale is a 2022 American drama film directed by Darren Aronofsky (Black Swan, Requiem for a Dream) and written by Samuel D. Hunter, based on his 2012 play of the same name. It stars Brendan Fraser (The Mummy, Journey to the Center of the Earth), Sadie Sink (Stranger Things, Fear Street trilogy), Hong Chau (Inherent Vice, Downsizing), Ty Simpkins (Iron Man 3, Jurassic World), and Samantha Morton (Minority Report, Synecdoche, New York).

The film follows Charlie (Fraser), a reclusive English teacher suffering from severe obesity who attempts to reconnect with his estranged teenage daughter (Sink) for one last chance at redemption.

The Whale premiered at the 79th Venice International Film Festival on September 4, 2022, and had a limited theatrical release in the United States on December 9, 2022, before a wide release on December 21, by A24. Fraser won Best Actor at the 28th Critics' Choice Awards and earned nominations for Best Actor at the 80th Golden Globe Awards and the 29th Screen Actors Guild Awards. It has so far grossed $11 million against a budget of $3 million.

THE GOOD

I have been eagerly awaiting seeing The Whale for what feels like forever now. Seriously though, for the past year, all I’ve heard from people on social media was that Brendan Fraser was going to make his triumphant return to Hollywood as he was playing a morbidly obese, 600-pound man. But after the film premiered at the 79th Venice International Film Festival in early September of last year and videos began circulating of Fraser receiving a long-standing ovation for giving one of the best performances of the current century, my anticipation for this movie was at an all-time high! Thankfully though, I finally got the chance to see it earlier this week, but did it match my otherworldly expectations? Keep reading to find out!

I don’t know if the film did as a whole, but one part of the movie somehow went above and beyond my already high expectations, and that was Brendan Fraser’s performance as our main character Charlie. Fraser was just unbelievable in this movie. He feels very down to earth here as Charlie. He made this character so easy to care a lot about, and this movie just really hit me emotionally and it was almost entirely because of Fraser’s performance. He just gives so much vulnerability in this role to the point where viewers can somehow feel what he is feeling at any given moment. He goes really big in some scenes and he just pours everything out on screen, and it was just one of those performances where the actor gives everything he has. Every line delivered was flawless and it is hands down the best performance of 2022 in my opinion, and he should be winning Best Actor for this at the upcoming 95th Academy Awards.

There’s no debating that Fraser won the movie, but there are some really good supporting performances in The Whale too. I thought Hong Chau without a doubt had the best supporting performance, and she just continues to make me a really big fan of hers. Her character was very grounded, felt real, and was a very likable person. She is also best friends with Fraser’s character, Charlie, and I thought their chemistry was fantastic. I mean she even had a couple of scenes where she was the standout which says a lot given Fraser’s performance. But with this, and also The Menu (see Ted’s full review here), she had herself one hell of a 2022, and she is looking likely to get an Oscar nomination for Best Supporting Actress. Oh, and Samantha Morton, like she did in She Said (see my full review here), comes in in one scene and pretty much steals the movie. She just crushed it in every aspect.

But aside from the performances, let’s talk about the director Darren Aronofsky. I’m not the biggest Aronofsky fan, but I love how all of his movies stay with you for a while after you watch them and how they always make you think. Well, this was his first film since his 2017 highly divisive psychological horror film mother!, and I found this to be an improvement over that one. This was much more of a contained drama which is not something I am used to from Aronofsky, but I thought he directed the film really well. That said, with this film we still get that famous Aronofsky maximalism in a different form because of the way he shows this character whose mental health has trapped him in this life.

And as for some of the technical elements of The Whale, I was a big fan of its visual style. The film really takes place in one location, Charlie’s apartment, and I just loved how they shot this movie and what it looked like. Also, this film has a 4:3 aspect ratio, and while that might annoy some other viewers, I was a huge fan of it. It’s done with almost all practical lighting as it is kind of a dim movie and it just felt quite dark which I think added a lot to the movie as a whole because Charlie’s character is also in a dark space himself not only physically speaking, but mentally as well. The makeup was amazing too as Fraser looked so real, and that has to be a huge threat to win the Oscar for Best Makeup & Hairstyling. And last but not least, I really liked Rob Simonsen’s score and I loved when it became really big at moments. It was just a really interesting score that really worked for me.

THE BAD

Now there’s no denying that I liked the film as a whole, but I did have a few problems with it. My first problem would have to be the runtime. The movie clocks in at just under two hours, and while I don’t usually have a problem with longer movies, this movie definitely could’ve been shorter. Maybe it was just the way I was feeling on the day I saw it, but I felt kind of out of it at points, and I think a big reason was because of the screenplay, which is based on Samuel D. Hunter’s play of the same name, feeling a lot well, like a play. It was just very ‘writy’ at times and I just didn’t vibe with it. That said, it will certainly be getting an Oscar nomination for Best Adapted Screenplay just given the competition for that category.

But to continue with that complaint, you can just feel that throughout the movie. The story never felt restrained, and it just felt pretty obvious at times where we were going and how things were going to end. But aside from that, my last complaint is unfortunately on a performance that was getting a little bit of Oscar buzz a couple of months back and that performance belonged to Sadie Sink. Her character was just needlessly cruel and she had this very abrasive personality. I don’t know, I just didn’t like the character and Sink’s performance because it felt unrealistic to me and it just felt like overacting in my opinion.

THE VERDICT

Behind the best performance of 2022 from Brendan Fraser that could win him the Oscar for Best Actor, The Whale is a powerful, deeply moving drama film from Darren Aronofsky that I was emotionally invested in from start to finish.

I liked Aronofsky’s direction, Hong Chau had a great supporting performance, the camerawork was fantastic, the score was awesome, and I’m just really looking forward to seeing this for a second time!

TED TAKES RATING - 8.2/10

The Whale is now playing only in theaters. Check out the latest trailer below.

A Man Called Otto

A Man Called Otto is a 2022 comedy-drama film directed by Marc Forster from a screenplay by David Magee. It is the second film adaptation of the 2012 novel A Man Called Ove by Fredrik Backman, and a remake of the 2015 Swedish film of the same name written and directed by Hannes Holm.

Otto is a grump who's given up on life following the loss of his wife and wants to end it all. When a young family moves in nearby, he meets his match in quick-witted Marisol, leading to a friendship that will turn his world around.

The film stars Tom Hanks, Mariana Treviño, Rachel Keller, Manuel Garcia-Rulfo, and Cameron Britton.

A Man Called Otto began a limited theatrical release on December 30th, 2022, before a wide release on January 13th, 2023, by Sony Pictures Releasing.

THE GOOD

Let me be honest here, it really didn’t take much convincing for me to check out A Man Called Otto as soon as it hit theaters. First of all, Tom Hanks is a national treasure and has been a favorite of mine ever since his role in the 1988 hit film, Big. Hanks is without a doubt one of the most versatile actors in Hollywood and has attributed to quite a few teary eyes over the years with incredibly powerful films like The Green Mile (1999). After watching the trailer it was clear Hanks was the man for this role, and that notion was just reinforced as I began reading the book the film is based on. So yeah, needless to say, I was excited to check out what looked to be another quality Tom Hanks film. So, was it worth my time? Keep reading to find out!

Let me get this out of the way right now, I loved this movie. First and foremost, I was surprised by just how hard it hit me on an emotional level. I will talk more about the overall writing and story later on in the review but trust me when I say be sure to have tissues handy when you watch it. I knew going in that A Man Called Otto was more than just a dark admittedly quirky comedy, but I had no idea to what extent it went beyond what the trailer or the brief synopsis showed. This film has many layers, and to say that it will leave a mark on viewers is an understatement, and it will surely hit some people harder than others depending on their own personal life experiences. It got me good, I will say that. The writing was great, I really enjoyed each and every character, and I felt like the tone was consistent throughout. You never quite knew what direction the film would go, and I enjoyed the ride we were taken on as viewers. I also felt like the film was very inspiring in terms of what it means to be a positive influence, and a nice reminder not to judge a book by its cover.

Believe it or not, even though Tom Hanks is in the lead role I won’t be talking about the quality of the acting right away. One of my biggest takeaways from A Man Called Otto was just how much more there was to the story than what you’d realize after watching the trailer. As I mentioned I am currently reading the book, usually a chapter or so before bed so admittedly it is taking me a bit, but as far as I can tell so far the film stayed fairly true to the novel it is based on, and David Magee did a heck of a job adapting the screenplay. What I am enjoying most about the book so far, which also happens to be one of my favorite aspects of the film as well, is the flashbacks to the early years of Otto, where we get to learn a bit more about how this seemingly grumpy man came to be. I will focus on the film for obvious reasons but the flashbacks were fantastic, simple as that. They held so much weight, and I never had that I wish they would ease up on the flashbacks feeling I’ve gotten from films in the past.

Now add in the fact that young Otto is played by Hanks’ real-life youngest son Truman, and it really is something special. Now I will admit, I had no idea who this dude was when I saw the movie, and I thought he played his role like a seasoned vet so naturally, I was curious as to who he was. After watching the film and doing a bit of research as I put together my review I found out that not only is he the son of Hanks, but this is also his first role in a film. He doesn’t even have a picture on IMDb, and is primarily credited as working in the camera and electrical department according to his filmography. Just wild. I won’t give anything away, but let me just say that Truman Hanks was so good at playing young Otto that he was easily one of my favorite things about this movie, and a big reason why it tugs at the heartstrings the way it does.

Okay so obviously the acting was great. I talked about Truman Hanks who deserves all of the recognition in the world for coming out of nowhere and delivering a memorable performance, but his dad was fantastic as always. Tom Hanks really becomes his character, and for the majority of the film, I forgot he was just playing this role. Otto is such a unique and layered character that viewers will enjoy unraveling just what makes him tick, and I really liked all of his quirks and his overall view of people and the state of society. Maybe I am just getting old but I actually agreed with him more than I probably should have. As far as the supporting cast, I thought everyone pulled their weight. Aside from little Hanks, I would say Rachel Keller made the biggest impact as Sonya. Keller is best known for her recurring roles in shows including Fargo, Legion, and Dirty John. As far as her performance here I thought she was fantastic. She plays this no-nonsense character who is the perfect person to stand up to Otto and his grumpiness, ultimately forming a unique and genuine bond. I thought she had awesome chemistry with Hanks as well which is really saying something considering his pedigree as an actor. I won’t talk too much more about the cast but I thought everyone was great.

THE BAD

I’m honestly struggling to pick this film apart because I genuinely enjoyed it. Is it perfect? No, I wouldn’t say that, but in my opinion, the final product delivered where it mattered and amounted to a special cinematic experience and I can’t wait to see it again. Now the film does need a few disclaimers because, for one, it deals heavily with the idea of suicide as a means to an end. I will say that such a sensitive subject was handled perfectly and with care, and in no way glorifies it or attempts to stray from its significance. A Man Called Otto is a dark comedy at its core because of the subject matter, but they manage to keep that quirky element throughout without taking away from the overall impact of the film’s message. It also includes other real-life and significant elements of loss and trauma that personally hit me pretty hard, but speaking from my own personal experiences it just made me feel closer to the film and made it matter to me that much more.

THE VERDICT

A compassionate, heartbreaking, and genuinely inspiring story about a complicated and grumpy old man with a story to tell, A Man Called Otto is a beautiful film that impressed me at every turn. I usually go into the theater with at least an idea of what to expect, but this experience was unique. The story pulled me in so many directions, and I kid you not I had a tear running down my face by the end of it. Life is complex, and as human beings, we are often quick to judge, but this film is a perfect example that we have no idea what the person we pass on the street may have been through in their life. It is a reminder that sometimes all that you need to do is try to be kind, no matter how grumpy and unpleasant a person may seem at first. What happens next may surprise you.

Bottom line, A Man Called Otto is a funny, satisfying, and meaningful film that I absolutely recommend people see in theaters.

TED TAKES RATING - 9.3/10

A Man Called Otto is now playing only in theaters. Check out the latest trailer below.

M3GAN

M3GAN is a 2023 science fiction horror thriller directed by Gerard Gladstone (Housebound), from a screenplay by Akela Cooper (Malignant, The Nun 2) and a story by horror legend James Wan, the man behind the Saw, Insidious, and The Conjuring franchises, and produced by Blumhouse, the production company behind the Halloween films, The Black Phone, and The Invisible Man.

M3GAN is a marvel of artificial intelligence, a life-like doll programmed to be a child’s greatest companion and a parent’s greatest ally. Designed by brilliant toy-company roboticist Gemma (Get Out’s Allison Williams), M3GAN can listen and watch and learn as she becomes a friend and teacher, playmate, and protector, for the child she is bonded to.

When Gemma suddenly becomes the caretaker of her orphaned 8-year-old niece, Cady (Violet McGraw from The Haunting of Hill House), Gemma’s unsure and unprepared to be a parent. Under intense pressure at work, Gemma decides to pair her M3GAN prototype with Cady in an attempt to resolve both problems—a decision that will have unimaginable consequences.

The cast includes Allison Williams (Girls, Get Out), Violet McGraw (The Haunting of Hill House) Ronny Chieng (Shang-Chi and the Legend of the Ten Rings), Brian Jordan Alvarez (Will & Grace), Jen Van Epps (Cowboy Bebop), Lori Dungey (The Lord of the Rings: The Fellowship of the Ring, extended edition) and Stephane Garneau-Monten (Straight Forward).

M3GAN made its debut in theaters on January 6th, 2023, courtesy of Universal Pictures.

THE GOOD

When it was first announced that M3GAN was a horror film with the involvement of Jason Blum and Blumhouse, I knew I would be seeing it on day one. When the first trailer was released I was genuinely excited because this looked really good. I couldn’t quite describe the feel initially in terms of whether it would lean more toward horror thriller or more horror comedy, but the premise was intriguing and the overall production value looked pretty damn top-notch. Plus, I was sold on the cast from the jump. So, was M3GAN just yet another run-of-the-mill horror thriller that left me wanting more, or was it able to leave a mark? Keep reading to find out!

Oh, it left a mark alright, this movie was an absolute blast to experience! More than anything else, M3GAN is such a well-rounded film that effectively utilizes elements from a variety of genres. If I had to try and describe the film, I guess I would say it is a horror thriller with a heavy dose of dark comedy, but it also has some unexpected feel-good moments mixed in believe it or not. The pacing is fantastic so I was never bored, and the stage was set pretty early on in terms of the anticipation for what M3GAN would become. I bought into Allison Williams as a genius workaholic engineer from the start, and I also really liked how they put our obsession with technology front and center as well. And to be honest the film somehow managed to be darker and also funnier than I expected, which needless to say took me by surprise in a good way. M3GAN is the perfect protagonist turned antagonist, and she is one heck of a badass not to be messed with. Long story short, similar to my wife, she likes to hold a grudge so best to stay on her good side.

I liked so much about M3GAN, but if I had to try and narrow down what I liked most about it I’d have to say the tone of the film. The premise really could have gone either way, but man they did it right. The writing was great, and believe it or not, balancing comedy and horror/thriller elements really isn’t an easy task. Either you make it clear from the start that things will be a bit ridiculous with the feel of a throwback slasher for example, or you keep the audience guessing. In my opinion, M3GAN accomplished the latter, sprinkling in a comedic tone while staying true to an overall feel that is nothing short of terrifying at its core. I was honestly very impressed by how many times I laughed out loud considering how certain characters meet their demise, but because the tone is so damn effective I didn’t even feel bad about it. That is a big win in my book.

M3GAN expresses herself verbally as well of course, but the scenes where she says nothing are the most intense. This brings me to my next talking point, the technical elements of the film. I was blown away by how amazing M3GAN looked, and just how great of a job they did with her. I did little to no research prior to seeing the film in terms of how they planned to bring her to life on-screen, and the entire time I was in awe of her. Her movements, voice, facial expressions, and mannerisms all came together to create this next best toy in the making turned murderous little psychopath. Trust me when I say you will not sit back and think this film is corny, not for a second. She is unsettling, to say the least. After seeing the film I did some brief research and learned that M3GAN came to fruition using a variety of methods, including VFX, puppetry, and a damn good performance from child actress Amie Donald. The film utilized several puppet versions of M3GAN to successfully accomplish the vibe and tone they were going for in certain scenes, and to say that an insane amount of creativity went into making this film would be a significant understatement, so kudos to everyone who worked on the project.

I knew the cast would be a bright spot for the film and it did not disappoint. Allison Williams is awesome in the lead role, and I have been a fan of hers since the HBO series Girls. Williams has quickly become an actress to watch after she starred in Jordan Peele’s Get Out, and I felt like she once again proved her abilities here as a lead actress. For those of you who don’t know, as a fun fact she is in fact the daughter of NBC Nightly News anchor Brian Williams. I love me a good young actor when it comes to horror films, and man is Violet McGraw quickly becoming a favorite of mine. The 11-year-old McGraw has a real understanding of acting through emotion, and more than anything else she is believable in her emotionally complex role. I am looking forward to watching her career develop. Jenna Davis was fantastic as the voice of M3GAN, and Amie Donald was great actually playing the dangerous A.I.-empowered doll. I actually really enjoyed Ronny Chieng in his over-the-top role as goofy as he was alongside his pushover assistant played by Stephane Garneau-Monten. Both played a big part in keeping with the underlying comedic tone. Also a well-deserved shoutout to Brian Jordan Alvarez and Jan Van Epps, as the friends/co-workers of Williams’ character.

THE BAD

Full disclosure, I have very few issues with M3GAN, but it may not be for everyone. The film is very violent and often pokes fun at death in order to achieve the creative tone it was going for. It also has some very serious depictions of loss which may be difficult for some viewers. The film is rated PG-13, so the blood and gore are kept at a minimum, but they still get their point across with the violence. Plus, if you have an issue with creepy dolls in any form or fashion you may want to skip this one because believe me when I say you will likely be in for a few sleepless nights. With that being said I don’t personally consider the film to be scary, which isn’t a knock on it because that simply is not what they were going for here.

THE VERDICT

A visceral horror thriller infused with a unique and effective balance of dark humor, M3GAN packs a punch that will undoubtedly keep viewers fully immersed and on the edge of their seats. I admit I was nervous initially in terms of whether or not the film would feel too corny or over-the-top, but I felt like they succeeded in getting the most out of its PG-13 rating while staying true to what they were trying to accomplish. The film is a genuine slap-in-the-face wake-up call in terms of our reliance on technology, and I would be lying if I didn’t admit that I have been much kinder to Alexa since watching the movie. M3GAN was able to keep me entertained from start to finish, and I will continue to trust in just about anything James Wan, Jason Blum, and Blumhouse decide to attach their names to.

TED TAKES RATING - 9.3/10

M3GAN is now playing only in theaters. Check out the latest trailer below.

Crimes of the Future

By: Andrew Wing

Crimes of the Future is a 2022 science fiction body horror drama film written and directed by David Cronenberg (The Fly, Videodrome). The film stars Viggo Mortensen (The Lord of the Rings trilogy, Green Book), Léa Seydoux (The Grand Budapest Hotel, No Time to Die), and Kristen Stewart (The Twilight Saga, Spencer).

It follows a performance artist duo (Mortensen and Seydoux) who perform surgery to audiences, in a future world where human evolution has accelerated for some individuals. Although the film shares its title with Cronenberg's 1970 film of the same name, it is not a remake as the story and concept are unrelated, and there is no connection between the two films whatsoever. The film marked Cronenberg's return to the science fiction and horror genres for the first time since Existenz (1999).

An international co-production of Canadian, French, British, and Greek companies, Crimes of the Future had its world premiere at the 2022 Cannes Film Festival, where it competed for the Palme d'Or and received a six-minute standing ovation. The film received a theatrical release in France on May 25, 2022, opened in Canada on June 3, 2022, and had a same-day limited release in the United States.

THE GOOD

You can’t be a cinephile and not know who David Cronenberg is. The Canadian film director is one of the principal originators of what is commonly known as the body horror genre, with his films exploring visceral bodily transformation, infectious diseases, and the intertwining of the psychological, the physical, and the technological. Furthermore, he is best known for exploring these themes through sci-fi horror films like The Fly and Videodrome. That said, as much as I love sci-fi, I prefer Cronenberg’s drama thriller films such as A History of Violence and Cosmopolis. However, once I saw the trailer for Crimes of the Future, I was immediately hooked and knew that I wasn’t going to want to miss this. So did it live up to my expectations? Keep reading to find out!

It did! As previously mentioned, Cronenberg is the father of the body horror genre, a genre that despite its many challenging aspects has a number of great films, most recently Titane (see my full review here), which was one of the best films of 2021. That said, I was excited to see Cronenberg return to his true genre and he did not disappoint. He created this insane world where significant advances in biotechnology have led to the invention of machines and analog computers that can directly interface with and control bodily functions, and I was just in awe of his wild imagination. I’ll touch on some of the things I thought he could’ve done better later on in the review, but I thought this was a very well-directed film from Cronenberg and it’s great to see him back working in this genre.

As much as I liked the filmmaking from Cronenberg in Crimes of the Future, the thing I enjoyed the most were the performances we got. This was unlike any other performance I’ve seen from Viggo Mortensen before, but it was very good and pretty impressive to see his range. Léa Seydoux was also really good and I’ve just yet to see her give a bad performance. All that said, my favorite performance in this movie belonged to Kristen Stewart. She did this jittery, nervous kind of thing with her character Timlin, who is this weirdo, and I was totally on board with it and I honestly found her to be quite hilarious in the film too.

Aside from the performances though, the movie is visually striking so shout out to cinematographer Douglas Koch. The movie is very darkly lit and shady throughout, so much so that it made me question if it was ever daytime in this future world. Also, all of the interiors are very grimy and industrial looking. All in all, there is just great world-building here from the aesthetic presentation of the world. Oh, and the score by Howard Shore absolutely slaps and is without a doubt one of the best aspects of this movie!

THE BAD

It’s funny, the one complaint I have with the film is what will probably make more general audiences want to watch it, and that was that this movie didn’t deliver on being disgusting. I mean don’t get me wrong, there are a number of gross things that happen in this movie, but there are far crazier and gorier body horror films out there and the film was just a lot tamer than I expected. At the end of the day, I liked it and enjoyed it, but I was just disappointed in the lack of horror from Cronenberg and I thought he relied on exposition a bit too much. And lastly, when it comes to my complaints with Crimes of the Future, the end of this film just felt so abrupt and I really thought we were going to get another fifteen to thirty minutes where things really started to get crazy.

THE VERDICT

Although I wanted the film to be a lot crazier, Crimes of the Future is still a return to form for David Cronenberg. The world building was marvelous, the body horror was unsettling, and the performances from the big three were all amazing in their own different ways.

TED TAKES RATING - 7.5/10

Crimes of the Future is now available on Hulu. Check out the latest trailer below.

All Quiet on the Western Front

By: Andrew Wing

All Quiet on the Western Front (German: Im Westen nichts Neues) is a 2022 epic anti-war film based on the 1929 novel of the same name by Erich Maria Remarque. Directed by Edward Berger, it stars Felix Kammerer, Albrecht Schuch, Daniel Brühl (Inglourious Basterds, Captain America: Civil War), Sebastian Hülk (Red Sparrow, Hanna), Aaron Hilmer, Edin Hasanovic, and Devid Striesow.

Set in the closing days of World War I, it follows the life of an idealistic young German soldier named Paul Bäumer (Kammerer). After enlisting in the German Army with his friends, Bäumer finds himself exposed to the realities of war, shattering his early hopes of becoming a hero as he does his best to survive. The film adds a parallel storyline not found in the book, which follows the armistice negotiations to end the war.

All Quiet on the Western Front premiered at the Toronto International Film Festival on September 12, 2022, and was released to streaming on Netflix on October 28, 2022. In August 2022, the film was announced as Germany's submission for the Academy Award for Best International Feature Film at the 95th Academy Awards and made the December shortlist. It was also named one of the top five international films of 2022 by the National Board of Review.

THE GOOD

Heading into 2022, I was well aware that Netflix was making a remake of the 1930 Academy Award-winning film and the 1979 television film All Quiet on the Western Front. However, after it premiered at the Toronto International Film Festival in September and got amazing reviews, it certainly moved its way up my most anticipated list. On top of that, it was Germany’s submission for the Academy Award for Best International Feature Film for the upcoming 95th Academy Awards, and every year I unsuccessfully try to watch all of the films that get shortlisted, and I’m glad to say I finally checked this out! But was it good enough to take home the Oscar for Best International Feature Film? Keep reading to find out!

It most certainly is good enough! Not only is it good enough to win in that category, but this film is so good it might get a Best Picture nomination! I am a fan of both kinds of war movies, both war and anti-war like this one is, as dark and terrifying as they may be, and so is the Academy, and I really think this movie is nearly as good as 1917, the Sam Mendes film that almost won Best Picture back in 2020. Seriously though, this movie is incredible, and call me crazy, but I thought it was better than the 1930 film adaptation that actually won Best Picture.

The director Edward Berger just knocked it out of the park here. I felt like the main purpose of this film was to immerse us in World War I and make it feel real and alive again, and he 100% achieved that. I mean this was some really powerful visceral filmmaking from Berger here that puts us right in the mud with these soldiers and takes us on this very spectacular and enthralling, yet deeply terrifying experience with them. And as an anti-war film, I really don’t think Berger could’ve given us anything better because he makes war look so not fun and miserable, so much so that watching this film will entice anybody to never enter into a draft. All in all, Berger is very deserving of a Best Director nomination and he’s got an outside chance.

Continuing with the filmmaking, Berger and his team of people working on all the technical elements of the film made this movie a technical masterpiece. The movie was stylish, and while it wasn’t super different from the stuff we’ve seen in war films of the past, it was still told in such an immersive way and was more than faithful to the source material’s anti-war message. For real though, this movie is so technically well done. James Friend’s cinematography is so beautiful and is some of the best cinematography I’ve seen in a long time, Volker Bertelmann’s score was big and bombastic, the camera work is extraordinarily smooth, the production design is just absolutely insane, the visual effects are blended perfectly into the environments, the makeup is super impressive and character-driven, and the sound design is just on another level, especially for a war movie.

Aside from all of the aspects that went into the filmmaking, the performances we got from the entire cast were superb. First and foremost though was the performance from Felix Kammerer as the main character Paul Bäumer. He was really amazing in this movie and because of all the subtleties in his performance like his facial expressions and his eyes, I felt deeply connected to his character. It’s also a credit to the writing, but there were some scenes in this movie where we get some intimate moments between Paul and the other soldiers, and that made me care a lot and become emotionally invested. He was just perfect in this role and this looked like such a grueling part to play but he was so committed to it, so much so that it felt like we were really watching this young soldier in World War I.

Continuing with the performances, Helmut Zemo himself from the Marvel Cinematic Universe, Daniel Brühl, was really good here as a German politician who is seeking to end the war. All of the scenes he was in felt important and I think a lot of that was simply because of Brühl’s acting talents. Albrecht Schuch was also pretty great in All Quiet on the Western Front too as he played Stanislaus "Kat" Katczinsky, an older soldier whom Paul befriends. Schuch has some of the most emotional moments in the film and he just crushed them, and it’s not surprising that he was the only actor from the film to earn a BAFTA nomination.

THE BAD

If you can’t tell yet, I was a huge fan of All Quiet on the Western Front. That said, it certainly won’t be for everybody. With it being an anti-war film that definitely gets its anti-war position across, there is a lot of violence in the film so be warned. It’s just a tough movie to watch if I’m being completely honest. It’s a German film spoken entirely in a foreign language, and more than that, it’s pretty long too at 147 minutes, and as much as I loved this movie, I’d be lying if I said it didn’t drag at some points when we weren’t in combat.

THE VERDICT

I was completely blown away by Edward Berger’s All Quiet on the Western Front, which is the third adaptation of the 1929 novel of the same name. The film is the current leader for Best International Feature Film at the 95th Academy Awards, and it should be because this film is a technical masterpiece that is carried by a remarkable lead performance from Felix Kammerer.

At the end of the day, If you liked 1917, you will really like this film as they are quite similar. With both films, you get an immersive experience where the camera work is meant to make you feel like you were there, you get great performances, and you get some unforgettable scenes that show you the soul-destroying horror that was World War I.

TED TAKES RATING - 9.4/10

All Quiet on the Western Front is now streaming on Netflix. Check out the latest trailer below.